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Portrait of Elizabeth Chew Smith, 1762 (oil on canvas)
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Portrait of Elizabeth Chew Smith, 1762 (oil on canvas)
3432813 Portrait of Elizabeth Chew Smith, 1762 (oil on canvas) by Hesselius, John (1728-78); 98.9x74.77 cm; Los Angeles County Museum of Art, CA, USA; (add.info.: Elizabeth Chew born 1742-3, the daughter of Samuel Chew III of Anne Arundel County and his wife Sarah Lock. She married John Hamilton Smith in 1762 so this may be a marriage portrait. ); American, out of copyright
Media ID 18260845
© Los Angeles County Museum of Art, CA, USA / Bridgeman Images
British Colonies British Colony Colonial America Drapery Independence Liberty Maryland Satin Shawl War Of Independence Wealthy
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Portrait of Elizabeth Chew Smith, 1762 - A Glimpse into Colonial America's Aristocracy
EDITORS COMMENTS
. This portrait captures the elegance and grace of Elizabeth Chew Smith, a prominent figure in colonial America. Painted by John Hesselius in 1762, this oil on canvas print measures an impressive 98.9x74.77 cm and is currently housed at the Los Angeles County Museum of Art. Elizabeth Chew was born in 1742-3 to Samuel Chew III and Sarah Lock, esteemed members of Anne Arundel County's elite society. This painting is believed to be a marriage portrait as she wed John Hamilton Smith the same year it was created. Dressed in exquisite attire that reflects her status as a wealthy British colonist, Elizabeth exudes confidence and poise. The intricate lace adorning her gown adds an air of sophistication while delicate flowers delicately pinned to her drapery symbolize love and fertility. As tensions brewed between Britain and its American colonies during the War of Independence, this painting serves as a reminder of the opulence enjoyed by those who resided within these territories. It also represents Elizabeth's pursuit for liberty and independence amidst turbulent times. With its meticulous attention to detail and masterful use of light and shadow, Hesselius' work immortalizes not only Elizabeth but also provides us with invaluable insights into colonial America's social fabric. This remarkable piece remains an enduring testament to both artistry and history alike.
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