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The Mariner gazes on the serpents in the ocean, scene from The Rime of the Ancient

The Mariner gazes on the serpents in the ocean, scene from The Rime of the Ancient


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The Mariner gazes on the serpents in the ocean, scene from The Rime of the Ancient

XJF393843 The Mariner gazes on the serpents in the ocean, scene from The Rime of the Ancient Mariner by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving) by Dore, Gustave (1832-83); Private Collection; (add.info.: Samuel Taylor Coleridge (1772-1834); Beyond the shadow of the ships, I watched the water snakes ; Plate 20; ); French, out of copyright

Media ID 12872383

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Albatross Serpent


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EDITORS COMMENTS
In this wood engraving by Gustave Dore, we are transported to the mesmerizing scene from Samuel Taylor Coleridge's "The Rime of the Ancient Mariner". Published in 1876 by Harper & Brothers, this print showcases the mariner's intense gaze upon the serpents slithering through the vast ocean. As our eyes wander over the intricate details of Dore's work, we can almost feel ourselves standing alongside the mariner on his ship. The tension is palpable as he locks eyes with these mysterious creatures that seem to embody both danger and enchantment. The artist skillfully captures their sinuous forms, emphasizing their power and otherworldly allure. Coleridge's timeless poem comes alive within this image. We can sense the weight of guilt that burdens our protagonist, who has been cursed for shooting an albatross – a symbol of good fortune at sea. As punishment for his thoughtless act, he must endure witnessing these haunting serpents amidst a desolate landscape. Dore masterfully conveys a sense of isolation and foreboding through his use of light and shadow. The ships cast long shadows against turbulent waters while ominous clouds loom overhead. This evocative imagery serves as a reminder that actions have consequences and that nature itself can be both beautiful and unforgiving. This remarkable print invites us into a world where myth intertwines with reality, leaving us pondering themes of remorse, redemption, and man's relationship with nature.

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