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Relief panel of guardian and eunuch, c. 883-59 B. C. (gypsum alabaster)
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Relief panel of guardian and eunuch, c. 883-59 B. C. (gypsum alabaster)
3597307 Relief panel of guardian and eunuch, c.883-59 B.C. (gypsum alabaster) by Neo-Assyrian, (9th century BC); 234.3x242.6 cm; Metropolitan Museum of Art, New York, USA; (add.info.: Relief from the palace of king Ashurnasirpal II (r. c. 883-859 BC) at Nimrud, Iraq (ancient Kalhu, Mesopotamia) showing a supernatural protective figure and a mortal Assyrian courtier); out of copyright
Media ID 23153132
© Bridgeman Images
Ancestral Archaeological Assyria Assyrian Attendant Bracelet Calah Clean Shaven Cleaner Cleaning Lady Collar Courtier Earring Eunuch Fragment Governess Guardian Housekeeper Housemaid Inscribed Iraq Kalhu Mesopotamia Mesopotamian Motif Near East Neo Assyrian Nimroud Nimrud Nineveh Winged Ashurnasirpal Divinity Jewels Maid
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EDITORS COMMENTS
This print showcases a relief panel of a guardian and eunuch, dating back to the 9th century BC. Created by the Neo-Assyrians, this remarkable piece is made from gypsum alabaster and measures an impressive 234.3x242.6 cm. Currently housed in the Metropolitan Museum of Art in New York, USA, it originates from the palace of King Ashurnasirpal II at Nimrud, Iraq. The relief depicts a supernatural protective figure alongside an Assyrian courtier. The intricately carved details highlight the divine nature of the protective figure with its wings and inscriptions, while the mortal courtier stands beside them adorned with regal attire including a crown and jewelry. This archaeological treasure offers us insight into ancient Mesopotamian culture and their beliefs surrounding divinity and royalty. It serves as a testament to the skilled craftsmanship prevalent during that time period. The composition also provides clues about societal roles within Assyrian society; here we see an attendant or eunuch serving as part of the royal court's entourage. This image not only captures artistic beauty but also sheds light on historical customs and practices. As we gaze upon this fragmentary yet awe-inspiring artwork, we are transported back in time to witness both mythical beings and human figures coexisting harmoniously within one frame—a true testament to humanity's enduring fascination with art throughout history.
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