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The Coming of the Unknown Knight, illustration from Wagners Lohengrin, published by George Routledge, 1901 (colour litho)
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The Coming of the Unknown Knight, illustration from Wagners Lohengrin, published by George Routledge, 1901 (colour litho)
IL288852 The Coming of the Unknown Knight, illustration from Wagners Lohengrin, published by George Routledge, 1901 (colour litho) by Tilney, Frederick Colin (1870-1951); Private Collection
Media ID 25156596
© Bridgeman Images
Courtly Holy Grail Musical Score Richard Wagner Romanticism Tragedy Tragic Wagner Wagner Richard 1813 1883 Composers Musics
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The Coming of the Unknown Knight
EDITORS COMMENTS
is a captivating illustration from Wagner's renowned opera, Lohengrin. Published in 1901 by George Routledge and beautifully rendered in colour lithography by Frederick Colin Tilney, this print captures the essence of courtly romance and tragic grandeur. The scene depicted transports us to a world steeped in mystery and enchantment. A female figure, elegantly dressed in regal attire, stands at the forefront with an air of anticipation. Her eyes are fixed on a distant point where a knight emerges from the shadows, his identity shrouded in secrecy. The composition exudes tension as we witness the pivotal moment when destiny intertwines with love. Wagner's Lohengrin tells a tale of forbidden desires and unattainable ideals set against the backdrop of Arthurian legend. The Holy Grail serves as both symbol and catalyst for this operatic tragedy that explores themes of sacrifice, betrayal, and redemption. Tilney's masterful use of color brings vibrancy to every detail - from the opulent throne room to the delicate musical score adorning it. This evocative artwork invites us into Wagner's world; it resonates with echoes of passion-filled melodies that have captivated audiences for generations. As we gaze upon "The Coming of the Unknown Knight" we are reminded not only of Richard Wagner's genius as a composer but also his ability to transport us through time and space into realms where music becomes an embodiment of human emotion itself.
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