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Stultorum Medicus from Proscenium vitae humanae Sive Emblematum secularium
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Stultorum Medicus from Proscenium vitae humanae Sive Emblematum secularium
XJF365365 Stultorum Medicus from Proscenium vitae humanae Sive Emblematum secularium by Theodore de Bry, 1627 (engraving) by Bry, Theodore de (1528-98); Private Collection; (add.info.: What even Hippocrates and Galen did not know, I solve by the skill of my brain ; satirical image mocking the abilities of alchemists; The Doctor of Fools ; ); Flemish, out of copyright
Media ID 23254054
© Bridgeman Images
Alchemist Alchemy Emblem Emblemata Emblems Experiment Experiments Johann Medical Treatise Motto Practice Treatment Mottoes Theodor
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EDITORS COMMENTS
This print titled "Stultorum Medicus from Proscenium vitae humanae Sive Emblematum secularium" by Theodore de Bry, 1627, takes us back in time to a satirical world of alchemists and their questionable abilities. The image is part of a larger engraving collection that mocks the practices of these ancient healers. In this particular scene, we see an alchemist proudly displaying his knowledge and skills while surrounded by various tools and instruments associated with his craft. The caption beneath the image reads: "What even Hippocrates and Galen did not know, I solve by the skill of my brain". This motto highlights the arrogance and self-proclaimed superiority often attributed to those who dabbled in alchemy during this era. The artist's intention becomes clear as he humorously portrays the doctor as a fool rather than an esteemed professional. Through clever symbolism and intricate details, de Bry invites viewers to question the legitimacy of such medical practices. As we delve into this artwork further, it becomes evident that it serves as both entertainment and social commentary on the state of medicine at that time. It reminds us how far medical science has come since then while also reminding us not to blindly trust every claim made in pursuit of health. Overall, this intriguing print offers a glimpse into history through its artistic representation of satire within medicine – a timeless reminder that even our most revered figures can be subject to ridicule.
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