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Mephistopheles Prologue in the Sky, from Goethes Faust, 1828, (illustration)
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Illustration from Kim, by Rudyard Kipling, pub. 1930 (colour litho)
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Robinson Crusoe and Man Friday (oil on canvas)
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The Attainment; The Vision of the Holy Grail to Sir Galahad, Sir Bors and Sir Percival
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Illustration to John Keats poem Endymion, engraved by F. Joubert, 1872
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Illustration from Dante's 'Divine Comedy', Paradise, Canto II, 1921 (w/c on paper)
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Christian and Apollyon, from the 13th edition of Pilgrim's Progress by John Bunyan, 1692 (engraving)
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Stupide, La Maheude se baissa, illustration from Germinal by Emile Zola (1840-1902)
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In Dickens Land - Nicholas Nickleby Postcard, c.1905 (colour litho)
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The Merchant of Venice, from The Ingoldsby Legends by Thomas Ingoldsby, published by Richard Bentley & Son
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The Attainment; The Vision of the Holy Grail to Sir Galahad, Sir Bors and Sir Percival
BIR68247 The Attainment; The Vision of the Holy Grail to Sir Galahad, Sir Bors and Sir Percival, from the series The Quest for the Holy Grail, 1895-96 (wool, silk, mohair and camel hair weft on cotton warp) by Burne-Jones, Edward Coley (1833-98); 695x244 cm; Birmingham Museums and Art Gallery; (add.info.: This sequence of tapestries was originally designed for William Knox D'Arcy, for the dining room of his house, Stanmore Hall in Middlesex (see black and white image). Several further versions were woven later. Birmingham's The Attainment is one of three tapestries commissioned in 1895 by the industrialist Laurence Hodson, for his house Compton Hall near Wolverhampton.
The subject matter is based on the 15th century text Le Morte D'Arthur (The Death of Arthur) by Sir Thomas Malory. It tells the story of the spiritual quest by the knights of King Arthur's round table for the Holy Grail, the cup from which Jesus and the disciples drank at the Last Supper.
The final scene shows the three successful knights. The relative purity of each knight's life is represented by their distance from the Holy Grail, which sits on the altar inside the chapel. Sir Galahad kneels in the doorway surrounded by white lilies, symbolising his purity. On the left are Sir Bors and Sir Perceval.
Three standing angels hold symbols of Christ's passion, including the bleeding lance of Longinus, the Roman soldier who pierced his side on the cross. Above the Holy Grail is a Pentecostal wind, symbolising the presence of the Holy Spirit.
flowers by John Henry Dearle (1860-1932)
Manufacturer: Morris & Co - View history); English, out of copyright
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Nicholas astonishes Mr. Squeers and family, illustration from Nicholas Nickleby by Charles Dickens (1812-70)
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How Hereward departed from Ely, and how he killed the mare, Swallow, illustration from Hereward the Great by Charles
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Hudibras First Adventure, from Hudibras by Samuel Butler, 1726 (engraving)
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Down from the heights of the air fell Perseus, illustration for How Perseus came to Ethiopia
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Simple Simon's Misfortunes, illustration from Chap-books of the Eighteenth Century by John Ashton, pub
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Two lions eat Sabra's servant, illustration from Chap-books of the Eighteenth Century by John Ashton, pub
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A Battle, illustration from The Arabian Nights, 1895 (colour engraving)
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Riot at Lyon, 27th November 1768 (ink & wash on paper) (b/w photo)
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Two Knights do battle before Cameliard, illustration from The Story of King Arthur and his Knights, 1903 (litho)
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Oliver plucks up a spirit, from The Adventures of Oliver Twist by Charles Dickens (1812-70) 1838
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Mr. Murdstone, from David Copperfield, by Charles Dickens, 1923 (colour litho)
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Then Perseus held aloft the Gorgon's head, illustration for How Perseus came Home again
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Mr. Murdstone, from David Copperfield, by Charles Dickens, 1923 (colour litho)
KDC465770 Mr. Murdstone, from David Copperfield, by Charles Dickens, 1923 (colour litho) by Clarke, Joseph Clayton (Kyd) (1856-1937); Private Collection; (add.info.: Young David's cruel stepfather, depicted about to beat his stepson; illustration from the series of Character Sketches from Charles Dickens, produced as cigarette cards by John Player & Sons;
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Nicholas astonishes Mr. Squeers and family, illustration from Nicholas Nickleby by Charles Dickens (1812-70)
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The fight in the Fire-tops against an English ship (colour litho)
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Knights in combat, illustration from The Story of King Arthur and his Knights, 1903 (litho)
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Pantagruel kills Physeter, illustration from Gargantua and Pantagruel, by Francois Rabelais (engraving)
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How Hereward got the rest of his soul's price, illustration from Hereward the Great by Charles Kingsley, pub
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The Friar and the Boy, illustration from Chap-books of the Eighteenth Century by John Ashton, pub. 1882 (litho)
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Of brekynge and hurtynge of amyte and frendshyp, illustration from Alexander Barclay'
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The Forest Madman Saveth the Life of King Arthur, illustration from The Story of Sir Launcelot and his Companions
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Hudibras Catechiz'd, Plate IV, from Hudibras by Samuel Butler, 1726 (engraving)
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Dotheboys Hall, frontispiece from Nicholas Nickleby by Charles Dickens (colour litho)
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Hudibras Catechiz'd, from Hudibras by Samuel Butler (1612-80) engraved by George Presbury
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Hamilton Tighe, from The Ingoldsby Legends by Thomas Ingoldsby, published by Richard Bentley & Son, 1887 (litho)
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Of brekynge and hurtynge of amyte and frendshyp, illustration from Alexander Barclay's English translation of The Ship of Fools, from an edition published in 1874 (engraving)
486402 Of brekynge and hurtynge of amyte and frendshyp, illustration from Alexander Barclay's English translation of The Ship of Fools, from an edition published in 1874 (engraving) by German School, (15th century) (after); Private Collection; (add.info.: Alexander Barclay (c.1476-1552) Scottish born English poet, translated Sebastian Brandt's (1457-1521) Das Narrenschiff, as The Ship of Fools in 1509. Image is a facsimile of the original German woodcut of 1497 and shows a fool beating a humble man.)
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The Mariner gazes on his dead companions and laments the curse of his survival while all his fellow sailors have died
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Illustration from Dante's Divine Comedy, Inferno, Canto XXX: 22, 1921 (w/c on paper)
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Nicholas astonishes Mr. Squeers and family, illustration from Nicholas Nickleby by Charles Dickens (1812-70)
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The internal economy of Dotheboys Hall, illustration from Nicholas Nickleby by Charles Dickens (1812-70)
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Elle agonisait dans l'air d'asphyxie, illustration from Germinal by Emile Zola (1840-1902)
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Hudibras leading Crowdero in Triumph, from Hudibras by Samuel Butler (1612-80) engraved by J
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Bill Sykes and his dog, from Charles Dickens: A Gossip about his Life, by Thomas Archer, published c
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The Death of Beowulf, from Hero Myths and Legends of the British Race by M.I. Ebbutt, 1910 (litho)
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