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The Beggars Opera, Scene III, Act XI, 1729 (oil on canvas)

The Beggars Opera, Scene III, Act XI, 1729 (oil on canvas)


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The Beggars Opera, Scene III, Act XI, 1729 (oil on canvas)

XYC111972 The Beggars Opera, Scene III, Act XI, 1729 (oil on canvas) by Hogarth, William (1697-1764); 59x76 cm; Yale Center for British Art, Paul Mellon Collection, USA; (add.info.: Duke of Bolton (extreme right); ); English, out of copyright

Media ID 12707177

© www.bridgemanart.com

Criminal Jailer John Gay Jury Locket Newgate Prison Pleading Polly Lavinia Lovers Macheath


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The Beggars Opera, Scene III, Act XI

EDITORS COMMENTS
is a captivating snapshot of 18th-century London's criminal underworld. Painted by the renowned artist William Hogarth, this oil on canvas print transports us back to the year 1729. The scene depicts an intense courtroom drama unfolding in Newgate Prison. In the foreground, we see Macheath, the charismatic yet notorious criminal protagonist of John Gay's famous play. He stands at the center of attention, flanked by his lover Polly and a jury that holds his fate in their hands. With desperation etched across their faces, they plead for mercy while locked behind bars. To Macheath's right stands the imposing figure of Duke Bolton, representing authority and power. His presence adds tension to an already charged atmosphere within the prison walls. Hogarth masterfully captures every emotion in this dramatic moment: fear, love, despair, and hope all intertwine as these characters face their impending destinies. The rich colors and intricate details bring life to each individual portrayed – from Peachum's cunning expression to Lavinia's tearful eyes. This remarkable piece from Yale Center for British Art showcases Hogarth's exceptional talent for storytelling through art. It serves as a testament to both his skill as a painter and his ability to capture society's complexities during this era. As we gaze upon this print today, it offers us a glimpse into history – reminding us of our shared human experiences across time and place.

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