1757 Collection (page 14)

William Blake (British, 1757 - 1827), Title Page, 1825, engraving

Giuseppe Galli Bibiena (Italian, 1696 - 1757), Christ Led Captive from a Palace, 1740-1745, pen and brown ink, brown and gray wash (for architecture), pen and black ink with brown wash

William Blake (British, 1757 - 1827), The Infant Hercules Throttling the Serpents, 1790-1793, graphite

Arthur Devis (British, 1712 - 1787), Arthur Holdsworth Conversing with Thomas Taylor and Captain Stancombe by the River Dart, 1757, oil on canvas

Rosalba Carriera, Painting, Italian, 1675 - 1757, 1720-1725, pastel

Antonio Canova, after the Antique, Winged Victory, Italian, 1757 - 1822, c. 1803-1806, bronze

Giovanni Battista Piranesi, Lettere di Giustificazione scritte a Milord Charlemont e a di lui Agenti di Roma, Italian, 1720 - 1778, 1757, bound volume with 8 etched illustrations and presentation leaf

Battle Off Cabarela Point, (Admiral Sir J
BATTLE OFF CABARELA POINT, (ADMIRAL SIR J. SAUMAREZ), JULY 12TH, 1801. DESTRUCTION OF THE REA CARLOS AND SAN HERMENEGILDO. James Saumarez, 1st Baron de Saumarez (1757 1836), admiral of the Royal Navy

View of the Orphanage, the Reguliers Church and Korenmarkt Utrecht, Caspar Jacobsz. Philips, 1757

Winter landscape with skating at mill direction Westland near to The Hague, The Netherlands, Iven Besoet, 1757

Musical Party, Melchior Brassauw, 1730 - 1757

Portrait of Claudine van Royen, born 1712, Wife of Pieter Teding van Berkhout, Hieronymus van der Mij, 1757

Portrait of Wilhelmina Hillegonda Schuyt, Wife of Joachim Rendorp, Tibout Regters, 1757 - 1768

Mattheus Sigismundis Schuster (1757-... ), Anonymous, 1775 - 1825
Mattheus Sigismundis Schuster (1757-...), Anonymous, 1775 - 1825

Botanical drawing of blooming agave plant, Agavoideae, Abraham Delfos, Jacobus Luberti Augustini, David van Royen, 1757

Raphael Morghen (aka Raffaello Morghen, Italian, 1758-1833) after Antonio Canova (Italian, 1757 - 1822). Theseus with the Slain Minotaurus. Engraving. Second state

Jacques Philippe Le Bas (French, 1707-1783) after Jean-Simeon Chardin (French, 1699 - 1779). The Right Education (La Bonne Education), ca. 1757. Etching and engraving on laid paper

Jean-Jacques Flipart (French, 1719-1782) after Jean-Simeon Chardin (French, 1699 - 1779). A Student Drawing (Le Dessinateur), 1757. Etching and engraving on laid paper

Fumi yomu yA'jo, Courtesan reading a letter. Torii, Kiyomitsu, 1735-1785, artist, [between 1757 and 1783, printed later], 1 print : woodcut, color; 29 x 12.3 cm

Onoe kikugorAc no sanjAc kokaji munechika, The actor Onoe KikugorAc in the role of SanjAc Kokaji Munechika. Torii, Kiyomitsu, 1735-1785, artist, [between 1757 and 1764], 1 print : woodcut

BandAc hikosaburAc, The actor BandAc HikosaburAc. Torii, Kiyomitsu, 1735-1785, artist, [between 1757 and 1764], 1 print : woodcut, color; 30.2 x 13.5 cm

View of a Villa; Giovanni Battista Tiepolo, Italian, 1696 - 1770; Italy, Europe; 1757 - 1759; Pen and brown ink and brown wash; 15.2 x 26 cm (6 x 10 1/4 in.)

Herm of a Vestal Virgin; Antonio Canova, Italian, 1757 - 1822; Italy, Europe; 1821 - 1822; Marble; Object: H: 49.8 x W: 31.9 x D: 24.1 cm (1 ft. 7 5/8 in. x 1 ft. 9/16 in. x 9 1/2 in.)

Apollo Crowning Himself; Antonio Canova, Italian, 1757 - 1822; Italy, Europe; 1781 - 1782; Marble; Object: H: 84.7 cm (H: 33 3/8 in.)

Figure Group: The Flute Lesson (Le Fluteur) (one of a pair); Sevres Manufactory, French, active 1756 - present, Modelled under the direction of Etienne-Maurice Falconet, French, 1716 - 1791

Table; Martin Carlin, French, born Germany, about 1730 - 1785, master 1766, Circular plaque painted by Jacques-Francois Micaud, French, 1732/1735 - 1811, active 1757 - 1811, Sevres Manufactory

Cup and Saucer (gobelet litron et soucoupe deuxieme grandeur); Ground color painted by Antoine Capelle, French, active 1745 - 1800, Painted reserve and cameos attributed to Pierre-Andre Le Guay

Pair of Candelabra; Robert-Joseph Auguste, French, 1723 - 1805, master by royal order 1757; Paris, France, Europe; 1779 - 1782; Silver; Various, see extensions

Ewer and Basin (broc et jatte feuille d eau, premiere grandeur); Possibly designed by Jean-Claude Duplessis pere, French, about 1695 - 1774, active Sevres, France 1745/1748 - 1774

Plate (assiette d echantillons); Ground color painted by Antoine Capelle, French, active 1745 - 1800, Flowers painted by Jacques-Francois-Louis de Laroche, French, about 1740 - about 1802

A Muse; Rosalba Carriera, Italian, 1673 - 1757; mid-1720s; Pastel on laid blue paper; 31 x 26 cm (12 3/16 x 10 1/4 in.), Framed: 47.6 x 41.3 cm (18 3/4 x 16 1/4 in.)

