1769 Collection (page 8)

Design Section Domed Corinthian Temple 1769 Pen
Artokoloro

1769, Cook Map of the Society Islands, topography, cartography, geography, land, illustration
1769, Cook Map of the Society Islands

1769, Cook Map of Tahiti, the Society Islands, and the Vicinity, topography, cartography
1769, Cook Map of Tahiti, the Society Islands, and the Vicinity

Portrait of his Son Sketching (c. 1769). Hone, Nathaniel 1718-1784. Date: 1769 (circa)

Joseph de Longueil after Charles Eisen, French (1730-1792), Le concert mecanique, 1769, etching and engraving

James Ward, British (1769-1859), Marengo, 1824, lithograph on chine applique

William Daniell after George Dance II, British (1769-1837), Prince Hoare, 1814, lithograph

Attributed to Jacques-Franazois Amand (1730-1769), Gardens of the Villa Mattei, c. 1760, red chalk on laid paper

James Ward, British (1769-1859), A Sheep Resting, c. 1800-1810, graphite with watercolor and green crayon on wove paper

Pierre-Antoine Baudouin, The Honest Model, French, 1723-1769, 1769, gouache with touches of graphite on vellum

Cornelis Ploos van Amstel after Abraham Bloemaert (Dutch, 1726 - 1798), Madonna and Child, 1769, roulette, mezzotint and etching in shades of brown

Francesco Fontebasso (Italian, 1709 - 1769), Apollo and Nymphs in a Landscape with a Bust of Pan, 1744, etching on laid paper

Johann Christoph Dietzsch (German, 1710 - 1769), Storm-Tossed Ships Wrecked on a Rocky Coast, gouache on vellum

Gilles Demarteau, the Elder after Franazois Boucher (French, 1722 - 1776), Le Maraudeur (The Thief), c. 1769, chalk manner printed in red ink

William Henry Pyne (British, 1769 - 1843), Old Cottages, 1806, pen-and-tusche lithograph

Thomas Barker (British, 1769 - 1847), Tilemakers, 1803, pen-and-tusche lithograph

William Daniell after George Dance II (British, 1769 - 1837), John Flaxman, 1796, lithograph

James Ward after John Hoppner (British, 1769 - 1859), Children Bathing (The Hoppner Children), 1804, mezzotint on laid paper

Giovanni Vendramini after Francis Wheatley (British, 1769 - 1839), Strawberries, Scarlet Strawberries, published 1795, color stipple engraving

James Neagle (British, c. 1769 - 1822), Anton Raphael Mengs, engraving on laid paper

Attributed to Ellen Sharples (British, 1769 - 1849), Mrs. John Bard, pastel

William Daniell (British, 1769 - 1837), A View in India, 1788, brown wash over graphite on laid paper

James Ward (British, 1769 - 1859), The Earth Stopper, 1794 or shortly thereafter, black chalk heightened with white on brown laid paper

Robert Hills (British, 1769 - 1844), Five Sheep, graphite on wove paper

Thomas Barker (British, 1769 - 1847), Figures in a Landscape [recto], pen and brown ink on laid paper

Attributed to Pierre-Antoine Baudouin (French, 1723 - 1769), The Tale of the Cooper s
Attributed to Pierre-Antoine Baudouin (French, 1723 - 1769), The Tale of the Coopers Wife, 1767, black, white, and red chalks with stumping on laid paper

Jean-Charles Franazois, Louis Quinze, Roy de France (Louis XV), French, 1717 - 1769, 1767, chalk-manner, stipple, and soft-ground etching printed in red ink

Franazois Boucher, A Nude Woman Reaching to the Right, French, 1703 - 1770, c. 1769, black chalk with stumping, heightened with white chalk on brown laid paper

Pierre-Antoine Baudouin (French, 1723 - 1769), The Coquette, 1760s, black chalk with gray and brown wash

