1558 1617 Collection

The Great Hercules or Knollenman, 1589. Creator: Hendrick Goltzius (Dutch, 1558-1617)
The Great Hercules or Knollenman, 1589. Mannerism, a style that developed in Italy around 1520, can be considered both a continuation of and a reaction against the High Renaissance

Apollo, 1588. Creator: Hendrick Goltzius (Dutch, 1558-1617)
Apollo, 1588. This engraving depicts Apollo as the radiant sun god. With fire-like hair, he strides through rolling waves of clouds

Young Man Standing. Creator: Hendrick Goltzius (Dutch, 1558-1617)
Young Man Standing

The Passion. Creator: Hendrick Goltzius (Dutch, 1558-1617)
The Passion

The Flagellation (from The Passion). Creator: Hendrick Goltzius (Dutch, 1558-1617)
The Flagellation (from The Passion)

The Standard Bearer, Turned to Left, 1587. Creator: Hendrick Goltzius (Dutch, 1558-1617)
The Standard Bearer, Turned to Left, 1587. Around 1587 Goltzius drew designs for 12 prints depicting officers and soldiers in landscape settings, which were engraved by his pupil Jacques de Gheyn II

The Annunciation, 1594. Creator: Hendrick Goltzius (Dutch, 1558-1617)
The Annunciation, 1594. The series of six prints, The Life of the Virgin, is also known as the Master Engravings, an acknowledgment of Goltziuss significant achievement

The Magdalen in Penance. Creator: Hendrick Goltzius (Dutch, 1558-1617)
The Magdalen in Penance

Standing Officer Holding a Boars Spear, 1586. Creator: Hendrick Goltzius (Dutch, 1558-1617)
Standing Officer Holding a Boars Spear, 1586. Although this image was never directly translated into an engraving, it is the only known preparatory study connected with the Soldiers

Proserpine. Creator: Hendrick Goltzius (Dutch, 1558-1617)
Proserpine

Seven Deities: Nox (Night), 1588-1590. Creator: Hendrick Goltzius (Dutch, 1558-1617)
Seven Deities: Nox (Night), 1588-1590. Goltzius, famous as an engraver and painter, was the most important advocate of chiaroscuro woodcuts in the Netherlands

Nox. Creator: Hendrick Goltzius (Dutch, 1558-1617)
Nox

Neptune. Creator: Hendrick Goltzius (Dutch, 1558-1617)
Neptune

Portrait of Frederick de Vries and His Dog, 1597. Creator: Hendrick Goltzius (Dutch, 1558-1617)
Portrait of Frederick de Vries and His Dog, 1597. The inscription in the center states: " I dedicate [this work] to the excellent painter Dirck de Vries in Venice out of friendship

Pieta, 1596. Creator: Hendrick Goltzius (Dutch, 1558-1617)
Pieta, 1596

Hans Bol, 1593. Creator: Hendrick Goltzius (Dutch, 1558-1617)
Hans Bol, 1593. Hans Bol (1534-1593) was active in Antwerp as a painter, etcher, and miniaturist. He is shown here at the age of 58, the last year of his life

From a set of 4 Landscapes: No. 4- Cliff on the Seashore. Creator: Hendrick Goltzius (Dutch)
From a set of 4 Landscapes: No.4- Cliff on the Seashore

From a set of 4 Landscapes: Cliffon the seashore. Creator: Hendrick Goltzius (Dutch, 1558-1617)
From a set of 4 Landscapes: Cliffon the seashore

Drummer, 1587. Creator: Jacob de Gheyn II (Dutch, 1565-1629); Hendrick Goltzius (Dutch, 1558-1617)
Drummer, 1587. Jacques de Gheyn II (Dutch, 1565-1629) Drummer from Soldiers and Officers, 1587 Engraving John L. Severance Fund 1997.31 The moment I beat my drum strung with cowhide

Demogorgon in the Cave of Eternity, c. 1588. Creator: Hendrick Goltzius (Dutch, 1558-1617)
Demogorgon in the Cave of Eternity, c. 1588. Not all witches were women; men also performed magic. Unlike the destructive and sexualized stereotypes of female witches

Arcadian Landscape, c. 1615. Creator: Hendrick Goltzius (Dutch, 1558-1617), attributed to
Arcadian Landscape, c. 1615. Engraver Hendrik Goltzius worked in Haarlem most of his life. Goltzius revived the chiaroscuro woodcut technique in the late 16th-century

Hercvles Alexikakos script Roman Comodvs Imperator
Hercvles Alexikakos: in script. Roman. Comodvs Imperator, Adolfsz. Harmen, Goltzius, Hendrik, 1558-1617, Engraving, 1617

set 4 Landscapes No. 4- Cliff Seashore Hendrick Goltzius
From a set of 4 Landscapes: No.4- Cliff on the Seashore. Hendrick Goltzius (Dutch, 1558-1617). Woodcut

Demogorgon Cave Eternity 1588 Hendrick Goltzius
Demogorgon in the Cave of Eternity, c. 1588. Hendrick Goltzius (Dutch, 1558-1617). Chiaroscuro woodcut; overall: 34.9 x 26.2 cm (13 3/4 x 10 5/16 in.)

