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The Nativity, ca. 1440 (manuscript on vellum)
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The Nativity, ca. 1440 (manuscript on vellum)
1195478 The Nativity, ca.1440 (manuscript on vellum) by French School, (15th century); 22x15 cm; Private Collection; Photo eChristies Images; French, out of copyright
Media ID 23295150
© Christie's Images / Bridgeman Images
1440 Besancon Book Of Hours Double Page Holy Bible Illuminated Manuscript Jesus Birth Latin Text Mid 15th Century Mid Fifteenth Century Nativity On Vellum Open Book Page Prayer Book Prayerbook The Hours Unfinished Vellum 1440s Artist French French Art French Artist
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This print showcases "The Nativity, ca. 1440" an unfinished manuscript on vellum by a French artist from the 15th century. Measuring 22x15 cm, this close-up double-page spread is part of a private collection and was beautifully captured by eChristies Images. The artwork depicts the biblical scene of Jesus' birth with intricate details and delicate brushstrokes. The artist's mastery in creating this illuminated manuscript is evident through the vibrant colors and meticulous attention to every leaf on the page. Although there are no human figures present in this particular image, the essence of Christianity radiates from its pages. This mid-15th-century masterpiece serves as a visual representation of faith and devotion during that era. The open book reveals Latin text, possibly from the Holy Bible or a prayer book, adding to its religious significance. The illumination technique used enhances each letter and illustration, making it even more awe-inspiring. "The Nativity" holds historical importance as it represents both French artistry and European artistic traditions prevalent during that time period. Its presence evokes contemplation about spirituality while appreciating the skillful craftsmanship behind such works of art. This photograph offers viewers an opportunity to delve into history through visual storytelling, inviting us to explore our own connection with religion and appreciate the beauty found within ancient manuscripts like these.
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