1656 Collection (page 6)

Attributed to Gerrit Claesz Bleker (Dutch, active 1628 - 1656), Head of an Old Man, black and white chalk on brown paper

Jan van Goyen (Dutch, 1596 - 1656), Wayside Inn, 1653, black chalk with gray wash on laid paper

Jan van Goyen (Dutch, 1596 - 1656), Village Fair, 1656, black chalk with gray wash on laid paper

Jan van Goyen (Dutch, 1596 - 1656), View of Scheveningen [recto], probably c. 1650-1652, gray wash over black chalk on buff paper; border in pen and black ink added by later hand

Jan van Goyen (Dutch, 1596 - 1656), Houses by a Road, c.1627-1629, black chalk on laid paper

Aniello Falcone (Italian, 1607 - 1656), Head of a Boy, 1635-1645, red chalk on oatmeal paper

Laurent de La Hyre, The Presentation in the Temple, French, 1606 - 1656, c. 1648, black chalk with gray wash on laid paper, with later framing line in black ink

Inn at chapel, Laurens Barata, before 1628 - after 1656

Portrait of a Woman, Godaert Kamper, 1656

Antwerp, Anvers, Antwerpen, Jan Wildens, 1656

Portrait of a Woman, possibly Elsje van Houweningen, Wife of Willem van de Velden, Anonymous, 1656

Portrait of a Family Group in a Landscape, Herman Meynderts Doncker, 1620 - 1656

The Cattle Herd, Nicolaes Pietersz. Berchem, 1656

The Three Droves, Nicolaes Pietersz. Berchem, 1656

A Scholar in his Study (The Old Savant), Salomon Koninck, 1635 - 1656

Jan Amos Comenius (Komensky) (1592-1670). Czech humanist and pedagogue. Exiled as a leader of the Moravian or Bohemian Brethren and settled in Amsterdam in 1656, Jurgen Ovens, 1650 - 1670

Portrait of Cornelis Samuelsz van Esch (1594 / 95-1656), Anonymous, 1632
Portrait of Cornelis Samuelsz van Esch (1594/95-1656), Anonymous, 1632

Portrait of a Woman, Michiel Nouts, 1656

Portrait Johan de Brune, Theodor Matham, Willem Eversdijck, 1656

Two boars, Karel Dujardin, 1656

Landscape with two muleteers, Karel Dujardin, 1656

Landscape with shepherd tree and lying cow with sheep and lamb, Karel Dujardin, 1656

Portrait of Catherine Lethieullier, Isaack Luttichuys, 1656

Harbour with a village on a cliff, Reinier Nooms, 1656

port with a lighthouse, Reinier Nooms, 1656

Fishing boats in the bay, Reinier Nooms, 1656

Harbour Scene with a landing boat, Reinier Nooms, 1656

Bust of broadly smiling boy with beret, Michael Sweerts, 1656

Goats, Jan van den Hecke (I), 1656

Several events in Europe in the year 1655 awarded by Mercury, print maker: Dirck de Bray attributed to, Pieter Casteleyn, 1656

Bust of a bearded man, Michael Sweerts, 1656

Animals at a fountain, Jan van den Hecke (I), 1656

Two donkeys, print maker: Jan van den Hecke I, Jan van den Hecke I, 1656

Sheep, Jan van den Hecke (I), 1656

Horse with a cart, Jan van den Hecke (I), 1656

Two resting dogs, Jan van den Hecke (I), 1656

Bust of a young man, Michael Sweerts, 1656

Bust of an elderly woman, Michael Sweerts, 1656

Three cows, Jan van den Hecke (I), 1656

Bust of an old bearded man, Michael Sweerts, 1656

Bust of a farmer with hat, Michael Sweerts, 1656

Bust of a boy, Michael Sweerts, 1656

Portrait of Marin Cureau de la Chambre, Robert Nanteuil, 1656

View of Castle Strijen Oosterhout, Abraham Dircksz Santvoort, 1656

Dog kennel, Jan van den Hecke I 1656, Jan van den Hecke I, 1656

Shah Jahan and Dara Shikoh; Rembrandt Harmensz. van Rijn, Dutch, 1606 - 1669; about 1654 - 1656; Pen and brown ink and brown wash

The Liberation of Saint Peter; Laurent de La Hyre, French, 1606 - 1656; about 1647; Black chalk and brown wash; 23.8 x 19.7 cm (9 3/8 x 7 3/4 in.)

Musical Group on a Balcony; Gerrit van Honthorst, Dutch, 1590 - 1656; 1622; Oil on panel; Unframed: 308.9 x 114 cm (121 5/8 x 44 7/8 in.)

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"Exploring the Rich Tapestry of 1656: From Plague Doctors to Exiled Royalty" Step into the year 1656, where history intertwines with art and notable figures leave their mark. In this captivating journey, we encounter Kateri Tekakwitha, a Native American saint who defied societal norms. Her story inspires generations even today. As we delve deeper, an intriguing figure emerges – the enigmatic Plague Doctor. Clad in a distinctive bird-like mask and cloak, he navigates through disease-ridden streets offering hope amidst despair. The canvas comes alive with vibrant strokes depicting 17th-century artwork. Dutch painter Adriaen Hanneman captures the essence of exiled British royal court members in his renowned portraits. His masterpieces transport us back to a time when elegance and opulence reigned supreme. Meanwhile, Highwayman Cottington roams the countryside on horseback, embodying both fear and fascination as he preys upon unsuspecting travelers. A daring character whose exploits continue to captivate our imaginations. In aristocratic circles, James 6th Earl Abercorn commands attention with his regal presence while Sir Robert Harley's political prowess shapes England's destiny during these tumultuous times. Joseph Hall stands tall as Bishop; his sermons resonate across congregations seeking solace from religious strife that grips society at its core. And then there is James Ussher - a brilliant scholar whose meticulous research leaves an indelible mark on biblical chronology for centuries to come. Amidst all this historical richness lies two boars - symbols of strength and resilience that remind us of nature's enduring spirit even in uncertain times like these. Across continents, North American AT-6D Harvard III EZ407 soars through azure skies symbolizing progress in aviation technology – a testament to human innovation pushing boundaries beyond imagination. Finally, Birmingham reveals itself through Dugdales Warwickshire, offering a glimpse into the past.