Sir James Gray, 2nd Bt.; Rosalba Carriera, Italian, 1673 - 1757; Italy, Europe; about 1744 - 1745; Pastel on paper; Unframed: 56 x 45.8 cm (22 1/16 x 18 1/16 in.)

A Wherry Taking Passengers out to Two Anchored Packets Signed and dated in green paint, lower right: " W Anderson 1825", William Anderson, 1757-1837, British

Dutch Sailing Vessels Signed and dated in black paint, lower left: W. Anderson
Dutch Sailing Vessels Signed and dated in black paint, lower left: " W. Anderson. 1814.", William Anderson, 1757-1837, British

Virgin and Child Signed and dated in lower right: Freso | 1825 | BLAKE"
Virgin and Child Signed and dated in lower right: " Freso | 1825 | BLAKE", William Blake, 1757-1827, British

Hussars Embarking at Deptford, Kent Signed and dated in black paint, lower right: W
Hussars Embarking at Deptford, Kent Signed and dated in black paint, lower right: " W. Anderson | 1793.", William Anderson, 1757-1837, British

The Horse The Horse, from William Hayleys Ballads Verso
The Horse " The Horse", from " William Hayleys Ballads" Verso: [Engraved with foliage, grass, etc. practice strokes], William Blake, 1757-1827, British

London Bridge, with St. Pauls Cathedral in the distance A View of London Bridge from the East, with St. Pauls Cathedral in the Background, London Signed and dated in black paint

A View of Westminster Bridge and the Abbey from the South Side, London Signed, lower right: " W[?]", William Anderson, 1757-1837, British

Studies for or after The 3rd Duke of Richmond with the Charleton Hunt"
Studies for or after " The 3rd Duke of Richmond with the Charleton Hunt" Huntsman with a Grey Hunter and Two Foxhounds

Lord Glamis and his Staghounds, Dean Wolstenholme, 1757-1837, British

Giuseppe Pozzi after Giuseppe Palazzi (designer) and Paolo Posi (architect) (Italian, 1723-1765), The School of Athens Arcades, for the " Chinea" Festival, 1757, etching on laid paper

MAP: GULF COAST, 1757. Map of the Gulf Coast of the then Province of Texas, made and sent to Spain by the Viceroy of New Spain, 18 April 1757

NAVAL BATTLE, 1757. The Desperate Action Between the Terrible and Vengeance, December, 1757. Line engraving, English, 1797

MOUNT VERNON: PLAN. Original suggestion by George Washington to his architect for design of Mount Vernon, c1757

WILLIAM HOGARTH (1697-1764). English painter and engraver. Self-portrait. Oil on canvas, c1757

LAST OF THE MOHICANS, 1919. The Fight in the Forest: illustration by N.C. Wyeth from the 1919 edition of The Last of the Mohicans by James Fenimore Cooper

LAST OF THE MOHICANS, 1919. Illustration by N.C. Wyeth from the 1919 edition of The Last of the Mohicans by James Fenimore Cooper

All Professionally Made to Order for Quick Shipping

"1757: A Glimpse into History" Step back in time to the year 1757, where significant events and remarkable individuals shaped the course of history. Alexander Hamilton, a founding father and influential figure in American politics, begins his journey towards greatness. In Pennsylvania's Bethlehem, we find the tranquil Moravian settlement on the banks of the Lehigh River. Through Nicholas Garrison's contemporary painting, we witness their harmonious way of life amidst nature's beauty. Meanwhile, a Hudsons Bay Map unveils vast territories yet to be explored and colonized. The world is still full of mysteries waiting to be unraveled by intrepid adventurers. The artistic realm thrives as well during this era. William Blake enchants us with his captivating engravings that delve into profound themes and ignite our imagination. Hogarth's black-and-white masterpiece "Election" offers a satirical glimpse into political dynamics that remain relevant even today. Thomas Telford leaves an indelible mark on architecture with his innovative designs like Holl Lane—a testament to human ingenuity blending seamlessly with nature's wonders. Amidst these developments, Middlesex Hospital stands tall as a beacon of hope for those seeking healing and care during challenging times—an enduring symbol of compassion and resilience. The aristocracy also plays its part in shaping society. Georgiana, Duchess Child captivates hearts with her grace and charm while SARAH JAY emerges as a prominent figure whose influence extends beyond her time—both women leaving their mark on history. Sir Richard Keats takes center stage—twice—as he navigates treacherous waters as an esteemed naval officer. His unwavering dedication ensures Britain maintains its dominance at sea during turbulent times. Lastly, Jp Kemble mesmerizes audiences with his portrayal of Timon from Athens—a performance that showcases both talent and passion within the theatrical world—an art form capable of stirring emotions like no other.