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Various patterns of the Renaissance, chromolithograph, published in 1897
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Various patterns of the Renaissance, chromolithograph, published in 1897
Various patterns of the Renaissance: 1) Ceiling in the Ducal palace, Mantua, Italy; 2, 3, 6, 13) Frescos from the Vatican loggias; 4, 7, 10, 13) From the mass-book Pope Leo X; 5) Ceiling in the San Maurizio, Milan, Italy; 8) Initial M; 9) Ornament of a picture frame; 11) Ceiling in the Palazzo Doria; Genoa, Italy; 12) Venetian enamel; 14) Wood mosaic from Santa Maria in Organo, Verona, Italy (1499); 15) Ornament of an Italian leather bowl (16th century); 16) Initial P (mass-book); 17) Inlay (French, 16th century); 18) Italian book ornament; 19) Initial D (mass-book) with the five bullets of the Medici coat of arms; 20) Four quarters of Italian majolica tiles; 21) French miniature art; 22) from the prayer book of French Queen Anne of Brittany; 23) Stone ornament from ChAteau de ChAteaudun, France; 24) French manuscript (rand strip ornament); 25) Pilaster ornament from the Palace of Fontainebleau; 26) Stone ornaemt from the ChAteau de Blois (1530); 27) Glazed stove tiles (German, 17th century); 28) Enameled silver plate (German, 16th century); 29) From a manuscript of Hans SchAÔé¼ufelin (1538); 30) Goblet design in enamel and gold by M. Hauch (Augsburg, Germany, 1571); 31) Glazed oven ornament by Augustin Hirschvogel (Nuremberg, Germany, 16th century); 32) Glazed clay jug (German, 1590); 33) From a German prayer book (1520). Chromolithograph, published in 1897
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ZU_09
Media ID 18293295
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EDITORS COMMENTS
This stunning chromolithograph, published in 1897 by ZU_09, showcases the various patterns of the Renaissance. The print features a wide range of intricate designs and motifs from different regions across Europe. The first pattern depicted is a breathtaking ceiling from the Ducal palace in Mantua, Italy. Its ornate details and vibrant colors transport us to the grandeur of Italian Renaissance architecture. Moving on, we encounter frescos from the Vatican loggias that captivate with their exquisite artistry. As we explore further, we come across an array of patterns including those found in mass-books used by Pope Leo X and initials beautifully adorned with decorative elements. Each design tells its own story and represents a unique aspect of Renaissance aesthetics. Not limited to Italy alone, this collection also includes examples from France and Germany. French miniature art from Queen Anne of Brittany's prayer book showcases delicate craftsmanship while stone ornaments from Château de Châteaudun and Château de Blois demonstrate architectural beauty. German contributions feature glazed stove tiles, enameled silver plates, clay jugs, manuscript illustrations by Hans Schäufelin, goblet designs by M. Hauch, as well as oven ornaments crafted by Augustin Hirschvogel. This comprehensive compilation truly captures the essence of Renaissance artistry through its diverse range of patterns spanning multiple mediums and countries. It serves as a testament to the rich cultural heritage left behind by this transformative period in history.
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