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Still Life (Vanitas), c. 1637 (oil on panel)
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Still Life (Vanitas), c. 1637 (oil on panel)
996026 Still Life (Vanitas), c.1637 (oil on panel) by Andriessen, Hendrick (1607-55); 49.3x64.2 cm; Art Gallery of Ontario, Toronto, Canada; © Art Gallery of Ontario; Gift of Joey and Toby Tanenbaum, 1995
Media ID 22743320
© Art Gallery of Ontario Gift of Joey and Toby Tanenbaum, 1995 / Bridgeman Images
Drapery Ephemeral Fleeting Fuse Hour Glass Hourglass Hourglasses Laurel Laurels Locket Lute Mandolin Memento Mori Sand Glass Sandglass Skull Time Tobacco Vanitas Wreath Dying
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EDITORS COMMENTS
This still life painting, titled "Still Life (Vanitas)", created by Hendrick Andriessen in 1637, is a mesmerizing display of symbolism and contemplation. The composition features an array of objects carefully arranged on a panel, inviting viewers to delve into the deeper meaning behind each element. At the center of the image stands an hourglass, its sand slowly trickling away, serving as a reminder of the fleeting nature of time. Surrounding it are various items that represent different facets of human existence: a burning fuse symbolizing transience; books and texts signifying knowledge and learning; a skull representing mortality; and tobacco-related paraphernalia alluding to pleasure but also death. The artist skillfully incorporates elements such as drapery, laurels, keys, and even musical instruments like a lute and mandolin to further enrich the visual narrative. These objects serve as memento mori - reminders that our lives are temporary and should be cherished. Andriessen's use of light and shadow adds depth to this Baroque masterpiece while enhancing its dramatic effect. The intricate details captured in every brushstroke showcase his technical prowess. Displayed at the Art Gallery of Ontario in Toronto since 1995 thanks to Joey and Toby Tanenbaum's generous gift, this timeless artwork continues to captivate audiences with its thought-provoking exploration of life's ephemeral nature. As we gaze upon this print from Fine Art Finder by Bridgeman Images, we are reminded once again that
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