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The Crucifixion; The Last Judgment, c. 1440-41 (oil on canvas transferred from wood)

The Crucifixion; The Last Judgment, c. 1440-41 (oil on canvas transferred from wood)


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The Crucifixion; The Last Judgment, c. 1440-41 (oil on canvas transferred from wood)

3493064 The Crucifixion; The Last Judgment, c.1440-41 (oil on canvas transferred from wood) by Eyck, Jan van (c.1390-1441); 56.5x19.7 cm; Metropolitan Museum of Art, New York, USA; Netherlandish, out of copyright

Media ID 23629792

© Bridgeman Images

Afterlife Calvary Crown Of Thorns Crucify Damnation Damned Day Of Judgement Day Of Judgment Doomsday Evil Glorification Good Hades Heaven Hell Judgement Day Judgment Day King Of The Jews Last Judgement Mourners Nailed Netherlandish Northern Panel Paradise Purgatory Resurrection Salvation Saved Saviour Sinners Sins Souls Suffering Thieves Torment Underworld Final Judgment Punishment


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The Crucifixion; The Last Judgment

EDITORS COMMENTS
is a captivating and thought-provoking painting by Jan van Eyck, showcasing his mastery of the Renaissance style. This print captures the essence of this powerful artwork, which depicts two significant biblical events in one composition. In the upper panel, we witness the haunting scene of Christ's crucifixion on Calvary. The soldier stands guard while women mourn and angels hover above. Jesus wears a crown of thorns as he sacrifices himself for humanity's salvation. Below, in the lower panel, lies an awe-inspiring portrayal of Judgment Day. A crowd gathers as souls await their fate - some ascending to heaven while others are condemned to hell. The naked figures symbolize vulnerability and expose our deepest sins before God's judgment. Van Eyck's meticulous attention to detail is evident throughout this piece; every brushstroke brings life to each character and emotion portrayed. From the tormented damned to the serene paradise awaiting those who have been saved, "The Crucifixion; The Last Judgment" invites contemplation on themes such as faith, redemption, and eternal consequences. This print serves as a reminder of both human frailty and divine mercy that transcends time and religious beliefs. It is a testament to Van Eyck's artistic genius and his ability to capture profound spiritual narratives within his works.

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