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The Westminster Pitt, 1798 (pen and ink and watercolour)

The Westminster Pitt, 1798 (pen and ink and watercolour)


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The Westminster Pitt, 1798 (pen and ink and watercolour)

651804 The Westminster Pitt, 1798 (pen and ink and watercolour) by Rowlandson, Thomas (1756-1827); 22x32 cm; Private Collection; (add.info.: The Westminster Pitt. Thomas Rowlandson (1756-1827). Pen and ink and watercolour. Dated 1798. 22 x 32cm.); Photo © Christies Images

Media ID 25461674

© Christie's Images / Bridgeman Images

072012upload 1790s 1798 Activity Animal Cruelty Animal Theme Animal Themes Blood Sport British Art British Art On Paper Busy Caricaturist Central London Characature Cheering Elevated Elevated View English Art English Artist Greater London Human Role In Ink Ink Drawing Large Group Late 18th Century Late Eighteenth Century Mature Mature Adult Mature Man Mature Men Maturity Men Only Middle Aged Noise Noisy Pitt Rowdy Rowlandson Satirist Spectator Thomas Rowlandson Two Animals Watchful Water Color Water Colour Westminster Artist British British Artist Dog Fight Ethnic Origin


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The Westminster Pitt, 1798

EDITORS COMMENTS
by Thomas Rowlandson is a captivating pen and ink and watercolour artwork that offers a fascinating glimpse into the bustling atmosphere of late eighteenth-century London. The scene depicts a large group of men gathered in an elevated view, engrossed in their spectatorship. Amidst the crowd, two animals can be spotted, adding an element of charm to the composition. Rowlandson's skill as both an illustrator and satirist shines through in this piece, as he captures the essence of English society during this time period. The artist's attention to detail is evident in his intricate linework and delicate use of watercolour. The vibrant colours and lively energy emanating from "The Westminster Pitt" transport viewers back to a time when political gatherings were noisy affairs filled with animated discussions. This work showcases Rowlandson's ability to capture not only physical appearances but also the spirit and character of his subjects. As we observe this crowded scene, it becomes clear that Rowlandson was not only interested in documenting historical events but also highlighting human interactions within these settings. Through his artistry, he invites us to ponder upon themes such as camaraderie, social dynamics, and even animal-human relationships. This print allows us to appreciate British art at its finest while offering a window into the past. It serves as a reminder of how art has always been intertwined with society – reflecting its values, aspirations, and idiosyncrasies for generations to come.

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