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Turner Collection

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573 items

Background imageTurner Collection: Historiated initial O depicting God creating the stars (vellum)

Historiated initial O depicting God creating the stars (vellum)
MMT157738 Historiated initial O depicting God creating the stars (vellum) by Pietro, Sano di, also Ansano di Pietro di Mencio (1406-81); 22.5x19.6 cm; Musee Marmottan Monet, Paris, France; Italian

Background imageTurner Collection: South Porch and Tower of an Unidentified Church, c.1790-95 (pencil on laid paper)

South Porch and Tower of an Unidentified Church, c.1790-95 (pencil on laid paper)
XYC205239 South Porch and Tower of an Unidentified Church, c.1790-95 (pencil on laid paper) by Turner, Joseph Mallord William (1775-1851); 20.8x12.9 cm; Yale Center for British Art

Background imageTurner Collection: Bodiam Castle, Sussex (pencil & w / c with gum arabic on paper)

Bodiam Castle, Sussex (pencil & w / c with gum arabic on paper)
XCF44579 Bodiam Castle, Sussex (pencil & w/c with gum arabic on paper) by Turner, Joseph Mallord William (1775-1851); 38x54.5 cm; Private Collection; (add.info)

Background imageTurner Collection: The Fighting Temeraire, 1839 (oil on canvas)

The Fighting Temeraire, 1839 (oil on canvas)
BAL444 The Fighting Temeraire, 1839 (oil on canvas) by Turner, Joseph Mallord William (1775-1851); 90.8x121.9 cm; National Gallery, London

Background imageTurner Collection: Mountainous Landscape with Town in Valley, c.1840 (graphite & grey wash on paper)

Mountainous Landscape with Town in Valley, c.1840 (graphite & grey wash on paper)
XYC201202 Mountainous Landscape with Town in Valley, c.1840 (graphite & grey wash on paper) by Turner, Joseph Mallord William (1775-1851); 23.6x29.4 cm; Yale Center for British Art

Background imageTurner Collection: Sketch of two ships on a catalogue page, c.1823 (pencil on paper)

Sketch of two ships on a catalogue page, c.1823 (pencil on paper)
XYC203470 Sketch of two ships on a catalogue page, c.1823 (pencil on paper) by Turner, Joseph Mallord William (1775-1851); 22.5x42.9 cm; Yale Center for British Art, Paul Mellon Collection, USA

Background imageTurner Collection: The Morning After the Storm, c.1840-45 (oil on canvas)

The Morning After the Storm, c.1840-45 (oil on canvas)
NGW185738 The Morning After the Storm, c.1840-45 (oil on canvas) by Turner, Joseph Mallord William (1775-1851); 32.6x54.4 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageTurner Collection: A Sailing Boat off Deal, c.1835 (oil on millboard)

A Sailing Boat off Deal, c.1835 (oil on millboard)
NGW185739 A Sailing Boat off Deal, c.1835 (oil on millboard) by Turner, Joseph Mallord William (1775-1851); 22.6x30.3 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageTurner Collection: Transept of Ewenny Priory, Glamorganshire, c.1797 (w/c over pencil on paper)

Transept of Ewenny Priory, Glamorganshire, c.1797 (w/c over pencil on paper)
NGW238932 Transept of Ewenny Priory, Glamorganshire, c.1797 (w/c over pencil on paper) by Turner, Joseph Mallord William (1775-1851)

Background imageTurner Collection: The Storm, c.1840-45 (oil on canvas)

The Storm, c.1840-45 (oil on canvas)
NGW185740 The Storm, c.1840-45 (oil on canvas) by Turner, Joseph Mallord William (1775-1851); National Museum Wales; National Museums & Galleries of Wales

Background imageTurner Collection: The Morning after the Wreck, c.1835-40 (oil on canvas)

