Accessories Collection (page 3)

Pink Court Shoes 1948
A pink high heeled court shoe with peep toes, punched hole decoration and winged heel detail - hence the name Pegasus

Auriol Lee in a Hat 1905
Miss Auriol Lee wears a coat with an unusual collar and a hat with a ribbon threaded through the brim perched at an angle on the top of her pompadour hairstyle

Patriotic Scarf / Belgium
A young, blonde patriotic Belgian girl in tasselled cap & a scarf with a red, yellow & black checker board ground bordered with the Belgian flag & a fringe of tassels

Patriotic Italian Girl
A young, brunette patriotic Italian girl in a feather adorned hat & a scarf whose decorative design is based on the Italian flag

Leather belts for sale, Florence, Tuscany, Italy, Europe

Fashionable 1940S Hat
A large, flat, felt hat worn at an acute angle, with two big feathers attached to the top. The model is also wearing a fur coat

Varese Shoes 1928
A smiling young lady with a kiss curl on her forehead holds aloft a dainty pair of court style shoes with an ankle strap

Tartan Accessories 1902
Tartan accessories including silk handkerchiefs, mufflers, neck ties, scarves, tartan cravats, silk knit motor wraps, drawstring work bags & satchels

Girl with Fan 1870S
Girl in a white party dress with a pink sash, broderie Anglaise trimmed drawers, long gloves, shoes with rosettes & a folding fan decorated with roses

Peacock Styling 1916
Satire on the current peacock modes: exaggerated voluminous short skirts in bold stripes & colours with antique accessories like panniers & reticules

Slipper Pattern 1868
A colourful embroidery design for the Victorian lady of leisure for a cashmere slipper based on an original Hindustanee pattern

Knitted Bows 1936
A machine-knitted jumper with narrow pleat detail on the shoulders & body. Wool lace bows add a decorative touch

James Augustine Aloysius Joyce, 1882 - 1941. Irish novelist, short story writer, and poet. After a contemporary print

Italian leather bags on display, Mercato Nuovo, Florence, Tuscany, Italy, Europe

The mill of Fombuena, Spain, 1884 (engraving)
AIS5355275 The mill of Fombuena, Spain, 1884 (engraving); (add.info.: The mill of Fombuena (Spain) Engraving from 1884.); © Iberfoto.

Mechanical equinox dial, for latitude 0-90 degrees, 18th century
MMM5468898 Mechanical equinox dial, for latitude 0-90 degrees, 18th century; National Maritime Museum, London, UK; (add.info.: Mechanical equinox dial, for latitude 0-90 degrees)

Universal equinoxial ring dial, for all latitudes. Brass instrument, c.1715 (brass)
MMM5475137 Universal equinoxial ring dial, for all latitudes. Brass instrument, c.1715 (brass); National Maritime Museum, London, UK; (add.info.: Universal equinoxial ring dial, for all latitudes)

Universal equinoxial dial for all latitudes, reverse, c.1695-1725 (copper)
MMM5475090 Universal equinoxial dial for all latitudes, reverse, c.1695-1725 (copper) by Culpeper, Edmund (1660-1738); National Maritime Museum, London

Sundial from Augsburg (Germany), deployed, for 10-degree latitude. Brass instrument, c.1800-1843 (brass)
MMM5475067 Sundial from Augsburg (Germany), deployed, for 10-degree latitude. Brass instrument, c.1800-1843 (brass); National Maritime Museum, London, UK; (add.info.: Sundial from Augsburg (Germany)

Magnetic compass, made by Georges Adams, a craftsman in London (England), dated 1766 (steel)
MMM5457778 Magnetic compass, made by Georges Adams, a craftsman in London (England), dated 1766 (steel); National Maritime Museum, London, UK; (add.info.: Magnetic compass, made by Georges Adams)

Sundial with universal equinox ring, for all latitudes, 18th century (copper)
MMM5470082 Sundial with universal equinox ring, for all latitudes, 18th century (copper); National Maritime Museum, London, UK; (add.info.: Sundial with universal equinox ring, for all latitudes)

Universal sundial for latitude 0-90 degrees, decorated with crowned eagles. Copper object, c.1635 (copper)
MMM5470074 Universal sundial for latitude 0-90 degrees, decorated with crowned eagles. Copper object, c.1635 (copper); National Maritime Museum, London

Analematic sundial (by projecting the shadow of the gnomon) for latitude 51 degrees, c.1697 (copper and steel)
MMM5469097 Analematic sundial (by projecting the shadow of the gnomon) for latitude 51 degrees, c.1697 (copper and steel); National Maritime Museum, London

Butterfield dial for latitude 35 degrees, built around a magnetic compass, 17th century (silver)
MMM5469074 Butterfield dial for latitude 35 degrees, built around a magnetic compass, 17th century (silver, gilded copper and glass); National Maritime Museum, London

