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Pope Alexander VI, 1492 (fresco)

Pope Alexander VI, 1492 (fresco)


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Pope Alexander VI, 1492 (fresco)

XPH324147 Pope Alexander VI, 1492 (fresco) by Pinturicchio, Bernardino di Betto (c.1452-1513); Vatican City; (add.info.: Pope Alexander (Alessandro) VI (the Spaniard Rodrigo Borgia), one of the better known Bad Popes ; most controversial of the secular popes of the Renaissance; his surname became a byword for the debased standards of the papacy of that era; detail from the fresco of the Resurrection, painted 1492-95; in the Sala dei Misteri in the Borgia apartments of the Vatican; ); Italian, out of copyright

Media ID 12851097

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Debauched Papal Sinful


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EDITORS COMMENTS
This print showcases a remarkable fresco titled "Pope Alexander VI, 1492" by the talented artist Pinturicchio, Bernardino di Betto. The artwork is located in Vatican City and forms part of the Sala dei Misteri in the Borgia apartments. The subject of this fresco is Pope Alexander VI, also known as Alessandro or Rodrigo Borgia, who was one of the most infamous figures in papal history. As a secular pope during the Renaissance period, he became notorious for his controversial actions and debauched lifestyle. His surname even became synonymous with the corrupt standards prevalent within the papacy at that time. In this particular detail from Pinturicchio's masterpiece depicting the Resurrection (painted between 1492-95), we see Pope Alexander VI kneeling down in prayer. Despite his sinful reputation, this image captures a moment of vulnerability and introspection as he seeks solace through prayer. The composition exudes an aura of power and leadership while simultaneously hinting at underlying flaws within its subject. Through skillful brushwork and attention to detail, Pinturicchio brings forth both reverence for religious authority and an acknowledgment of human fallibility. This print serves as a thought-provoking reminder of historical complexities surrounding influential figures like Pope Alexander VI. It invites viewers to reflect on themes such as morality, spirituality, and the impact individuals can have on institutions throughout history.

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