The Morning after the Wreck, c.1835-40 (oil on canvas)
NGW186838 The Morning after the Wreck, c.1835-40 (oil on canvas) by Turner, Joseph Mallord William (1775-1851); 38.7x61.8 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageTurner Collection: Untitled (coloured pencil on paper)

Untitled (coloured pencil on paper)
AGN358245 Untitled (coloured pencil on paper) by Turner, Joseph Mallord William (1775-1851); Private Collection; Photo © Agnew's, London

Background imageTurner Collection: A Weeping Willow (w/c on paper)

A Weeping Willow (w/c on paper)
AGN355053 A Weeping Willow (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 25.1x35.2 cm; Private Collection; Photo © Agnew's, London

Background imageTurner Collection: Falls of the Clyde, c.1801 (pencil on paper)

Falls of the Clyde, c.1801 (pencil on paper)
LMG208983 Falls of the Clyde, c.1801 (pencil on paper) by Turner, Joseph Mallord William (1775-1851); 41.3x26.5 cm; Leeds Museums and Galleries (Leeds Art Gallery) U.K

Background imageTurner Collection: Landscape with Barn, c. 1795 (graphite & wash on paper)

Landscape with Barn, c. 1795 (graphite & wash on paper)
XYC201209 Landscape with Barn, c.1795 (graphite & wash on paper) by Turner, Joseph Mallord William (1775-1851); 24x38 cm; Yale Center for British Art, New Haven, USA; Bequest of Richard L. Purdy

Background imageTurner Collection: Winchelsea, Sussex, from the Rye Road (w/c & bodycolour on paper)

Winchelsea, Sussex, from the Rye Road (w/c & bodycolour on paper)
AGN270953 Winchelsea, Sussex, from the Rye Road (w/c & bodycolour on paper) by Turner, Joseph Mallord William (1775-1851); 12.7x20 cm; Private Collection; Photo © Agnew's, London

Background imageTurner Collection: Modern Italy - The Pifferari, 1838 (oil on canvas)

Modern Italy - The Pifferari, 1838 (oil on canvas)
GLS219801 Modern Italy - The Pifferari, 1838 (oil on canvas) by Turner, Joseph Mallord William (1775-1851); 92.6x123.2 cm; Art Gallery and Museum, Kelvingrove, Glasgow

Background imageTurner Collection: Brecon Bridge and Castle, c. 1795 (w/c on paper)

Brecon Bridge and Castle, c. 1795 (w/c on paper)
495781 Brecon Bridge and Castle, c.1795 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 23.6x34 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageTurner Collection: East and West Looe, Cornwall, c. 1816 (w/c on paper)

East and West Looe, Cornwall, c. 1816 (w/c on paper)
495767 East and West Looe, Cornwall, c.1816 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 15.6x23.8 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageTurner Collection: Linlithgow Palace, 1821 (w/c & bodycolour on paper)

Linlithgow Palace, 1821 (w/c & bodycolour on paper)
MAN278079 Linlithgow Palace, 1821 (w/c & bodycolour on paper) by Turner, Joseph Mallord William (1775-1851); 17.2x25.8 cm; Manchester Art Gallery, UK; (add.info.: birthplace of James V)

Background imageTurner Collection: Dunwich, Suffolk, c. 1827 (w/c on paper)

Dunwich, Suffolk, c. 1827 (w/c on paper)
2647541 Dunwich, Suffolk, c.1827 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 18x26 cm; Manchester Art Gallery, UK; © Manchester Art Gallery ; Mr James Thomas Blair bequest, 1917

Background imageTurner Collection: Heidelberg: Sunset, c. 1840-42 (w/c and bodycolour on paper)

Heidelberg: Sunset, c. 1840-42 (w/c and bodycolour on paper)
MAN278077 Heidelberg: Sunset, c.1840-42 (w/c and bodycolour on paper) by Turner, Joseph Mallord William (1775-1851); 38x55.2 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageTurner Collection: Sunset, c. 1845 (w/c on paper)

