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1729 Collection (page 4)

In the year 1729, a whirlwind of events unfolded, leaving an indelible mark on history

Background image1729 Collection: Portrait Jonathan Richardson Junior artist son

Portrait Jonathan Richardson Junior artist son
Artokoloro

Background image1729 Collection: Drawing Street Elevation Town House 1729 Pen

Drawing Street Elevation Town House 1729 Pen
Artokoloro

Background image1729 Collection: 1729, Schryver Map of Israel showing 12 Tribes, topography, cartography, geography

1729, Schryver Map of Israel showing 12 Tribes, topography, cartography, geography
1729, Schryver Map of Israel showing 12 Tribes

Background image1729 Collection: 1729, Moll Map of New York, New England, and Pennsylvania, First Postal Map of New England

1729, Moll Map of New York, New England, and Pennsylvania, First Postal Map of New England

Background image1729 Collection: July 2, 1729, Grey and Wehler discover the spread of electricity along conductive bodies

July 2, 1729, Grey and Wehler discover the spread of electricity along conductive bodies

Background image1729 Collection: Franazois Chereau I after Hyacinthe Rigaud, French (1680-1729), Cardinal de Polignac

Franazois Chereau I after Hyacinthe Rigaud, French (1680-1729), Cardinal de Polignac, 1729, engraving

Background image1729 Collection: Juste Chevillet after Jean Sima on Chardin, French (1729-1790), Jean Baptiste Simeon

Juste Chevillet after Jean Sima on Chardin, French (1729-1790), Jean Baptiste Simeon
Juste Chevillet after Jean Sima© on Chardin, French (1729-1790), Jean Baptiste Simeon Chardin, engraving and etching

Background image1729 Collection: Juste Chevillet after Pierre-Antoine Baudouin, French (1729-1790), Le leger vetement

Juste Chevillet after Pierre-Antoine Baudouin, French (1729-1790), Le leger vetement, 1779, engraving and etching

Background image1729 Collection: Jean-Baptiste Deshays, Man Reclining on the Ground and the Corner of a Bed [verso]

Jean-Baptiste Deshays, Man Reclining on the Ground and the Corner of a Bed [verso], French, 1729-1765, 1758-1765, counterproof in black and white chalks on brown laid paper

Background image1729 Collection: Philip van Kouwenbergh, Dutch (1671-1729), Flowers in a Vase, c. 1700, oil on canvas

Philip van Kouwenbergh, Dutch (1671-1729), Flowers in a Vase, c. 1700, oil on canvas

Background image1729 Collection: Pierre Francois Martenasie after Charles-Nicolas Cochin II (Flemish, 1729 - 1789)

Pierre Francois Martenasie after Charles-Nicolas Cochin II (Flemish, 1729 - 1789), Edme-Sebastien Jeaurat, 1759, engraving over etching on laid paper

Background image1729 Collection: Marco Ricci (Italian, 1676 - 1729), Cattle and Figures at a Farmyard Stream, etching

Marco Ricci (Italian, 1676 - 1729), Cattle and Figures at a Farmyard Stream, etching on blue laid paper

Background image1729 Collection: Franazois Chereau I after Hyacinthe Rigaud (French, 1680 - 1729), Cardinal Fleury

Franazois Chereau I after Hyacinthe Rigaud (French, 1680 - 1729), Cardinal Fleury, engraving

Background image1729 Collection: Franazois Chereau I after Nicolas de Largillierre (French, 1680 - 1729), Nicolas

Franazois Chereau I after Nicolas de Largillierre (French, 1680 - 1729), Nicolas de Largilliašre, 1715, engraving on laid paper

Background image1729 Collection: Noa'l Le Mire after Jean-Michel Moreau (French, 1724 - 1801), Il en est navra

Noa'l Le Mire after Jean-Michel Moreau (French, 1724 - 1801), Il en est navra
Jean Jacques Le Veau after Jean-Michel Moreau (French, 1729 - 1785), J ai tort, mon cher Valašre, et t en demande excuse, 1782, etching and engraving

Background image1729 Collection: James McArdell after Sir Peter Paul Rubens (British, c. 1729 - 1765), The Gerbier Family

James McArdell after Sir Peter Paul Rubens (British, c. 1729 - 1765), The Gerbier Family, 1755, mezzotint on laid paper

Background image1729 Collection: Pietro Antonio Novelli (Italian, 1729 - 1804), The Peep-Show, c

Pietro Antonio Novelli (Italian, 1729 - 1804), The Peep-Show, c. 1770, pen and brown ink with gray and brown wash over black chalk on laid paper

Background image1729 Collection: Johann Jacob SchaOEbler (German, 1689 - 1741), Pantaloon and the Doctor Fighting with

Johann Jacob SchaOEbler (German, 1689 - 1741), Pantaloon and the Doctor Fighting with Columbine and Brigatella in the Garden, c

