16th Collection (page 7)

Holmfirth Wesleyan Centenary 16th July 1910

St. Botolph's Church, Boston, Lincolnshire
16th century St. Botolph's Church (the Boston Stump'), Boston, Lincolnshire. The church has one of the tallest medieval towers in the country

St Mawes, Cornwall - The Castle - an artillery fort constructed by Henry VIII near Falmouth, Cornwall, between 1540 and 1542

Brockworth Court (16th century Tudor manor house) and St George's Church tower, in the village of Brockworth, Gloucestershire Date: 1930s

King's Room, Chateau de Chambord, Loire Valley, France
King's Room, 16th century, used for meals and audiences by Francois I, in the Chateau de Chambord, designed by Domenico da Cortona

Chateau de Chambord, Loire Valley, France
View through the Porte Royale, the main entrance to the Chateau de Chambord, designed by Domenico da Cortona and built 1519-47 in French Renaissance style under King Francois I, at Chambord

Royal Oratory, Chateau de Chambord, Loire Valley, France
Royal Oratory, or private chapel of the king, with stone vaulted coffered ceiling, in the Francois I wing of the Chateau de Chambord

Double helix staircase, Chateau de Chambord, Loire Valley
Double helix staircase on the second floor, in the Chateau de Chambord, designed by Domenico da Cortona and built 1519-47 in French Renaissance style under King Francois I, at Chambord, Loir-et-Cher

Painting, Chateau de Sedan, Sedan, Ardennes, France
Mouzon, 30th August 1870, oil painting by Gaston Claris, depicting Captain de Tessiere (2nd Artillery Regiment), Captain Baudouin and gunner Favre in battle during the Franco-Prussian War

Bust, Chateau de Sedan, Sedan, Ardennes, France
Bust of Auguste Philippoteaux, mayor of Sedan 1903-4, marble, 1891, by Aristide Croisy, 1840-99, in the museum in the Chateau de Sedan, built 1424 - 17th century

Chapel, Chateau de Sedan, Sedan, Ardennes, France
Chapelle Princiere, a family chapel built c. 1500 and adapted in 1642, in the Chateau de Sedan, built 1424 - 17th century, the largest fortified medieval castle in Europe, in Sedan, Ardennes

Museum, Chateau de Sedan, Sedan, Ardennes, France
Model of soldiers at the fireplace, and bread oven, in the museum in the Chateau de Sedan, built 1424 - 17th century, the largest fortified medieval castle in Europe, in Sedan, Ardennes, Grand Est

Eglise Saint-Hilaire, Givet, Ardennes, France
Eglise Saint-Hilaire, built 16th century in classical style, and a boat on the river Meuse, in Givet, near the Belgian border, in Ardennes, Grand Est, France

Givet, Ardennes, France
Tour Victoire, built 13th - 16th century as part of a manor house, and the Eglise Saint-Hilaire, built 16th century in classical style, on the banks of the river Meuse, in Givet

Eglise Saint Jean-Baptiste, Hierges, Ardennes, France
Eglise Saint Jean-Baptiste, built 1579 in Renaissance style by the lords of Hierges, Gilles de Berlaymont and his wife Lamberte de Croy, in Hierges, in the Meuse valley on the Belgian border

Sculpture, Collegiale Notre-Dame de Dinant, Dinant, Wallonia
St Peter as pope, polychrome oak statue (painted later) by an unknown artist, 16th century, from the Eglise Saint-Pierre in Furfooz, in the Collegiale Notre-Dame de Dinant

Fresco, Eglise Saint-Jean-Baptiste, Chaource, Aube, France
Christ dressed as a gardener and Mary Magdalene, with an apple tree, representing original sin, and a speech scroll reading Noli me Tangere, wall fresco

Sculptures, Eglise Saint-Jean-Baptiste, Chaource, Aube
Nicolas de Monstier and his wife Jacqueline de Laignes, donors of the Entombment sculptural group, 1515, by the Master of Chaource, made for their sepulchral chapel

