1516 Collection

The Garden of Earthly Delights. Left side of the central pan
Bosch, Hieronymus Van Aeken, called (1450-1516). The Garden of Earthly Delights. Left side of the central panel

SEPHIROTIC TREE OF LIFE. Illustration from Portae Lucis, 1516, by Paul Ricci

Mary Tudor / Egleton
MARY TUDOR Catholic Queen of England, in a somewhat idealised, Victorian depiction

Cabbala Tree of Life
THE TREE OF LIFE of the Jewish Caballa (variously spelt). An old Israelite holds in his hand the SEPHIROTIC TREE; an arrangement of ten sephirot and twenty-two letters

Utopiae Insulae Figura (Map of the New Island of Utopia
5615728 Utopiae Insulae Figura (Map of the New Island of Utopia) from the 1516 first edition of Utopia by Sir Thomas More (1478-1535)

The Transfiguration of Christ, 1516-1520, by Raphael (1483-1
Raphael (Raffaello Sanzio da Urbino) (1483-1520). Italian painter. The Transfiguration of Christ, 1516-1520. Pinacoteca Vaticana. Vatican City

Sultan Selim I conquering Egypt
Sultan Selim I, nicknamed Yavuz " the Stern", " the Steadfast" or " the Grim" (1465?-1520) - Sultan of the Ottoman Empire from 1512 to 1520

The Garden of Earthly Delights. Central panel of the triptyc
Bosch, Hieronymus Van Aeken, called (1450-1516). The Garden of Earthly Delights. Central panel of the triptych

Edwin Sandys, Archbishop
EDWIN SANDYS Archbishop of York Date: 1516 - 1588

Birth of Antichrist
The birth of Antichrist Date: 1516

Sheffield Manor Lodge, also known as Sheffield Manor or locally as Manor Castle, is a lodge built about 1516 in what then was a large deer park southeast of Sheffield, South Yorkshire, England

TOMB/FERNANDO & ISABELA
The tombs of Fernando V of Spain (died 1516) and his wife Isabela (died 1504) Date: 1516/1504

Ruggiero succeeds in escaping from the island of Alcina
GIA4731531 Ruggiero succeeds in escaping from the island of Alcina, and later rescues Angelica from the orc - Scene of the chivalrous poem of " Orlando Furioso" by Ludovico Ariosto

Ruggiero at the court of the sorceress Alcina - oil on canvas, 1624
LRI4573215 Ruggiero at the court of the sorceress Alcina - oil on canvas, 1624 by Manetti, Rutilio (1571-1639); 179.5 x 204.5 cm; Palatine Gallery, Pitti Palace

Alcinas beauty overcomes all of Ruggieros misgivings (canto 7
PCT4284152 Alcinas beauty overcomes all of Ruggieros misgivings (canto 7:16) from Orlando Furioso by Ludovico Ariosto (1474-1533) by Dore

Alcina and Ruggiero as happy lovers, (canto 7: 31) illustration by Gustave Dore for
PCT4284135 Alcina and Ruggiero as happy lovers, (canto 7:31) illustration by Gustave Dore for the poem Orlando furioso by Ludovico Ariosto (1474-1533), 1878 by Dore

Alcina and Ruggiero as happy lovers out fishing (canto 7: 32)
PCT4284131 Alcina and Ruggiero as happy lovers out fishing (canto 7:32), illustration by Gustave Dore for the poem Orlando furioso by Ludovico Ariosto (1474-1533), 1878 by Dore

Ruggiero on the island of Alcina, - 1851 engraving from the poem Orlando furioso (1516
XEE4151381 Ruggiero on the island of Alcina, - 1851 engraving from the poem Orlando furioso (1516) by Ludovico Ariosto, - Edition translated from Italian by the Count of Tressan

View of Utopia, 1516 (woodcut)
985790 View of Utopia, 1516 (woodcut) by English School, (16th century); 19.9x13.7 (approx) cm; Private Collection; (add.info.: View of Utopia. A page from Utopia by Sir Thomas More. Woodcut)