Background image1729 Collection: Veit Kaoniger (German, 1729 - 1792), Rococo Altar with a Reliquary Tomb, 1760s, pen

Veit Kaoniger (German, 1729 - 1792), Rococo Altar with a Reliquary Tomb, 1760s, pen and black ink with gray wash on laid paper

Background image1729 Collection: Jean-Baptiste Joseph Pater (French, 1695 - 1736), Rococo Wall Design with a Fountain and Swans

Jean-Baptiste Joseph Pater (French, 1695 - 1736), Rococo Wall Design with a Fountain and Swans, c. 1729, red chalk and red chalk counterproof on 2 joined sheets of laid paper

Background image1729 Collection: Anthony Devis (British, 1729 - 1817), View of the Needles, and White Cliffs Taken

Anthony Devis (British, 1729 - 1817), View of the Needles, and White Cliffs Taken from Allum Bay, watercolor with pen and ink over graphite on laid paper

Background image1729 Collection: (Italian, 1663 - 1729), Facciata della Chiesa del Ospitaletto (plate 33), published

(Italian, 1663 - 1729), Facciata della Chiesa del Ospitaletto (plate 33), published 1703, 1 vol: ill: 97 etchings by Carlevariis

Background image1729 Collection: Regents of the Aalmoezeniersweeshuis Orphanage in Amsterdam, 1729, The Netherlands

Regents of the Aalmoezeniersweeshuis Orphanage in Amsterdam, 1729, The Netherlands, Cornelis Troost, 1729

Background image1729 Collection: Reception of Cornelis Hop as Ambassador of the States General to the Court of Louis XV

Reception of Cornelis Hop as Ambassador of the States General to the Court of Louis XV, 24 July 1719, Louis-Michel Dumesnil, 1720 - 1729

Background image1729 Collection: Portrait of Pieter van de Poel, Arnold Boonen, 1690 - 1729

Portrait of Pieter van de Poel, Arnold Boonen, 1690 - 1729

Background image1729 Collection: Portrait of a Painter, probably a Self Portrait, Christoffel Lubienitzki, 1690 - 1729

Portrait of a Painter, probably a Self Portrait, Christoffel Lubienitzki, 1690 - 1729

Background image1729 Collection: Portrait of David Leeuw, Mennonite Cloth and Dry Goods Merchant, Jan Maurits Quinkhard

Portrait of David Leeuw, Mennonite Cloth and Dry Goods Merchant, Jan Maurits Quinkhard, 1729

Background image1729 Collection: Portrait of a Woman, attributed to Arnold Boonen, 1690 - 1729

Portrait of a Woman, attributed to Arnold Boonen, 1690 - 1729

Background image1729 Collection: Jan van de Poll and his Son Harmen Hendrick, Arnold Boonen, 1700 - 1729

Jan van de Poll and his Son Harmen Hendrick, Arnold Boonen, 1700 - 1729

Background image1729 Collection: Tavern with smiling companion, Anonymous, 1635 - 1729

Tavern with smiling companion, Anonymous, 1635 - 1729

Background image1729 Collection: Tavern with smiling company, Anonymous, 1635 - 1729

Tavern with smiling company, Anonymous, 1635 - 1729

Background image1729 Collection: Portrait of poet Clement Marot, Gabriel Francois Louis Debrie, 1729

Portrait of poet Clement Marot, Gabriel Francois Louis Debrie, 1729

Background image1729 Collection: Anne-Claude-Philippe de Caylus (French, 1692-1765) after Baldassare Peruzzi (Italian

Anne-Claude-Philippe de Caylus (French, 1692-1765) after Baldassare Peruzzi (Italian, 1481 - 1536). Androcles with the Lion, ca. 1729- 1742

Background image1729 Collection: A Formal Garden

A Formal Garden; Johannes Janson, Dutch, 1729 - 1784; 1766; Oil on canvas; Unframed: 52.1 x 72.4 cm (20 1/2 x 28 1/2 in.), Framed: 77.5 x 97.2 x 7.6 cm (30 1/2 x 38 1/4 x 3 in.)

Background image1729 Collection: View of Gaiola

View of Gaiola; Pierre-Jacques Volaire, French, 1729 - 1799; about 1770 - 1790; Oil on canvas; Unframed: 66 x 95.9 cm (26 x 37 3/4 in.)

Background image1729 Collection: Mediterranean Harbor Scene

Mediterranean Harbor Scene; Pierre-Jacques Volaire, French, 1729 - 1799; about 1763; Oil on canvas; Unframed: 96.5 x 134.6 cm (38 x 53 in.)