Sunset, c. 1845 (w/c on paper)
495756 Sunset, c.1845 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 23x29.7 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageTurner Collection: Thomson's Aeolian Harp, 1809 (oil on canvas)

Thomson's Aeolian Harp, 1809 (oil on canvas)
1778563 Thomson's Aeolian Harp, 1809 (oil on canvas) by Turner, Joseph Mallord William (1775-1851); 167x306 cm; Manchester Art Gallery

Background imageTurner Collection: The Drachenfels, Germany, c. 1823-24 (w/c & bodycolour with scraping out over pencil on paper)

The Drachenfels, Germany, c. 1823-24 (w/c & bodycolour with scraping out over pencil on paper)
MAN276870 The Drachenfels, Germany, c.1823-24 (w/c & bodycolour with scraping out over pencil on paper) by Turner, Joseph Mallord William (1775-1851); 12.7x20.3 cm; Manchester Art Gallery

Background imageTurner Collection: Exeter, c. 1827 (w/c with scraping & stopping out and gum arabic on paper)

Exeter, c. 1827 (w/c with scraping & stopping out and gum arabic on paper)
MAN276871 Exeter, c.1827 (w/c with scraping & stopping out and gum arabic on paper) by Turner, Joseph Mallord William (1775-1851); 30.1x42.8 cm; Manchester Art Gallery

Background imageTurner Collection: Dunstanborough Castle, Northumberland, c. 1829 (w/c on paper)

Dunstanborough Castle, Northumberland, c. 1829 (w/c on paper)
495773 Dunstanborough Castle, Northumberland, c.1829 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 29.1x42.5 cm; Manchester Art Gallery

Background imageTurner Collection: Whitehall, c. 1835 (w/c on paper)

Whitehall, c. 1835 (w/c on paper)
495757 Whitehall, c.1835 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 9.5x15.4 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageTurner Collection: Rome, the Tomb of Cecilia Metella, c. 1824 (w/c on paper)

Rome, the Tomb of Cecilia Metella, c. 1824 (w/c on paper)
495771 Rome, the Tomb of Cecilia Metella, c.1824 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 12.1x22 cm; Manchester Art Gallery, UK; (add.info.: Caecilia Metella (b. c. 100 BC, fl)

Background imageTurner Collection: Powis Castle, Montgomeryshire, c. 1835 (w/c on paper)

Powis Castle, Montgomeryshire, c. 1835 (w/c on paper)
495768 Powis Castle, Montgomeryshire, c.1835 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 28.9x48.9 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageTurner Collection: A Mountain Pass in Moonlight, c. 1845 (w/c on paper)

A Mountain Pass in Moonlight, c. 1845 (w/c on paper)
495763 A Mountain Pass in Moonlight, c.1845 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 21.6x18.7 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageTurner Collection: Domleschg Valley, looking South east, towards Schloss Ortenstein, c. 1853 (w/c on paper)

Domleschg Valley, looking South east, towards Schloss Ortenstein, c. 1853 (w/c on paper)
495774 Domleschg Valley, looking South east, towards Schloss Ortenstein, c.1853 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 23x28.8 cm; Manchester Art Gallery

Background imageTurner Collection: The Heart of the Oak Inn, c. 1794 (w/c on paper)

The Heart of the Oak Inn, c. 1794 (w/c on paper)
495766 The Heart of the Oak Inn, c.1794 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 26.1x21 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageTurner Collection: A Swiss Lake, c. 1841 (w/c on paper)

A Swiss Lake, c. 1841 (w/c on paper)
495764 A Swiss Lake, c.1841 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 25.1x36.7 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageTurner Collection: A River in Spate, c. 1796 (w/c on paper)

A River in Spate, c. 1796 (w/c on paper)
495761 A River in Spate, c.1796 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 37.5x50.7 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageTurner Collection: Tantallon Castle, 1821 (w/c on paper)