Entombment sculpture, Eglise Saint-Jean-Baptiste, Chaource
Entombment, or Holy Sepulchre, sculptural group, 1515, by the Master of Chaource, made for the sepulchral chapel of Nicolas de Monstier and Jacqueline de Laignes

Rood screen, Collegiale de l'Assomption, Villemaur-sur-Vanne
Resurrection of Christ, detail from the rood screen of 1521, with 26 bas reliefs in Gothic and Renaissance style, in the Collegiale de l'Assomption, or Collegiale de Notre-Dame

Ceiling, Collegiale de l'Assomption, Villemaur-sur-Vanne
Sun on the ceiling of the Collegiale de l'Assomption, or Collegiale de Notre-Dame, the Collegiate Church of Our Lady of the Assumption, aerial view, built 13th century

Crucifixion, Collegiale de l'Assomption, Villemaur-sur-Vanne
Crucifixion sculpture above the rood screen, in the Collegiale de l'Assomption, or Collegiale de Notre-Dame, the Collegiate Church of Our Lady of the Assumption, aerial view, built 13th century

Choir, Collegiale de l'Assomption, Villemaur-sur-Vanne, Aube
Choir, with rood screen of 1521 with 26 bas reliefs in Gothic and Renaissance style, in the Collegiale de l'Assomption, or Collegiale de Notre-Dame

Fortifications, Rocroi, Ardennes, France
Town of Rocroi, aerial view, with its star shaped fortifications and radiating roads, built 16th century, in Ardennes, Grand Est, France

Chateau de Sedan, Sedan, Ardennes, France
Chateau de Sedan, aerial view, built 1424 - 17th century, the largest fortified medieval castle in Europe, in Sedan, Ardennes, Grand Est, France

Hierges, Ardennes, France
Village of Hierges in the Meuse valley on the Belgian border, aerial view, Ardennes, Grand Est, France. On the hill is the Chateau de Hierges, rebuilt 16th century in Renaissance style

Collegiale de l'Assomption, Villemaur-sur-Vanne, Aube
Collegiale de l'Assomption, or Collegiale de Notre-Dame, the Collegiate Church of Our Lady of the Assumption, aerial view, built 13th century, with 16th century nave and bell tower

John of Austria (1547-1578). Spanish military. illegitimate son of Holy Roman Emperor Charles V. Presentation of John of Austria to Emperor Charles V at Yuste

Hernan Cortes (1488-1547). Spanish conquistador of the Aztec empire. He decided to sink his ships, which were anchored in the city of Villa Rica de Veracruz

Saint Francis Borgia (1510-1572). Marquis of Lombay and later 4th Duke of Gandia. This scene depicts Francisco de Borja's renunciation of the world after contemplating the putrefied corpse of

Battle of Otumba (7th July 7, 1520). Confrontation between the army of the Aztecs against Spanish troops led by Hernan Cortes

Montezuma is allowed to be seen in public, by going out to his Temples... Historia de la Conquista de Mexico, poblacion, y progresos de la America septentrional

Idol Vitzliputzli (Huitzilopochtli). Mexican idol. Engraving. Historia de la Conquista de Mexico, poblacion, y progresos de la America septentrional

The Great Aztec Temple at Tenochtitlan. Dedicated to the god of war. Built in a large square, with an ashlar wall, carved on the outside with different loops of chained snakes. Engraving

Map of the territory of New Spain. Historia de la Conquista de Mexico, poblacion, y progresos de la America septentrional, conocida por el nombre de Nueva Espana (History of the Conquest of Mexico)

Representation of the city of Mexico (Mexico-Tenochtitlan). Divided into two neighborhoods. One called Tlatelulco (a), where most of the population lived, and the other Mexico (e)

Diego Velazquez de Cuellar (1465-1524) had the intention of ceasing Hernan Cortes. Cortes and his fleet left Cuba in haste for the coast of Mexico

The Calvary. Painting by Lucas Cranach the Elder (1472-1553)
Lucas Cranach the Elder (1472-1553). German painter. The Calvary, first half of the 16th century. Lazaro Galdiano Museum. Madrid. Spain

