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Room of Diana and Actaeon, detail of 2384753, 1524
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Room of Diana and Actaeon, detail of 2384753, 1524
2384758 Room of Diana and Actaeon, detail of 2384753, 1524 by Parmigianino (Francesco Mazzola) (1503-40); Rocca Sanvitale, Fontanellato, Parma, Italy; (add.info.: Parma, Fontanellato, Rocca Sanvitale, stanza (o stufetta) di Diana e Atteone: particolare del ciclo di affreschi del Parmigianino (Girolamo Francesco Maria Mazzola) raffiguranti il mito di Diana e Atteone, tratto dalle Metamorfosi di Ovidio. La stanza, affrescata nel 1524, era probabilmente il bagno privato di Paola Gonzaga, moglie di Galeazzo Sanvitale.
Parma, Fontanellato, Rocca Sanvitale, room of Diana and Actaeon: detail of the ceiling with the cycle of frescoes by Parmigianino (Girolamo Francesco Maria Mazzola) depicting the myth of Diana and Actaeon, taken from Ovids Metamorphoses. The room, frescoed in 1524, probably was the bathroom of Paola Gonzaga, wife of Galeazzo Sanvitale.); Ghigo Roli
Media ID 25188256
© Ghigo Roli / Bridgeman Images
Actaeon Architectural Detail Artemis Atteone Bathing Bathroom Cherubim Cherubini Deer Diana Gonzaga Paola Greyhounds High And Late Renaissance Metamorphoses Muralist Painte Parma Parmigianino Parmigianino 1503 1540 Putti Cherub Cherubs Reinassance Renaissance Time Semi Nude
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EDITORS COMMENTS
The print captures a mesmerizing detail of the Room of Diana and Actaeon, an exquisite fresco cycle painted by Parmigianino in 1524. Located in Rocca Sanvitale, Fontanellato, Parma, Italy, this particular section depicts the mythological tale of Diana and Actaeon from Ovid's Metamorphoses. The room is believed to have served as the private bathroom of Paola Gonzaga, wife of Galeazzo Sanvitale. In this scene, we see the goddess Diana accompanied by her loyal greyhounds while bathing in a serene woodland setting. The architectural details surrounding them add to the grandeur and elegance of the composition. The artist skillfully portrays both female beauty and strength through his depiction of Diana's graceful form and confident presence. The narrative unfolds with Actaeon transformed into a deer after accidentally stumbling upon Diana's sacred space. This moment captures the tension between vulnerability and power as Actaeon becomes prey to his own curiosity. Parmigianino's mastery shines through in every brushstroke, showcasing his ability to create intricate details such as delicate putti figures adorning the ceiling above. The use of light and shadow adds depth to the composition while emphasizing its ethereal quality. This stunning print allows us to appreciate not only Parmigianino's artistic genius but also offers a glimpse into Renaissance artistry at its finest. It serves as a reminder that even centuries later, these masterpieces continue to inspire awe and admiration for their timeless beauty.
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