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Landscape with buildings, 1648-51 (oil on canvas)
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Landscape with buildings, 1648-51 (oil on canvas)
XIR498141 Landscape with buildings, 1648-51 (oil on canvas) by Poussin, Nicolas (1594-1665); 120x187 cm; Prado, Madrid, Spain; (add.info.: In the foreground are three seated figures; this may be a representation of the trip to Athens by the Ancient Greek philosopher, Diogenes of Sinope (c.410-323 BC); also known as Diogenes the Cynic, he was one of the founders of the school of philosophy known as Cynical ; he was considered a classical exemplar of honesty and rebellion against the falseness and artificiality of civilization ; he is usually dressed in just a rough cloak as in this picture; painting acquired for King Philip V of Spain at the Palacio de la Granja de San Ildefonso, Segovia, in 1727; Paisaje con edificios; Paysage avec des edifices ou Paysage avec trois hommes; ); French, out of copyright
Media ID 12916136
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Allusion Ascetic Asceticism Cynic Cynical Cynicism Diogenes Idyll Pastoral Philosophy Rebel Tranquil Tranquility Trip Artifice
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This print showcases Nicolas Poussin's "Landscape with buildings" painted between 1648-51. The oil on canvas masterpiece measures 120x187 cm and is currently housed in the Prado Museum in Madrid, Spain. In this scene, we are transported to a tranquil valley adorned with majestic mountains and lush trees. The foreground of the painting features three seated figures, possibly representing the renowned Ancient Greek philosopher Diogenes of Sinope. Known as Diogenes the Cynic, he was a rebel against the falseness and artificiality of civilization. Dressed simply in a rough cloak, Diogenes exemplified honesty and lived an ascetic lifestyle. Poussin's allusion to this story adds depth to the artwork, inviting viewers to contemplate themes of philosophy and rebellion against societal norms. The landscape itself exudes tranquility and pastoral beauty, creating an idyllic setting for contemplation. Acquired by King Philip V of Spain at Palacio de la Granja de San Ildefonso in Segovia in 1727, this painting captures both natural grandeur and human introspection. With its meticulous details and skillful composition, Poussin's work continues to captivate art enthusiasts worldwide.
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