Triptych of the Descent. Descent from the Cross by Matsys
Quentin Matsys (circa 1466-1530). Flemish painter. Triptych of the Descent. Descent from the Cross. Lazaro Galdiano Museum. Madrid. Spain

Triptych of the Adoration by Jan van Dornicke
Jan van Dornicke. First half of 16th century. Triptych of the Adoration. Detail. Lazaro Galdiano Museum. Madrid. Spain

Saint Blaise of Sebaste (3rd-4th centuries), 1490-1500
Saint Blaise (3rd-4th centuries). Bishop of Sebaste and martyr. Portrait by Miguel Jimenez (15th-early 16th centuries), 1490-1500. Lazaro Galdiano Museum. Madrid. Spain

Felix Lope de Vega y Carpio (1562-1635). Spanish writer. Portrait attributed to Eugenio Cajes (1574-1634). First third of 17th century. Lazaro Galdiano Museum. Madrid. Spain

Saint Francis of Assisi (1181-1226), 1577-1580, by El Greco
Saint Francis of Assisi (1181-1226). Founder of the Franciscan Order. Portrait by El Greco (Domenikos Theotokopulos) (1541-1614), 1577-1580. Lazaro Galdiano Museum. Madrid. Spain

Anne of Austria, circa 1571, by Alonso Sanchez Coello
Anne of Austria (1549-1580). Queen of Spain, fourth wife of King Philip II. Portrait by Alonso Sanchez Coello (1531-1588), circa 1571. Lazaro Galdiano Museum. Madrid. Spain

Saint Lazarus with his Sisters Martha and Mary
Master of Perea. Saint Lazarus with his Sisters Martha and Mary. Valencian School, early 16th century. Lazaro Galdiano Museum. Madrid. Spain

King Francis I of France and His Sister (Marguerite de Navarre) Date: circa 1530s

Queen Mary surprising Courtenay and Princess Elizabeth
Queen Mary I surprising Edward Courtenay, 1st Earl of Devon, and Princess Elizabeth. Although they were all related as second cousins

Hampton Court Palace - Cardinal Wolsey's Kitchen
Hampton Court Palace in the London Borough of Richmond upon Thames - Cardinal Wolsey's Kitchen. The building of the palace began in 1514 for Cardinal Thomas Wolsey

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In the 16th century, a world of wonder and change unfolded before our eyes. From the delicate strokes of Durer's praying hands to Anne Boleyn's captivating presence, this era was filled with remarkable moments that shaped history. As we gaze upon Durer's artistry, his portrayal of praying hands reminds us of the deep spirituality that permeated society during this time. The religious fervor was not limited to Europe alone; in distant lands like Mexico, Alonso de Santa Cruz meticulously crafted a map of Tenochtitlan, showcasing the rich cultural tapestry that existed beyond borders. Amidst political intrigue and power struggles, figures like Anne Boleyn emerged as influential icons. Her enigmatic allure captivated hearts and minds alike, leaving an indelible mark on Tudor England. Meanwhile, SANTI di TITO immortalized Niccolo through his portrait - a testament to the importance placed on individuality and self-expression. The Mary Rose stands as a symbol of maritime exploration during this period. This majestic ship sailed across uncharted waters with brave souls aboard who sought new horizons and discoveries yet unknown. And while ships ventured into uncharted territories, James Clark depicted the harrowing Bombardment of Hartlepools - reminding us of the harsh realities faced by communities caught in conflicts. Artistic expression flourished in various forms: from Guido Reni's masterpiece depicting The Assumption of the Virgin Mary to Durer's Young Hare capturing nature's beauty with astounding precision. These works remind us that creativity knows no bounds and can transcend time itself. Beyond art lies Elizabethan London - a bustling city teeming with life and energy. It was here where Shakespeare penned timeless plays that continue to resonate today. In addition to literature came sport; boxing rules were established in 1743, laying down foundations for one-on-one combat within defined boundaries. The 16th century encapsulated an age marked by exploration, religious fervor, artistic brilliance, and societal transformation.