Montgolfiers smoke balloon being attacked by frightened country folk

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Montgolfiers smoke balloon being attacked by frightened country folk

When the Montgolfier brothers first balloon landed in Genesse, it terrified the villagers, who attacked it with agricultural tools. Priests also arrived to exorcise it! From " The Cottager and Artisan" for 1885. Published by The Religious Tract Society, London, 1884-85

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whitemay

Media ID 20253771

© Digitally restored by Linda Steward - Linda Steward

Montgolfier Hydrogen Balloon

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EDITORS COMMENTS
In this print titled "Montgolfiers smoke balloon being attacked by frightened country folk" we are transported back to a significant moment in history. The image captures the aftermath of the Montgolfier brothers' first successful balloon landing in Genesse, which unexpectedly terrified the local villagers. Startled and bewildered, they react with fear and aggression towards this strange contraption that has descended upon their tranquil countryside. As we gaze at the scene, we witness a chaotic clash between progress and tradition. Frightened country folk armed with agricultural tools surround the enormous hydrogen-filled balloon, attempting to ward off what they perceive as an otherworldly intruder. Even priests have arrived on the scene, seeking to exorcise this mysterious flying object from their land. This photograph serves as a poignant reminder of humanity's initial resistance to innovation and change. It encapsulates both curiosity and apprehension towards new technologies that challenge established norms. Through its lens, we can almost hear the gasps of astonishment mingling with shouts of terror echoing through time. The artist Whitemay skillfully captures not only historical accuracy but also evokes emotions within us - awe for human ingenuity juxtaposed with trepidation rooted in unfamiliarity. This thought-provoking piece invites us to reflect on our own reactions when confronted with groundbreaking advancements that push boundaries beyond our comfort zones. Published by The Religious Tract Society in London during 1884-85, "The Cottager and Artisan" provides us

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