Gabriel Jacques de Saint-Aubin, Allegorical Frame with a Bat, French, 1724 - 1780, c. 1769, pen and dark brown ink over graphite, red chalk

A. J. Garnerin, aeronaut by Jules Porreau, 1853
A.J. Garnerin, aeronaut by Jules Porreau, 1853

Reduced Facsimile of Treaty with Indian Tribes, 1769, Us, Usa, 1870S Engraving

Sequel to the Battle of Temple Bar, Presenting Loyal Address at St. Jamess Palace, 1769

Arrival of the Wellington Statue at the Arch, 1846

The Grand Procession of the Wellington Statue, Turning down Park Lane, 1846

Colossal Statue of the Duke of Wellington, by M. C. Wyatt, Esq. 1846
Colossal Statue of the Duke of Wellington, by M.C. Wyatt, Esq. 1846

Storming of Badajoz, under Wellington, April 6Th, 1812
STORMING OF BADAJOZ, UNDER WELLINGTON, APRIL 6TH, 1812. The capital of the Province of Badajoz in the autonomous community of Extremadura, Spain

Brentford Sweepstakes. All coursers the first heat with Vigour Run. But tis with whip & spur the race is won, England, 1769, four horses running towards St

Gate of the leper house and the St. Jorishof Amsterdam, The Netherlands, Jan Matthias Cok, 1769

Village scene with church in Diemen, The Netherlands, Hendrik Berg, 1769

Comet above Amsterdam, The Netherlands, 1769, The Netherlands, Aert Schouman, 1769

Battle with riders, Dirk Langendijk, 1769

Bothuisje Amsterdam in the IJ, Hendrik van Hilten, 1769, The Netherlands

Portrait of David George van Lennep, Chief Merchant of the Dutch Factory at Smyrna (Izmir) and his Wife and Children, attributed to Antoine de Favray, 1769 - 1771

Coat of arms map of ancient families of Utrecht, The Netherlands, sheet top left, Johannes van Hiltrop, 1769

Weapon Map of ancient families of Utrecht, leaf right middle, Johannes van Hiltrop, 1769

Village scene with church in Diemen, Hendrik Berg, 1769

Jean-Michel Moreau le Jeune (French, 1741-1814) after Pierre Antoine Baudouin (French, 1723 - 1769). The Marriage Bed (La Couche de la Mariee), 1768. Etching and engraving on laid paper

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In the year 1769, as the Thirteen original colonies were taking their first steps towards independence, little did they know that a series of events would shape the course of history. It was a time when great leaders like Duke Wellington and Napoleon I were making their mark on the world stage. The Battle of Waterloo, fought in 1815, became one of the most significant conflicts in European history. Duke Wellington's strategic brilliance led to victory over Napoleon's forces. The clash between these two titans forever changed the political landscape. Speaking of politics, caricaturist Gillray captured the essence of this era through his satirical drawings. His portrayal of Napoleon I and King George III shed light on their contrasting personalities and power struggles. Summoned to Waterloo in Brussels for battle preparations, soldiers like those from Foot guards played an instrumental role in defending against Napoleon's army. Their bravery and unwavering commitment ensured victory for Duke Wellington. Meanwhile, artist LEJEUNE documented these historic moments through his paintings. His visitation to battlefields immortalized scenes that would be remembered for generations to come. On a different continent altogether, Boston underwent significant changes during this period. A map engraved by George G. Smith showcased how its topography transformed from 1722 until 1769 - a testament to progress and growth. Duke Wellington himself was no stranger to advancements; he embraced new technologies such as stereoscopes which allowed people to experience three-dimensional images firsthand. As for Napoleon, even on St Helena where he was exiled after defeat at Waterloo, he remained ever vigilant with his trusty spyglass by his side - always keeping an eye on any potential threats or opportunities that may arise. Thus, in 1769, amidst battles won and lost both on land and sea; amidst political intrigue and territorial transformations; amidst technological advancements shaping artistry - history unfolded before our very eyes setting the stage for what was yet to come.