Background image1729 Collection: Lidded Bowl (ecuelle)

Lidded Bowl (ecuelle); Claude-Gabriel Dardet, French, active 1720 - 1729, master 1715; Paris, France, Europe; 1727; Silver-gilt; Object: H: 10.8 x W: 29.8 x D: 18.7 cm (H: 4 1/4 x W: 11 3/4 x D)

Background image1729 Collection: Mantel Clock (Pendule)

Mantel Clock (Pendule); Movement maker Paul Gudin, French, active about 1729 - 1755, Case attributed to Andre-Charles Boulle, French, 1642 - 1732, master before 1666; Paris, France

Background image1729 Collection: Pair of Tureens, Liners, and Stands

Pair of Tureens, Liners, and Stands; Thomas Germain, French, 1673 - 1748, master 1720, arms added by Francois-Thomas Germain, French, 1726 - 1791; Paris, France, Europe; 1726 - 1729; Silver; Various

Background image1729 Collection: Tapestry: La Collation, from L Histoire de l empereur de la Chin

Tapestry: La Collation, from L Histoire de l empereur de la Chine Series; After cartoons by Guy-Louis Vernansal, French, 1648 - 1729, and Jean-Baptiste Monnoyer, French, 1636 - 1699

Background image1729 Collection: Tapestry: La Recolte des ananas, from L Histoire de l empereur

Tapestry: La Recolte des ananas, from L Histoire de l empereur de la Chine Series; After cartoons by Guy-Louis Vernansal, French, 1648 - 1729, and Jean-Baptiste Monnoyer, French, 1636 - 1699

Background image1729 Collection: Tapestry: Le Retour de la chasse, from L Histoire de l empereur

Tapestry: Le Retour de la chasse, from L Histoire de l empereur de la Chine Series; After cartoons by Guy-Louis Vernansal, French, 1648 - 1729, and Jean-Baptiste Monnoyer, French, 1636 - 1699

Background image1729 Collection: Tapestry: Les Astronomes, from L Histoire de l empereur de la Ch

Tapestry: Les Astronomes, from L Histoire de l empereur de la Chine Series; Beauvais Manufactory, French, founded 1664, Woven under the direction of Philippe Behagle, French, 1641 - 1705

Background image1729 Collection: Tapestry: L Empereur en voyage, from L Histoire de l empereur de

Tapestry: L Empereur en voyage, from L Histoire de l empereur de la Chine Series; After cartoons by Guy-Louis Vernansal, French, 1648 - 1729, and Jean-Baptiste Monnoyer, French, 1636 - 1699

Background image1729 Collection: Tapestry: L Offrand a Bacchus from Les Grotesques Series

Tapestry: L Offrand a Bacchus from Les Grotesques Series; Woven after the design of Jean-Baptiste Monnoyer, French, 1636 - 1699, and Guy-Louis Vernansal, French, 1648 - 1729, Beauvais Manufactory

Background image1729 Collection: Tapestry: Le The de l imperatrice, from L Histoire de l empere

Tapestry: Le The de l imperatrice, from L Histoire de l empereur de la Chine Series; Beauvais Manufactory, French, founded 1664, Woven under the direction of Philippe Behagle, French, 1641 - 1705

Background image1729 Collection: Head of King Louis XV

Head of King Louis XV; Francois Le Moyne, French, 1688 - 1737; about 1729; Black chalk and pastel on faded blue paper; 29.5 x 21 cm (11 5/8 x 8 1/4 in.)

Background image1729 Collection: Tapestry: L Embarquement de l imperatrice, from L Histoire de l

Tapestry: L Embarquement de l imperatrice, from L Histoire de l empereur de la Chine Series; After designs by Guy-Louis Vernansal, French, 1648 - 1729, and Jean-Baptiste Monnoyer, French



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In the year 1729, a whirlwind of events unfolded, leaving an indelible mark on history. Edmund Burke's intellectual prowess shone through in his portrait by Reynolds2, capturing the essence of a brilliant mind. Meanwhile, Gotthold Lessing's name echoed in literary circles as he penned thought-provoking works that challenged societal norms. Catherine II took center stage with her miniature likeness, showcasing her powerful reign as Empress of Russia. The Theatre Globe came alive with captivating performances that transported audiences to enchanting worlds crafted by talented playwrights like Samuel Heinicke. The centenary celebration of John Howard honored his tireless efforts as a prison reformer, forever changing the landscape of justice. A glimpse into Chiswick Gardens revealed breathtaking beauty across Richmond's New Gardens and the Bagnio. A chimneypiece dated 1729 at 139 Redcliffe Street whispered stories from centuries past, etched onto paper for generations to admire. Kensington Gardens unfurled its grandeur in an exquisite engraving from a survey conducted in that very same year. Sebastiano Galeotti painted a sacred scene in 1729, inviting viewers to immerse themselves in divine tranquility and introspection. An anonymous artist skillfully captured Cardinal Louis Antoine de Noailles' regal countenance, immortalizing him within brushstrokes. Amidst these cultural milestones and artistic marvels soared Boeing 247D N3977C—a symbol of technological progress taking flight towards new horizons. Thus, the year 1729 stands as a testament to human creativity and resilience—an era where intellect collided with imagination while paving the way for future endeavors yet unseen.