EDITORS COMMENTS
. This antique engraving, dating back to 1870, transports us into the realm of Gustave Doré's imagination. The intricate details and masterful strokes in this engraved image from "The Dore Gallery" by Edmund Ollier evoke a sense of awe and wonder. Depicting the biblical parable of the prodigal son, we witness a powerful narrative unfold before our eyes. The central figure, the wayward son who had squandered his inheritance on worldly pleasures, stands at the forefront. His weary expression reflects remorse as he returns home seeking forgiveness. Surrounded by an ethereal glow, we see heavenly figures descending upon him with open arms - a poignant representation of divine mercy and unconditional love. This celestial arrival contrasts starkly with the darkened background that symbolizes sin and despair. Doré's attention to detail is evident throughout; every line etched with precision brings life to each character present in this profound illustration. From angels guiding the prodigal son towards salvation to subtle hints at Dante's influence through references to seven deadly sins – it is an artistic masterpiece that intertwines spirituality and storytelling seamlessly. As we gaze upon this monoprint, we are reminded of humanity's eternal struggle between good and evil while finding solace in themes of redemption offered by Jesus Christ himself. It serves as a timeless reminder that no matter how far one may stray from their path, there will always

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The Palace That To Heav n His Pillars Threw, And Kings The Forehead On His Threshold Drew - I Saw The Solitary Ringdove There, And "coo, Coo, Coo, "She Cried;And "coo, Coo, Coo. "Illustration By Edmund Dulac From The Rubaiyat Of Omar Khayyam, Published 1909