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Literature Collection (page 3)

2,657 items

Background imageLiterature Collection: Illustration from Dantes Divine Comedy, Inferno, Canto XXX: 22, 1921 (w / c on paper)

Illustration from Dantes Divine Comedy, Inferno, Canto XXX: 22, 1921 (w / c on paper)
XOT361723 Illustration from Dantes Divine Comedy, Inferno, Canto XXX: 22, 1921 (w/c on paper) by Bayros, Franz von (Choisy Le Conin) (1866-1924); Private Collection; German, out of copyright

Background imageLiterature Collection: Anger splits the country (colour litho)

Anger splits the country (colour litho)
STC311053 Anger splits the country (colour litho) by Wyeth, Newell Convers (1882-1945) (after); Private Collection; The Stapleton Collection

Background imageLiterature Collection: Nicholas astonishes Mr. Squeers and family, illustration from Nicholas Nickleby by Charles Dickens

Nicholas astonishes Mr. Squeers and family, illustration from Nicholas Nickleby by Charles Dickens (1812-70)
KW259145 Nicholas astonishes Mr. Squeers and family, illustration from Nicholas Nickleby by Charles Dickens (1812-70) published 1839 (litho) (see also 259144) by Browne

Background imageLiterature Collection: The internal economy of Dotheboys Hall, illustration from Nicholas Nickleby by Charles Dickens

The internal economy of Dotheboys Hall, illustration from Nicholas Nickleby by Charles Dickens (1812-70)
KW259164 The internal economy of Dotheboys Hall, illustration from Nicholas Nickleby by Charles Dickens (1812-70) published 1839 (litho) (see also 259163) by Browne

Background imageLiterature Collection: Elle agonisait dans l air d asphyxie, illustration from Germinal by Emile Zola (1840-1902)

Elle agonisait dans l air d asphyxie, illustration from Germinal by Emile Zola (1840-1902)
CHT286993 Elle agonisait dans l air d asphyxie, illustration from Germinal by Emile Zola (1840-1902) engraved by Desire Dumont (19th century), 1886 edition (engraving) (b/w photo) by Ferat

Background imageLiterature Collection: Bill Sykes and his dog, from Charles Dickens: A Gossip about his Life, by Thomas Archer, published c

Bill Sykes and his dog, from Charles Dickens: A Gossip about his Life, by Thomas Archer, published c
STC267636 Bill Sykes and his dog, from Charles Dickens: A Gossip about his Life, by Thomas Archer, published c.1894 (litho) (later colouration) by Barnard

Background imageLiterature Collection: The Death of Beowulf, from Hero Myths and Legends of the British Race by M. I. Ebbutt, 1910 (litho)

The Death of Beowulf, from Hero Myths and Legends of the British Race by M. I. Ebbutt, 1910 (litho)
STC323654 The Death of Beowulf, from Hero Myths and Legends of the British Race by M.I. Ebbutt, 1910 (litho) by Bacon, John Henry Frederick (1868-1914) (after)

Background imageLiterature Collection: Madame de Merteuil seducing Cecile Volange, illustration from Les Liaisons Dangereuses by Pierre

Madame de Merteuil seducing Cecile Volange, illustration from Les Liaisons Dangereuses by Pierre Choderlos de Laclos
CHT239749 Madame de Merteuil seducing Cecile Volange, illustration from Les Liaisons Dangereuses by Pierre Choderlos de Laclos (1741-1803) engraved by Romain Girard (b.c.1751) 1782 (engraving)

Background imageLiterature Collection: Ulysses Shoots the First Arrow at the Wooers, from Tales of the Greek Seas by Andrew Lang

Ulysses Shoots the First Arrow at the Wooers, from Tales of the Greek Seas by Andrew Lang, 1926 (ink on paper)
STC323722 Ulysses Shoots the First Arrow at the Wooers, from Tales of the Greek Seas by Andrew Lang, 1926 (ink on paper) by Ford

Background imageLiterature Collection: Simon Simons Misfortunes, illustration from Chap-books of the Eighteenth Century by John Ashton

Simon Simons Misfortunes, illustration from Chap-books of the Eighteenth Century by John Ashton, pub. 1882 (litho)
489646 Simon Simons Misfortunes, illustration from Chap-books of the Eighteenth Century by John Ashton, pub. 1882 (litho) by English School

Background imageLiterature Collection: Ruggiero Rescuing Angelica, 1841 (oil on canvas)

Ruggiero Rescuing Angelica, 1841 (oil on canvas)
XIR182582 Ruggiero Rescuing Angelica, 1841 (oil on canvas) by Ingres, Jean Auguste Dominique (1780-1867); Musee Ingres, Montauban, France

Background imageLiterature Collection: The dragon... fell to earth dead, from St. George and the Dragon, The Seven Champions of Christendom

The dragon... fell to earth dead, from St. George and the Dragon, The Seven Champions of Christendom
IL197491 The dragon...fell to earth dead, from St. George and the Dragon, The Seven Champions of Christendom, by Rose Yeatman Woolf, published by Raphael Tuck, 1920s (colour litho) by Davie

Background imageLiterature Collection: Mr Wackford Squeers and the New Pupil, illustration for Character Sketches from Dickens compiled

Mr Wackford Squeers and the New Pupil, illustration for Character Sketches from Dickens compiled by B. W
IL193489 Mr Wackford Squeers and the New Pupil, illustration for Character Sketches from Dickens compiled by B.W. Matz, 1924 (colour litho) by Copping, Harold (1863-1932); Private Collection

Background imageLiterature Collection: He Doesn t know it. Terrible. interrupted Miss Murdstone, from Chapter IV of David Copperfield by