Fireplace: Great Hall of the Chateau D Oyron, Deux Sevres, France (b / w photo)
6018436 Fireplace: Great Hall of the Chateau D Oyron, Deux Sevres, France (b/w photo) by American Photographer (19th century) (after); Private Collection; (add.info)

Ancienne eglise Sainte-Genevieve vers 1516, d apres un dessin de Saint-Aulaire publie par M A Lenoir (engraving)
963363 Ancienne eglise Sainte-Genevieve vers 1516, d apres un dessin de Saint-Aulaire publie par M A Lenoir (engraving) by French School

Hieronymus Wolf, German historian, 1516-1580
6039983 Hieronymus Wolf, German historian, 1516-1580. by Bry, Theodor de (1528-98); Private Collection; (add.info.: Hieronymus Wolf, German historian and humanist, 1516-1580)

Study of one of the Quirinal Marble Horses, c. 1515-17 (red chalk)
1766781 Study of one of the Quirinal Marble Horses, c.1515-17 (red chalk) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); 21.8x27.2 cm; Private Collection; (add.info)

A group of monsters wants to compel Ruggiero to enter Alcinas city
PCT4285035 A group of monsters wants to compel Ruggiero to enter Alcinas city, illustration Ariostos Orlando furioso, 1878 by Dore

Santa Francesca Romana Clothed by the Virgin, ca. 1445. Creator: Antonio del Massaro da Viterbo
Santa Francesca Romana Clothed by the Virgin, ca. 1445. Santa Francesca Romana lived from 1384 to 1440 in a white cloak kneeling before the Virgin and Child, and St Paul with Mary Magdalene

Portrait Hans Herbst Herbster 1516 mixed media
Portrait of Hans Herbst (Herbster), 1516, mixed media on paper, mounted on lime wood, 39.5 x 26.5 cm, dated at the top left of the tablet in the arch gusset: ÔÇó 1 ÔÇó 5 ÔÇó 16 ÔÇó [the 5 retouched]

Potrait of Albrecht of Brandenburg (1490-1545), 1508. Creator: De Barbari, Jacopo (c
Potrait of Albrecht of Brandenburg (1490-1545), 1508. Found in the Collection of Anhaltische Gemaldegalerie Dessau

The torments of love, c. 1516. Creator: Graf, Urs (c. 1485-1527 / 28)
The torments of love, c. 1516. Found in the Collection of Art Museum Basel

La donna velata (The woman with the veil), 1516. Found in the Collection of Palazzo Pitti, Florence

Apostle Saint James the Great, 1516. Found in the Collection of Villa Colloredo Mels

Sultan Selim the Grim at The Battle of Marj Dabiq in 1516 (or 932 of the Islamic Calendar). The battle was part of the OttomanMamluk War (151617) between the Ottoman Empire and the Mamluk Sultanate

The Garden of Earthly Delights. Right panel of the triptych
Bosch, Hieronymus Van Aeken, called (1450-1516). The Garden of Earthly Delights. Right panel of the triptych

Double portrait Jacob Meyer zum Hasen wife Dorothea Kannengiesser
Double portrait of Jacob Meyer zum Hasen and his wife Dorothea Kannengiesser (inside pages), Coat of arms of Jacob Meyer on a red ground (outside of the male portrait), 1516, oil on lime wood

Signboard schoolmaster childrens page 1516 mixed technique
Signboard of a schoolmaster (childrens page), 1516, mixed technique on spruce, 55.3 x 65.5 cm, Not marked, but dated in the text box: Whoever likes to learn the world [...] dubiously write and read

Sign schoolmaster adult side 1516 mixed technique
Sign of a schoolmaster (adult side), 1516, mixed technique on spruce, 55.3 x 65.5 cm, Not marked, but dated in the text box: who someone likes to learn the world scholarly [...] and read the all

Lazio Roma Rome S. Eligio degli Orefici Italy
Lazio Roma Rome S. Eligio degli Orefici, this is my Italy, the italian country of visual history, Post-medieval Architecture, sculpture, painting

Madonna Child Two Hermit Saints Bernardino Fungai
Madonna and Child with Two Hermit Saints; Bernardino Fungai (Italian (Sienese), 1460 - 1516); early 1480s; Tempera on panel; 68.6 × 45.7 cm (27 × 18 in.)