set 4 Landscapes Cliffon seashore Hendrick Goltzius
From a set of 4 Landscapes: Cliffon the seashore. Hendrick Goltzius (Dutch, 1558-1617). Chiaroscuro woodcut

Pieta 1596 Hendrick Goltzius Dutch 1558–1617
Pieta, 1596. Hendrick Goltzius (Dutch, 1558-1617). Engraving

Young Man Standing Hendrick Goltzius Dutch 1558–1617
Young Man Standing. Hendrick Goltzius (Dutch, 1558-1617). Woodcut

Passion Hendrick Goltzius Dutch 1558–1617
The Passion. Hendrick Goltzius (Dutch, 1558-1617). Engraving

Standard Bearer Turned Left 1587 Hendrick Goltzius
The Standard Bearer, Turned to Left, 1587. Hendrick Goltzius (Dutch, 1558-1617). Engraving; sheet: 27.9 x 18.9 cm (11 x 7 7/16 in.); image: 26.8 x 18.7 cm (10 9/16 x 7 3/8 in.)

Life Virgin Annunciation 1594 Hendrick Goltzius
The Life of the Virgin: The Annunciation, 1594. Hendrick Goltzius (Dutch, 1558-1617). Engraving; sheet: 47 x 35.1 cm (18 1/2 x 13 13/16 in.); image: 46.1 x 34.9 cm (18 1/8 x 13 3/4 in.)

Standing Officer Holding Boars Spear 1586 Hendrick Goltzius
Standing Officer Holding a Boars Spear, 1586. Hendrick Goltzius (Dutch, 1558-1617). Pen and brown ink and brush and brown wash with red chalk (in the face and hands), heightened with traces of white

Creations Four Elements Ovids Metamorphoses
The Creations of the Four Elements (from Ovids Metamorphoses): Pan Pursuing Syrinx, c. 1589. After Hendrick Goltzius (Dutch, 1558-1617)

Heroines New Testament Crippled Woman Healed
Heroines of the New Testament: Heroines of the New Testament: The Crippled Woman Healed by Christ. Jan Saenredam (Dutch, 1565-1607), after Hendrick Goltzius (Dutch, 1558-1617). Engraving

Arcadian Landscape 1615 Attributed Hendrick Goltzius
Arcadian Landscape, c. 1615. Attributed to Hendrick Goltzius (Dutch, 1558-1617). Chiaroscuro woodcut printed in blakc and two shades of green; sheet: 18.2 x 24.4 cm (7 3/16 x 9 5/8 in.)

Proserpine Hendrick Goltzius Dutch 1558–1617
Proserpine. Hendrick Goltzius (Dutch, 1558-1617). Chiaroscuro woodcut

Nox Hendrick Goltzius Dutch 1558–1617
Nox. Hendrick Goltzius (Dutch, 1558-1617). Chiaroscuro woodcut

Agony Garden Passion Christ 1597 Engraving Sheet
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St Philip Christ Apostles Paul Creed ca 1589
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Circumcision n. d Engraving third state Image
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Temperance Seven Virtues Engraving sheet 6 1 / 16 x 4 1 / 16
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Resurrection Passion Christ mid 17th century
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Flagellation Christ Passion mid 17th century
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Entombment Passion Christ mid 17th century Etching
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Last Supper Passion Christ 1598 Engraving presumably first state
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St Jude Thaddeus Christ Apostles Paul Creed ca
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Christ Carrying Cross Passion Christ mid 17th century
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Jahel Heroes Heroines Old Testament ca 1597 Engraving
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Flagellation Passion Christ ca 1623 Engraving
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Hendrick Goltzius, a renowned Dutch artist born in 1558 and passing away in 1617, left behind an extraordinary legacy through his captivating artworks. His talent knew no bounds as he delved into various themes and subjects, showcasing his versatility. In "The Great Hercules or Knollenman" from 1589, Goltzius depicts the legendary hero with immense strength and power. The intricate details bring this mythological figure to life on canvas. "Apollo, " created in 1588, showcases Goltzius' ability to capture divine beauty. The god of music and poetry is portrayed with elegance and grace that mesmerizes viewers. Goltzius also explores portraiture in "Young Man Standing. " This piece exudes a sense of mystery as the subject gazes directly at the viewer, leaving us intrigued by his story. "The Passion" reveals Goltzius' mastery of religious artistry. Through vivid colors and emotional expressions, he conveys the intensity of Christ's suffering during his crucifixion. One cannot overlook "The Flagellation (from The Passion), " where Goltzius portrays Christ's torment with raw emotion. This painting evokes empathy for the pain endured by Jesus during his final hours. In "The Standard Bearer, Turned to Left" from 1587, Goltzius captures a moment frozen in time. The soldier's stoic expression reflects bravery amidst chaos—a testament to human resilience even amid adversity. Religious themes continue with "The Annunciation" from 1594—a depiction of Mary receiving news of her divine pregnancy. Goltzius skillfully portrays both awe and humility within this sacred scene. "The Magdalen in Penance" presents another religious subject—Mary Magdalene seeking redemption through self-reflection. Her sorrowful countenance invites contemplation on one's own journey towards forgiveness.