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Frontispiece, from The Works of Geoffrey Chaucer now newly Imprinted, engraved

Frontispiece, from The Works of Geoffrey Chaucer now newly Imprinted, engraved


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Frontispiece, from The Works of Geoffrey Chaucer now newly Imprinted, engraved

XYC277510 Frontispiece, from The Works of Geoffrey Chaucer now newly Imprinted, engraved by William Morris (1834-96) 1896 (woodcut) by Burne-Jones, Edward Coley (1833-98) (after); 38.3x55 cm; Yale Center for British Art, Paul Mellon Collection, USA; (add.info.: printed by Kelmscott Press; ); English, out of copyright

Media ID 12792547

© www.bridgemanimages.com

Arts And Crafts Movement Capital Letter Foliated Initial Motif Pre Raphaelite


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EDITORS COMMENTS
This print showcases the exquisite frontispiece from "The Works of Geoffrey Chaucer now newly Imprinted" engraved by the renowned William Morris in 1896. The woodcut, masterfully created by Edward Coley Burne-Jones, measures an impressive 38.3x55 cm and is currently housed at the Yale Center for British Art as part of the esteemed Paul Mellon Collection. Immersed in the arts and crafts movement, this intricate design embodies a fusion of foliated patterns, motifs, and text that beautifully complements Chaucer's literary masterpiece. The pre-Raphaelite influence is evident in every detail, capturing the essence of medieval aesthetics with its delicate lines and rich symbolism. Printed by Kelmscott Press, this frontispiece exemplifies Morris' dedication to reviving traditional printing techniques while infusing them with his unique artistic vision. Its capital letter serves as a gateway into Chaucer's world, inviting readers to embark on a journey through time and literature. This remarkable piece not only pays homage to one of England's greatest poets but also stands as a testament to the enduring power of book illustrations. It transcends mere decoration; it breathes life into words and enhances our understanding and appreciation for both artistry and storytelling. As we gaze upon this extraordinary print, we are reminded that beauty can be found not only within its visual allure but also within its ability to transport us into realms where imagination knows no bounds.

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