Tantallon Castle, 1821 (w/c on paper)
495760 Tantallon Castle, 1821 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 17.9x26.1 cm; Manchester Art Gallery, UK; (add.info.: Tantallon Castle is a mid-14th-century fortress)

Background imageTurner Collection: Kilgarran Castle, c. 1798 (w/c on paper)

Kilgarran Castle, c. 1798 (w/c on paper)
495783 Kilgarran Castle, c.1798 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 27.5x37.5 cm; Manchester Art Gallery

Background imageTurner Collection: Landscape with trees by the River Thames, c. 1805 (w/c on paper)

Landscape with trees by the River Thames, c. 1805 (w/c on paper)
495779 Landscape with trees by the River Thames, c.1805 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 24.3x36.7 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageTurner Collection: Domleschg Valley, near Rothenbrunnen, looking towards Rhazuns, 1843 (w/c on paper)

Domleschg Valley, near Rothenbrunnen, looking towards Rhazuns, 1843 (w/c on paper)
495776 Domleschg Valley, near Rothenbrunnen, looking towards Rhazuns, 1843 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 23.2x29.1 cm; Manchester Art Gallery

Background imageTurner Collection: The Bastille at Grenoble from the Valley of the Isere, c. 1836 (w/c on paper)

The Bastille at Grenoble from the Valley of the Isere, c. 1836 (w/c on paper)
495769 The Bastille at Grenoble from the Valley of the Isere, c.1836 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 13.8x18.9 cm; Manchester Art Gallery

Background imageTurner Collection: Addingham Mill on the Wharfe, West Yorkshire, c. 1808 (w/c on paper)

Addingham Mill on the Wharfe, West Yorkshire, c. 1808 (w/c on paper)
495780 Addingham Mill on the Wharfe, West Yorkshire, c.1808 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 28x38.8 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageTurner Collection: The Bastille at Grenoble, from the Village of La Tronche, c. 1836 (w/c on paper)

The Bastille at Grenoble, from the Village of La Tronche, c. 1836 (w/c on paper)
495755 The Bastille at Grenoble, from the Village of La Tronche, c.1836 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 14x19.3 cm; Manchester Art Gallery

Background imageTurner Collection: Carew Castle, Pembroke, c. 1832 (w/c on paper)

Carew Castle, Pembroke, c. 1832 (w/c on paper)
495782 Carew Castle, Pembroke, c.1832 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 30.6x46.4 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageTurner Collection: Dunstanborough Castle, Northumberland, c. 1829 (w/c on paper)

Dunstanborough Castle, Northumberland, c. 1829 (w/c on paper)
495772 Dunstanborough Castle, Northumberland, c.1829 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 29x43 cm; Manchester Art Gallery, UK; (add.info.: In the Anglo-Saxon period)

Background imageTurner Collection: Malvern Abbey and Gate, Worcestershire, c. 1830 (w/c on paper)

Malvern Abbey and Gate, Worcestershire, c. 1830 (w/c on paper)
495762 Malvern Abbey and Gate, Worcestershire, c.1830 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 29.9x42.8 cm; Manchester Art Gallery

Background imageTurner Collection: Inverary, Loch Fyne, Argyllshire, c. 1802 (w/c on paper)

Inverary, Loch Fyne, Argyllshire, c. 1802 (w/c on paper)
495765 Inverary, Loch Fyne, Argyllshire, c.1802 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 21x29.8 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageTurner Collection: Naples, c. 1850-51 (pencil and w/c on paper)

Naples, c. 1850-51 (pencil and w/c on paper)
MAN185496 Naples, c.1850-51 (pencil and w/c on paper) by Turner, Joseph Mallord William (1775-1851); 37x54.3 cm; Manchester Art Gallery

Background imageTurner Collection: Genoa, Italy, c. 1851 (w/c on paper)

Genoa, Italy, c. 1851 (w/c on paper)
495778 Genoa, Italy, c.1851 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 37.1x54.3 cm; Manchester Art Gallery, UK; © Manchester Art Gallery



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