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Portrait of George Villiers, 1st Duke of Buckingham (1592-1628) (oil on copper)

Portrait of George Villiers, 1st Duke of Buckingham (1592-1628) (oil on copper)


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Portrait of George Villiers, 1st Duke of Buckingham (1592-1628) (oil on copper)

CH141093 Portrait of George Villiers, 1st Duke of Buckingham (1592-1628) (oil on copper) by Mytens, Daniel (1590-c.1648); 26.9x18.8 cm; Private Collection; Photo eChristies Images; Dutch, out of copyright

Media ID 23684568

© Christie's Images / Bridgeman Images

Courtier Garter Jacobean Ruff


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> Animals > Birds > Charadriiformes > Sandpipers > Ruff

> Arts > Artists > H > James Holland

> Arts > Artists > M > Daniel Mytens

> Arts > Still life artwork > Oil paintings > Portrait paintings

> Fine Art Finder > Artists > Daniel Mytens

> Fine Art Finder > Artists > Richard Doyle

> Fine Art Finder > Men 17th Century

> People > Politicians


EDITORS COMMENTS
This portrait captures the essence of George Villiers, the 1st Duke of Buckingham. Painted by Daniel Mytens, this oil on copper masterpiece showcases the remarkable talent and attention to detail of the artist. The print measures 26.9x18.8 cm and is currently held in a private collection. George Villiers was not only a prominent figure in Jacobean England but also a favorite of King James I. As we gaze upon this full-length portrait, we are transported back to a time when courtiers and politicians played pivotal roles in shaping history. Villiers' attire speaks volumes about his status and influence within society. His elaborate hat adorned with feathers adds an air of grandeur, while his ruff exudes elegance and sophistication. The presence of the Garter emblem further emphasizes his prestigious position as a member of this esteemed order. Mytens skillfully captures Villiers' commanding presence through meticulous brushwork that brings out every intricate detail from his facial features to the folds in his clothing. This print allows us to appreciate both the artistry behind Mytens' work and the historical significance embodied by George Villiers himself. It serves as a reminder that fine art has an incredible power to transport us across time, enabling us to connect with figures who have shaped our past.

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