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Stork, Cranes and Heron old litho print from 1852

Stork, Cranes and Heron old litho print from 1852


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Stork, Cranes and Heron old litho print from 1852

" Lithographic print of Cranes, Storks and Heron taken from Plate 61 of the 1852 book by Oliver Goldsmith: A History Of The Earth And Animated Nature Volume two.1. Common Crane 2. White Stork 3. Gigantic Crane 4. Common Heron 5. Little Egret"

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Lusky

Media ID 19694717

© Lusky

Animals Feeding Illustration And Paint Obsolete


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> Animals > Birds > Gruiformes > Cranes > Common Crane

> Animals > Birds > Herons > Little Egret

> Animals > Birds > Storks > White Stork

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EDITORS COMMENTS
This lithographic print from 1852 showcases the elegance and diversity of avian species. Titled "Stork, Cranes and Heron" it is a remarkable piece taken from Plate 61 of Oliver Goldsmith's renowned book, "A History Of The Earth And Animated Nature Volume two". The print features five distinct birds in their natural habitat, each captured with meticulous detail. At the forefront stands the majestic Common Crane, its slender frame poised gracefully as it feeds on its prey. To its right, the White Stork exudes an air of regality with its long neck and striking black-and-white plumage. In stark contrast to these larger birds are the Gigantic Crane and Common Heron depicted further back. Their smaller size does not diminish their significance; rather, it highlights their unique characteristics that make them equally fascinating creatures to observe. Completing this avian ensemble is the Little Egret perched delicately on a branch nearby. Its pure white feathers create a stunning visual contrast against the vibrant background. This litho print serves as both an artistic masterpiece and a historical artifact. It transports us back to an era when illustrations were meticulously handcrafted using lithography techniques—a testament to human creativity before modern printing methods took over. Lusky's rendition skillfully captures nature's beauty while simultaneously preserving a moment in time when such prints were highly valued for educational purposes or simply admired for their aesthetic appeal.

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