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Eighteenth century mother admonishing her idle son
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Eighteenth century mother admonishing her idle son
An 18th century mother admonishing her idle son. From R. Caldecottas Second Collection of Pictures and Songsa containing The Milkmaida, Hey Diddle Diddlea, Baby Buntinga, The Fox Jumps Over the Parsonas Gatea, A Frog He Would a-Wooing Goa, Come Lasses and Ladsa, Ride a Cock HorseaŠa, A Farmer Went TrottingaŠa, Mrs Mary Blaizea and The Great Panjandrum Himselfa. Drawn by Randolph Caldecott; engraved and printed by E. Evans. Published by George Routledge & Sons, London & New York, c1885
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Media ID 19002393
© Linda Steward
Leisure Activity Pets Residential Building
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EDITORS COMMENTS
This print takes us back to the 18th century, where we witness a poignant scene of a mother admonishing her idle son. The image is part of R. Caldecott's Second Collection of Pictures and Songs, showcasing his exceptional talent for capturing everyday life with remarkable detail. The mother, dressed in traditional attire, stands tall and sternly points her finger at her young son who appears remorseful yet defiant. Their expressions convey a timeless story of parental guidance and the challenges faced by children throughout history. Set against the backdrop of a charming residential building from the 19th century, this print transports us to an era when family dynamics played out within these elegant walls. The attention to architectural details adds depth and authenticity to the composition. Notably present are two pets - perhaps loyal companions or mischievous troublemakers adding an element of playfulness to this otherwise serious moment. They serve as reminders that even in times past, animals held special places within our homes and hearts. As we gaze upon this artwork, we can't help but reflect on how leisure activities have evolved over time while recognizing that idleness has always been met with disapproval. This thought-provoking piece invites us to ponder our own relationships with loved ones and consider the timeless lessons passed down through generations. Whitemay's skillful reproduction ensures that every intricate line engraved by E. Evans is faithfully preserved for contemporary admirers to appreciate this historical gem originally published by George Routledge & Sons in London & New York
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