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Making Tappa (native cloth), 1890s (sepia photo)

Making Tappa (native cloth), 1890s (sepia photo)


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Making Tappa (native cloth), 1890s (sepia photo)

STC170329 Making Tappa (native cloth), 1890s (sepia photo) by Severin, Theodore (1862-98); Private Collection; (add.info.: probably Tahiti or Marquesas Islands; ); The Stapleton Collection

Media ID 25156352

© The Stapleton Collection / Bridgeman Images

Alpine Hut Backcloth Civilisation Colonialist Colonisation Colonist Colonists Colonizer Craft Industry Cultural Dom Tom French Polynesia Garland Guild Guilds Habitations Handicrafts Handiwork Huts Indigineous Landscapes Representations Lodgings Loom Mauri Mountain Hut Native People Pacific Primitive Row Housing Suburban Houses Village Scene Villages Villlage Weaver Weaving Weaving Loom Avec Personnage Landcape Landscaoe Photography Art Poeple Thatched Hut


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EDITORS COMMENTS
This sepia print captures a fascinating glimpse into the process of making Tappa, a native cloth, in the 1890s. Taken by Theodore Severin, this image is believed to be from either Tahiti or the Marquesas Islands in French Polynesia. The scene showcases a thatched hut within a colonial village, where native people are engaged in weaving the fabric. The photograph depicts an important aspect of Pacific primitive culture and highlights the craft industry prevalent during that time. A woman can be seen working diligently on a weaving loom while surrounded by garlands and lei decorations. The landscape surrounding the hut adds to its charm and authenticity. This image also serves as a reminder of European colonialism during the 19th century. It offers insight into how indigenous communities lived under colonizers' influence while still preserving their cultural practices such as textile weaving. The black and white composition enhances the vintage feel of this photograph, transporting viewers back to an era when women played crucial roles in crafting essential items for their communities. The attention to detail captured by Severin allows us to appreciate not only the artistry involved but also gain deeper insights into these early forms of habitation and traditional lifestyles. Overall, this print provides valuable historical context about both local traditions and broader themes like colonization and cultural preservation.

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