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Ruins of the Temple of Apollo Didymaeus, 1765 (w / c, bodycolour, pen and ink on paper)

Ruins of the Temple of Apollo Didymaeus, 1765 (w  /  c, bodycolour, pen and ink on paper)


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Ruins of the Temple of Apollo Didymaeus, 1765 (w / c, bodycolour, pen and ink on paper)

XJF696732 Ruins of the Temple of Apollo Didymaeus, 1765 (w/c, bodycolour, pen and ink on paper) by Pars, William (1742-82); British Museum, London, UK; (add.info.: Miletus on the western coast of Anatolia, Turkey.); English, out of copyright

Media ID 12923865

© www.bridgemanart.com

Anatolia Capital Capitals Foliage Masonry Miletus Pilasters Pipe Smoker Stonework Turks Weeds


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Cricetidae > Miletus

> Architecture > Country > Turkey

> Architecture > Drawings

> Architecture > Styles > Classical Architecture

> Architecture > Temples

> Arts > Artists > P > William Pars

> Arts > Realistic drawings > Figure drawing > Fine art portraits

> Asia > Turkey > Related Images

> Europe > United Kingdom > England > London > Museums > British Museum

> Europe > United Kingdom > England > London > Sights > British Museum

> Fine Art Finder > Artists > William Pars


EDITORS COMMENTS
This print showcases the "Ruins of the Temple of Apollo Didymaeus" in all its historical glory. Created by William Pars in 1765, this artwork beautifully captures the essence of ancient architecture and classical aesthetics. The image depicts a scene from Miletus, located on the western coast of Anatolia, Turkey. The ruins stand tall with their majestic capitals and pilasters, showcasing the remarkable stonework that has stood the test of time. As we delve into this intricate drawing, we notice figures scattered throughout - some smoking pipes while others explore the surrounding foliage. Pars' attention to detail is evident as he meticulously portrays every element of these ruins. The combination of watercolor, bodycolor, pen and ink on paper adds depth and texture to his work. This piece serves not only as a study for architectural enthusiasts but also as a window into an era long gone. As we gaze upon this print, we are transported back in time to witness both grandeur and decay coexisting harmoniously within these ancient walls. It reminds us that even amidst ruinous beauty lies an enduring legacy waiting to be discovered.

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