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Japan and Russia trying to drag China into the Russo - Japanese war. 1904 (litho)
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Japan and Russia trying to drag China into the Russo - Japanese war. 1904 (litho)
3674343 Japan and Russia trying to drag China into the Russo - Japanese war. 1904 (litho) by Camara, Leal de (1877-1948); Private Collection; (add.info.: Published in L Assiette au Beurre - No. 184 Oct 1904); Prismatic Pictures
Media ID 25152000
© Prismatic Pictures / Bridgeman Images
1904 Ambitions Camara Empire Of Japan Imperialistic Korea L Assiette Au Beurre Lassiette Au Beurre Leal De Camara Manchuria Nichirosens And X14d Nichirosensō Rival Rivals Russian Empire Russko Yaponskaya Voina Russo And X2013 Russo–japanese
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EDITORS COMMENTS
This lithograph, titled "Japan and Russia trying to drag China into the Russo-Japanese war" offers a fascinating glimpse into the complex geopolitical landscape of early 20th-century Asia. Created by Leal de Camara in 1904, this colorful French print captures the imperial ambitions and political rivalries between Japan and Russia. The illustration depicts two powerful figures representing Japan and Russia, each desperately attempting to pull China into their conflict. Set against the backdrop of Manchuria, a region that was fiercely contested during this period, it symbolizes the struggle for dominance over Korea and other territories. With its satirical undertones, this artwork sheds light on the imperialistic aspirations of both empires. The cartoonish portrayal emphasizes their rivalry as they vie for control in East Asia. Through clever use of color and detail, Camara masterfully conveys the tension and complexity of international politics at play. Published in L'Assiette au Beurre magazine in October 1904, this litho serves as a reminder of how art can be used to critique societal issues. It highlights not only the Russo-Japanese War but also broader themes such as nationalism, power dynamics, and territorial disputes. As we examine this piece from our private collection today, it invites us to reflect on historical events while appreciating the artistic skill employed by Leal de Camara.
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