1440s Collection

Gutenbergs printing press
Gutenberg inspects the first sheet of his Bible, which has just come off the press

Gutenbergs press, with books
Gutenbergs press, reconstructed from what was left of it, and housed in the Deutsche Buchgewerbehaus at Leipzig, Germany

Madonna and Child, c1446-1447. Creator: Filippo Lippi
Madonna and Child, c1446-1447. This tender devotional image of the Madonna and Child before a gold curtain functioning as a cloth of honor retains its original frame in the shape a window frame in a

Madonna and Child, c1430-1450. Creator: Unknown
Madonna and Child, c1430-1450

Madonna and Child with St. Michael and Other Saints, c1440. Creator: Antonio Vivarini
Madonna and Child with St. Michael and Other Saints, c1440. This monumental and intact polyptych (multi-paneled altarpiece), which is now unfortunately badly damaged

A Yantra of Mahavira, between 1425 and 1450. Creator: Unknown
A Yantra of Mahavira, between 1425 and 1450

Master of the Vitae Imperatorum: The Trinity, miniature from an illuminated choirbook on vellum, c
986269 Master of the Vitae Imperatorum: The Trinity, miniature from an illuminated choirbook on vellum, c.1440 (paint and burnished gold on vellum) by Italian School

Nativity, c. 1430-1440 (paint and ink on vellum)
986370 Nativity, c.1430-1440 (paint and ink on vellum) by Master of the Munich Golden Legend (1389-1410) (& workshop); 21.5x16.2 cm; Private Collection; (add.info.: Nativity)

The Nativity, ca. 1440 (manuscript on vellum)
1195478 The Nativity, ca.1440 (manuscript on vellum) by French School, (15th century); 22x15 cm; Private Collection; Photo eChristies Images; French, out of copyright

Crowned Virgin, c. 1430-1440 (paint and ink on vellum)
986369 Crowned Virgin, c.1430-1440 (paint and ink on vellum) by Master of the Munich Golden Legend (1389-1410) (& workshop); 21.5x16.2 cm; Private Collection; (add.info.: Crowned Virgin)

A rare Swiss pavise of wood covered with gesso painted canvas of green scrolling foliage
1764822 A rare Swiss pavise of wood covered with gesso painted canvas of green scrolling foliage design and the shields of arms of Habsburg, the League of St George, and the town of Winterthur

The Descent from the Cross and the Entombment - a Section of a Predella
659319 The Descent from the Cross and the Entombment - a Section of a Predella (tempera on gold ground panel) by Master of Torralba (fl.c.1440)

Altarpiece Passion Christ 1440s Master Schlagl Altarpiece
Altarpiece with The Passion of Christ, c. 1440s. Master of the Schlagl Altarpiece (German). Oil and gold on wood; framed: 88.9 x 157.5 x 8.3 cm (35 x 62 x 3 1/4 in.); unframed

Portrait Man Turban Oil wood Overall 11 x 7 3 / 4
Artokoloro

Master of the Osservanza (Sano di Pietro?) (Italian, active late 1420s-early 1440s), Saint Anthony Leaving His Monastery, c. 1430-1435, tempera on panel

NOAHs ARK WITH RAINBOW. Norman French manuscript illumination, c1440-50

Minster Lovell Hall
The ruins of Minster Lovell Hall, Cotswolds, Oxfordshire, England. It was built by Lord William Lovell in the 1440s. Legend has it that he died in a secret room in the hall. Date: mid 15th century

Page from Gutenbergs first Bible
A page from Gutenbergs first Bible, which contained 42 pages

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In the 1440s, a revolutionary invention changed the course of history forever. Johannes Gutenberg's printing press emerged, bringing with it a new era of knowledge dissemination. With this groundbreaking technology, books became more accessible to the masses, sparking an intellectual revolution that would shape the world for centuries to come. Amidst this cultural transformation, Minster Lovell Hall stood as a testament to architectural grandeur and historical significance. Its walls witnessed the birth of ideas and artistic expression that flourished during this period. The Master of the Vitae Imperatorum captured the essence of divine beauty in his illuminated choirbook on vellum. The Trinity came alive through delicate brushstrokes and burnished gold accents, showcasing unparalleled craftsmanship. Nativity scenes painted on vellum transported viewers into biblical narratives from c. 1430-1440. These intricate works blended paint and ink seamlessly, evoking emotions through their vivid imagery. A Crowned Virgin adorned with paint and ink on vellum exemplified religious devotion in its purest form during these years. This masterpiece showcased meticulous attention to detail while inspiring awe in those who beheld it. Beyond artistry and spirituality, rare artifacts like a Swiss pavise revealed glimpses into medieval warfare strategies. Covered with gesso-painted canvas depicting green scrolling foliage, it served as both protection and symbol of power on ancient battlefields. Religious altarpieces such as The Descent from the Cross and the Entombment captivated audiences with their emotional depth and storytelling prowess. These sections from predellas transported believers closer to Christ's passion narrative. Portraits like Portrait Man Turban Oil wood Overall 11 x 7 3 / 4 offered insights into individual lives during this transformative era. Each stroke captured not only physical features but also hinted at personal stories waiting to be unraveled by curious minds.