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Terre a Terre to the Left Seen from Behind (top) and
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Terre a Terre to the Left Seen from Behind (top) and
GG128236 Terre a Terre to the Left Seen from Behind (top) and The Levee upon a Stop (bottom), c.1750 (oil on canvas) by Butler, Thomas, of Pall Mall (fl.1750-59) (attr. to); 210x70 cm; Private Collection; (add.info.: based on drawings by John Vanderbank, published by Josephus Sympson in the book 25 Actions of the Manage Horse, 1729; ); Photo eGavin Graham Gallery, London, UK; English, out of copyright
Media ID 23367890
© Gavin Graham Gallery, London, UK / Bridgeman Images
Dressage Exercise Fashionable Costume Horsemanship Levee Master Rococo Framing Stable Trompe L Oeil Trompe Loeil Haunches
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EDITORS COMMENTS
This print showcases the exquisite artwork titled "Terre a Terre to the Left Seen from Behind (top) and The Levee upon a Stop (bottom), c. 1750" by Thomas Butler, an esteemed artist of Pall Mall in the 18th century. Measuring an impressive 210x70 cm, this oil on canvas masterpiece is held in a private collection. The painting itself is based on drawings by John Vanderbank and was published by Josephus Sympson in his book "25 Actions of the Manage Horse" in 1729. It beautifully captures elements of horsemanship, fashionable costume, and rococo framing. The attention to detail is remarkable as it depicts a master equestrian performing dressage exercises with utmost precision. The trompe l'oeil technique employed by Butler adds depth and realism to the composition, making it truly mesmerizing for art enthusiasts. From the haunches of the horse to its stable surroundings, every element comes alive on canvas. This particular print highlights not only Butler's artistic prowess but also showcases Bridgeman Images' commitment to preserving fine art through their extensive collection. With its rich historical significance and timeless beauty, this piece serves as a testament to both artistic excellence and equestrian mastery throughout history.
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