Gottlob Collection
"Gottlob: A Bit Of Chat about Lithography Painters and Engravings" Step into the world of lithography painters as we explore the fascinating history behind "Gottlob
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"Gottlob: A Bit Of Chat about Lithography Painters and Engravings" Step into the world of lithography painters as we explore the fascinating history behind "Gottlob. " This captivating caption takes us back to 1899, where the Salle du Figaro hosted the Second Exhibition of Lithography Painters. The poster for this exhibition, featuring a colored engraving by Friedrich Koenig (1774-1833), showcases the talent and creativity of these artists. Delving deeper into art history, we encounter CARPZOV (1679 - 1767) and Gottlob Schenckendorf, two prominent figures in this artistic movement. Their contributions to lithography cannot be overlooked. Another notable name associated with "Gottlob" is Adam Oehlenschlaeger. His influence on lithographic art is evident through his remarkable works showcased in various exhibitions. One particular image stands out – an intriguing depiction captured by Joh. Gott. Marezoll. Moving beyond paintings, drawings prints also play a significant role in understanding "Gottlob. " These prints encompass a wide range of themes such as fete, ornament & architecture, catafalque, penitence, Saint Peter – each offering unique insights into the artist's vision. Intriguingly enough, one drawing print features an intermediary draughtsman known simply as Jeremias. His skillful execution adds depth and complexity to these artworks. As our journey unfolds further, we stumble upon references to Tragacanth gum tree (Astragalus gummifer). This natural material plays a crucial role in lithographic processes – its use enhancing both texture and durability within these prints. Join us on this captivating exploration of "Gottlob, " where artistry meets technique and history intertwines with creativity. Discover how these talented individuals shaped the world of lithography painting while leaving their indelible mark on the art world.