He Doesn t know it. Terrible. interrupted Miss Murdstone, from Chapter IV of David Copperfield by Charles Dickens
PER248009 He Doesn t know it. Terrible. interrupted Miss Murdstone, from Chapter IV of David Copperfield by Charles Dickens (1812-70) (colour litho) by French School

Background imageLiterature Collection: Robinson Crusoe and Man Friday, c. 1880 (colour litho)

Robinson Crusoe and Man Friday, c. 1880 (colour litho)
CHT167327 Robinson Crusoe and Man Friday, c.1880 (colour litho) by Offterdinger, Carl (1829-89); Private Collection; (add.info.: meeting for the first time; ); © Archives Charmet

Background imageLiterature Collection: Valmont and Emilie, illustration from Les Liaisons Dangereuses by Pierre Choderlos de Laclos

Valmont and Emilie, illustration from Les Liaisons Dangereuses by Pierre Choderlos de Laclos (1741-1803)
XIR239751 Valmont and Emilie, illustration from Les Liaisons Dangereuses by Pierre Choderlos de Laclos (1741-1803) engraved by Romain Girard (b.c.1751) 1782 (engraving) (b/w photo) by Lafrensen

Background imageLiterature Collection: The Red Cross Knight, from the first edition of Faerie Queen by Edmund Spenser, 1590 (engraving)

The Red Cross Knight, from the first edition of Faerie Queen by Edmund Spenser, 1590 (engraving)
KW115016 The Red Cross Knight, from the first edition of Faerie Queen by Edmund Spenser, 1590 (engraving) by English School, (16th century); Private Collection

Background imageLiterature Collection: Francesca and Paolo, 1854 (oil on canvas)

Francesca and Paolo, 1854 (oil on canvas)
XKH204871 Francesca and Paolo, 1854 (oil on canvas) by Scheffer, Ary (1795-1858); 58.2x80.5 cm; Hamburger Kunsthalle, Hamburg

Background imageLiterature Collection: Andromache mourning Hector, 1783

Andromache mourning Hector, 1783
PWI82870 Andromache mourning Hector, 1783 by David, Jacques Louis (1748-1825); 58x43 cm; Pushkin Museum, Moscow, Russia; © Peter Willi

Background imageLiterature Collection: The Stomach Dance, from Salome by Oscar Wilde (1854-1900) 1893 (line block print)

The Stomach Dance, from Salome by Oscar Wilde (1854-1900) 1893 (line block print)
STC273099 The Stomach Dance, from Salome by Oscar Wilde (1854-1900) 1893 (line block print) by Beardsley, Aubrey (1872-98); Private Collection; The Stapleton Collection

Background imageLiterature Collection: Valmont seducing Madame de Tourvel, illustration from Les Liaisons Dangereuses by Pierre Choderlos

Valmont seducing Madame de Tourvel, illustration from Les Liaisons Dangereuses by Pierre Choderlos de Laclos (1741-1803)
XIR239750 Valmont seducing Madame de Tourvel, illustration from Les Liaisons Dangereuses by Pierre Choderlos de Laclos (1741-1803) engraved by Romain Girard (b.c.1751) 1782 (engraving) (b/w photo)

Background imageLiterature Collection: The Grosse Margot and the Three Hanged Men, 1489 (engraving)

The Grosse Margot and the Three Hanged Men, 1489 (engraving)
XIR213023 The Grosse Margot and the Three Hanged Men, 1489 (engraving) by French School, (15th century); Bibliotheque Nationale, Paris

Background imageLiterature Collection: Ruggiero rescuing Angelica, illustration from Canto X of Orlando Furioso by Ludovico Ariosto

Ruggiero rescuing Angelica, illustration from Canto X of Orlando Furioso by Ludovico Ariosto (1474-1533)
CHT239758 Ruggiero rescuing Angelica, illustration from Canto X of Orlando Furioso by Ludovico Ariosto (1474-1533) published 1888, Paris (engraving) by Dore

Background imageLiterature Collection: Sainte Vierge!s ecria-t-elle qu allons nous devenir? Un Homme tue chez moi

Sainte Vierge!s ecria-t-elle qu allons nous devenir? Un Homme tue chez moi
XIR172451 Sainte Vierge!s ecria-t-elle qu allons nous devenir? Un Homme tue chez moi!, illustration from chapter 9 of Candide by Francois Voltaire (1694-1778) engraved by Philippe Triere (1756-1815)

Background imageLiterature Collection: The Deliverance: Ruggiero and Angelica, 1876 (oil on canvas)

The Deliverance: Ruggiero and Angelica, 1876 (oil on canvas)
XIL212533 The Deliverance: Ruggiero and Angelica, 1876 (oil on canvas) by Blanc, Joseph Paul (1846-1904); 334x225 cm; Musee des Beaux-Arts, Lille, France

Background imageLiterature Collection: The Dancers Reward, illustration from Salome by Oscar Wilde, pub. 1894 (line block print)

The Dancers Reward, illustration from Salome by Oscar Wilde, pub. 1894 (line block print)
STC102395 The Dancers Reward, illustration from Salome by Oscar Wilde, pub. 1894 (line block print) by Beardsley, Aubrey (1872-98); Private Collection; The Stapleton Collection

Background imageLiterature Collection: The Shipwreck of Don Juan, 1840 (oil on canvas) (see also 14443)

The Shipwreck of Don Juan, 1840 (oil on canvas) (see also 14443)
XIR182426 The Shipwreck of Don Juan, 1840 (oil on canvas) (see also 14443) by Delacroix, Ferdinand Victor Eugene (1798-1863); 135x196 cm; Louvre, Paris



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