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The Polish Plumb Cake, c. 1772 (engraving) (b / w photo)
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The Polish Plumb Cake, c. 1772 (engraving) (b / w photo)
XJF275634 The Polish Plumb Cake, c.1772 (engraving) (b/w photo) by Lodge, John (fl.1782-d.1796); Private Collection; (add.info.: The partition of Poland happened three times during the 18th Century, in 1772, 1793 and 1795; picture possibly refers to the debates around the first division of Poland in 1772; picture shows the last King of Poland, Stanislaw August Poniatowski (1732-98), Leopold II, Holy Roman Emperor (1747-92), Catherine II, Empress of Russia (1729-96), Frederick William II of Prussia (1744-97) and Louis XV of France (1710-74); Thy Kingdom Stanislus is non stake, to four such stomachs tis a mere plumb-cake ; ); English, out of copyright
Media ID 12791795
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Crying Demon Devil Divisions Knife Partition Plum Polish Slipping Turks Weeping Stanislaus
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EDITORS COMMENTS
The Polish Plumb Cake, c. 1772 (engraving) captures a poignant moment in history during the partition of Poland in the 18th century. This print by John Lodge depicts an engraving that possibly alludes to the debates surrounding the first division of Poland in 1772. In this powerful image, we see a gathering of influential figures including Stanislaw August Poniatowski, the last King of Poland, alongside Leopold II, Holy Roman Emperor; Catherine II, Empress of Russia; Frederick William II of Prussia; and Louis XV of France. The title 'Thy Kingdom Stanislus is non stake' hints at their indifference towards the fate of Poland as they discuss its division. The symbolism within this artwork is striking - a crown slipping from Stanislaw's head suggests his powerlessness against these foreign forces. Meanwhile, a devilish figure lurks nearby, representing the sinister intentions behind these partitions. This piece invites us to reflect on themes such as separation and betrayal while shedding light on an often overlooked chapter in Polish history. It serves as a reminder that political decisions can have far-reaching consequences for nations and their people. As we gaze upon this historical snapshot frozen in time, we are reminded that even amidst despair and turmoil, art has the ability to preserve stories and provoke contemplation.
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