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Academic Bands Collection

Background imageAcademic Bands Collection: William Henry Cavendish Bentinck (enamel)

William Henry Cavendish Bentinck (enamel)
3076164 William Henry Cavendish Bentinck (enamel) by Barber, Lucius (d.1767) (attr.to); The Portland Collection, Harley Gallery, Welbeck Estate

Background imageAcademic Bands Collection: Young man with cap and gown, c. 1760 (oil on canvas)

Young man with cap and gown, c. 1760 (oil on canvas)
HEH416368 Young man with cap and gown, c.1760 (oil on canvas) by Wright of Derby, Joseph (1734-97); 76.2x63.5 cm; Huntington Library, Art Museum, and Botanical Gardens, San Marino, CA

Background imageAcademic Bands Collection: Portrait in the Mansion House, Queen Square, of Lord Ashburton (w / c on paper)

Portrait in the Mansion House, Queen Square, of Lord Ashburton (w / c on paper)
2831784 Portrait in the Mansion House, Queen Square, of Lord Ashburton (w/c on paper) by Manning, Joseph (c.1801-1861/1871); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageAcademic Bands Collection: Warden P. N. Shuttleworth (oil on canvas)

Warden P. N. Shuttleworth (oil on canvas)
NCO403546 Warden P. N

Background imageAcademic Bands Collection: Guliel Hayes, engraved by Thomas Park (1758-1834), 1787 (mezzotint)

Guliel Hayes, engraved by Thomas Park (1758-1834), 1787 (mezzotint)
DEC418558 Guliel Hayes, engraved by Thomas Park (1758-1834), 1787 (mezzotint) by Cornish, John (fl.1751-65) (after); 30.1x22.5 cm; Gerald Coke Handel Collection, Foundling Museum

Background imageAcademic Bands Collection: William Hayes, engraved by John Keyse Sherwin (c. 1751-90), c. 1775 (stipple engraving)

William Hayes, engraved by John Keyse Sherwin (c. 1751-90), c. 1775 (stipple engraving)
DEC418543 William Hayes, engraved by John Keyse Sherwin (c.1751-90), c.1775 (stipple engraving) by Cornish, John (fl.1751-65) (after); 26.2x22.8 cm; Gerald Coke Handel Collection, Foundling Museum

Background imageAcademic Bands Collection: Henri de Pussort, 1675 (engraving)

Henri de Pussort, 1675 (engraving)
2972734 Henri de Pussort, 1675 (engraving) by Masson, Antoine (1636-1700); 55.1x46.3 cm; The Art Institute of Chicago, IL, USA; Gift of Dorothy Braude Edinburg to the Harry B. and Bessie K

Background imageAcademic Bands Collection: Warden John Nicholas (oil on canvas)

Warden John Nicholas (oil on canvas)
NCO404076 Warden John Nicholas (oil on canvas) by Lely, Peter (1618-80) (circle of); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: Warden of New College 1675-79; ); English

Background imageAcademic Bands Collection: Bust of Richard Traffles (marble & limestone)

Bust of Richard Traffles (marble & limestone)
NCO403557 Bust of Richard Traffles (marble & limestone) by English School, (18th century); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: see also 403558; ); English

Background imageAcademic Bands Collection: Detail of a page from De Proprietatibus Rerum by Bartholomeus Anglicus

Detail of a page from De Proprietatibus Rerum by Bartholomeus Anglicus
488346 Detail of a page from De Proprietatibus Rerum by Bartholomeus Anglicus, in the French translation of Jean Corbechon, c.1390 (tempera on vellum) (see also 488340-47) by Remiet

Background imageAcademic Bands Collection: Dr. Thomas Fowkes (oil on canvas)

Dr. Thomas Fowkes (oil on canvas)
NCO404078 Dr. Thomas Fowkes (oil on canvas) by English School, (17th century); Courtesy of the Warden and Scholars of New College, Oxford; English, out of copyright

Background imageAcademic Bands Collection: Warden John Dobson (oil on canvas)

Warden John Dobson (oil on canvas)
NCO404077 Warden John Dobson (oil on canvas) by Gibson, Thomas (c.1680-1751); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: John Dobson)


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EDITORS COMMENTS

"Exploring the Melodies of Academic Bands: A Journey Through Time" Step into the world of academia as we embark on a musical odyssey, guided by the captivating artworks and engravings that have immortalized these esteemed individuals. From Hastings Rashdall's evocative oil painting in 1923 to Thomas Hearne's meticulously engraved portrait from 1735, each piece unveils a unique facet of this enchanting realm. Transport yourself to c. 1760 with an exquisite oil painting capturing a young man adorned in cap and gown, symbolizing the timeless traditions and intellectual pursuits associated with academic life. As we delve deeper into history, Bartholomeus Anglicus' page from "De Proprietatibus Rerum" offers glimpses into ancient knowledge that shaped scholarly discourse. The canvas comes alive once again with Reverend Thomas Wood and Jeremy Taylor portrayed in rich oils, their expressions reflecting wisdom acquired through years of dedicated study. Denis Talon's intricate engraving takes us back to 1656, showcasing the artistry behind documenting academic achievements during that era. James Edwards Sewell's vibrant oil painting from 1885-86 captures an energetic ensemble of musicians clad in academic regalia – perhaps an early representation of what would later be known as "academic bands. " Meanwhile, Lord Ashburton's watercolor portrait exudes elegance within the walls of Mansion House at Queen Square. Warden P. N. Shuttleworth gazes upon us from his canvas depiction while Guliel Hayes' mezzotint engraving introduces us to another figure who left an indelible mark on academia during his time. Finally, Bishop Henry Bathurst's commanding presence is captured beautifully on canvas in 1826. These diverse artworks serve as portals connecting us to different eras where scholars thrived amidst music-filled halls and celebrated their intellectual endeavors through harmonious melodies.

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