Sacrifice Isaac Giulio Romano Giulio Pippi Italian
The Sacrifice of Isaac; Giulio Romano (Giulio Pippi) (Italian, before 1499 - 1546); Italy; about 1516 - 1518; Red chalk; 28.3 x 19.1 cm (11 1, 8 x 7 1, 2 in.)

Standing Man Wearing Turban Attributed Giovanni Bellini
Standing Man Wearing A Turban; Attributed to Giovanni Bellini (Italian, about 1431, 1436 - 1516); Venice, Veneto, Italy; about 1485; Pen and brown ink; 11.6 x 5.2 cm (4 9, 16 x 2 1, 16 in.)

Fortitude Giovanni Bellini Italian 1431 1436
Fortitude; Giovanni Bellini (Italian, about 1431, 1436 - 1516); Venice, Veneto, Italy; about 1470; Pen and brown ink; 8.7 x 8.9 cm (3 7, 16 x 3 1, 2 in.)

Design Ornament Signet Ring Arms Lazarus Spengler
Design for an Ornament or Signet Ring with the Arms of Lazarus Spengler; Albrecht Durer (German, 1471 - 1528); Germany; 1516; Pen and brown ink; 5.9 x 5.4 cm (2 5, 16 x 2 1, 8 in.)

St Paul Rending Garments Raphael Raffaello Sanzio
St. Paul Rending His Garments; Raphael (Raffaello Sanzio) (Italian, 1483 - 1520); about 1515 - 1516; Metalpoint, heightened with white gouache, on lilac-gray prepared paper; 23 × 10.3 cm (9 1)

Three Worthy Christians 1516 Daniel I Hopfer
Three Worthy Christians, after 1516. Daniel I Hopfer (German, c. 1470-1536), after a design by Hans Burgkmair (German, 1473-1531)

Venus Wounded Roses Thorn 1516 Marco Dente Italian
Venus Wounded by a Roses Thorn, c. 1516. Marco Dente (Italian, c. 1486-1527), after Raphael (Italian, 1483-1520), published by Antonio Salamanca (c.1500-1562)

Ludovico Ariosto (1474 1533) Italian poet. Orlando Furio
Ludovico Ariosto (1474 1533) was an Italian poet. He is best known as the author of the romance epic Orlando Furioso (1516). Book cover Orlando Furioso, edited in Lyon (Lugdunum), 1556

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"Exploring the Artistic and Historical Tapestry of 1516" Step into the enchanting world of 1516, where art, literature, and history intertwine to create a captivating narrative. On the left side of "The Garden of Earthly Delights, " painted by Hieronymus Bosch in this very year, we are transported to a surreal realm filled with fantastical creatures and intricate symbolism. Meanwhile, across the English Channel, Mary Tudor ascends to power as Queen Consort after her marriage to Louis XII of France at Egleton. Her reign would leave an indelible mark on British history. In another corner of Europe, Paul Ricci's illustration from "Portae Lucis" unveils the mystical Sephirotic Tree of Life from Kabbalah teachings. This ancient symbol represents divine emanations and spiritual enlightenment. Noteworthy events unfold in distant lands too; Sultan Selim I triumphantly conquers Egypt while Edwin Sandys assumes his role as Archbishop. These significant moments shape political landscapes far beyond their borders. Delving deeper into cultural achievements, Conrad Gessner emerges as a prominent figure in natural history with his birth in 1516. His contributions would forever influence scientific exploration for generations to come. Art continues its transformative power as Raphael's masterpiece "The Transfiguration of Christ" takes shape during these years—a testament to his genius brushstrokes capturing divine radiance and spiritual transcendence. Closer to home lies Sheffield Manor Lodge—a place steeped in Tudor history—where grandeur meets intrigue within its walls. It serves as a reminder that even amidst tumultuous times, beauty can still flourish. As we reflect upon this pivotal year's legacy, let us not forget Fernando and Isabela whose tomb stands tall—an enduring symbol commemorating their union that united kingdoms and sparked new eras.