Horizontal sundial pedestal for latitude 51 degrees, by Thomas Crow (?), 1801 (copper)
MMM5470095 Horizontal sundial pedestal for latitude 51 degrees, by Thomas Crow (?), 1801 (copper); National Maritime Museum, London

Riding bumper, decorated with the portrait of Vice Admiral Horatio Nelson (1758-1805), c.1805 (copper)
MMM5475508 Riding bumper, decorated with the portrait of Vice Admiral Horatio Nelson (1758-1805), c.1805 (copper); National Maritime Museum, London, UK; (add.info.: Riding bumper)

Diptych sundial for 49° latitude, seen from the closed lid, in ivory, dated, c.1640-60 (ivory)
MMM5475369 Diptych sundial for 49° latitude, seen from the closed lid, in ivory, dated, c.1640-60 (ivory); National Maritime Museum, London, UK; (add.info.: Diptych sundial for 49° latitude)

Universal pocket equinoxial dial for Latitude 35 degrees, deployed Silver and gilded copper instrument
MMM5474504 Universal pocket equinoxial dial for Latitude 35 degrees, deployed Silver and gilded copper instrument, 1650-1700 (silver and gilded copper); National Maritime Museum, London

Sundial from Augsburg (Germany), deployed, probably for 10-degree latitude. Brass instrument, 18th century (brass)
MMM5474487 Sundial from Augsburg (Germany), deployed, probably for 10-degree latitude. Brass instrument, 18th century (brass) by Vogler, Andreas (c.1730-1800); National Maritime Museum, London

Diptych sundial, closed, marked with 6 Chinese characters in red ink declaring 'Sun Moon Combo Dial'
MMM5474453 Diptych sundial, closed, marked with 6 Chinese characters in red ink declaring 'Sun Moon Combo Dial', c.1850-1900 (wood); National Maritime Museum, London

Cylindrical sundial for latitude 44 degrees. Wooden and metal instrument, c.1835-1870 (wood and metal)
MMM5474446 Cylindrical sundial for latitude 44 degrees. Wooden and metal instrument, c.1835-1870 (wood and metal); National Maritime Museum, London

Portable horizontal sundial for latitude 48 degrees with magnetic compass. Silver instrument, 17th century (silver)
MMM5474442 Portable horizontal sundial for latitude 48 degrees with magnetic compass. Silver instrument, 17th century (silver); National Maritime Museum, London

Diptych sundial, open, for latitude 49 degrees, with magnetic compass. Wooden instrument, 18th century (wood)
MMM5474432 Diptych sundial, open, for latitude 49 degrees, with magnetic compass. Wooden instrument, 18th century (wood); National Maritime Museum, London, UK; (add.info.: Diptych sundial, open)

Horizontal sundial, open, with an allegorical representation of justice (IUSTITIA) and mirror, c.1575 (silver)
MMM5474534 Horizontal sundial, open, with an allegorical representation of justice (IUSTITIA) and mirror, c.1575 (silver, leather and paper); National Maritime Museum, London

Diptych sundial (closed) for Latitude 48. Ivory instrument 1619, by Lienhart Miller (?), 1619 (ivory)
MMM5473341 Diptych sundial (closed) for Latitude 48. Ivory instrument 1619, by Lienhart Miller (?), 1619 (ivory); National Maritime Museum, London

Sundial, with a rotating disk with a lunar motion scale, in Chinese characters. Wooden instrument, c.1850-1900 (wood)
MMM5473321 Sundial, with a rotating disk with a lunar motion scale, in Chinese characters. Wooden instrument, c.1850-1900 (wood); National Maritime Museum, London, UK; (add.info.: Sundial)

Diptych sundial (closed) for Latitude 49. Ivory instrument, first half of the 18th century (ivory)
MMM5473296 Diptych sundial (closed) for Latitude 49. Ivory instrument, first half of the 18th century (ivory); National Maritime Museum, London

Chicks by a Basket, 1908 (oil on canvas)
658470 Chicks by a Basket, 1908 (oil on canvas) by Hunt, Edgar (1876-1953); 25.4x30.5 cm; Private Collection; (add.info.: Chicks by a Basket. Edgar Hunt (1876-1953). Oil on canvas. Dated 1908

The New Gloves, 1909 (oil on canvas)
658191 The New Gloves, 1909 (oil on canvas) by Schuster, Karl Maria (1871-1953); 99.6x75.8 cm; Private Collection; (add.info.: The New Gloves. Karl Maria Schuster (1871-1953). Oil on canvas

Happy Guy, 1944 (oil on canvas)
650489 Happy Guy, 1944 (oil on canvas) by Shinn, Everett (1876-1953); 61x51 cm; Private Collection; (add.info.: Happy Guy. Everett Shinn (1876-1953). Oil on canvas. Signed and dated 1944

Angelica Singleton Van Buren, 1842 (oil on canvas)
8735819 Angelica Singleton Van Buren, 1842 (oil on canvas) by Inman, Henry (1801-46); 107.32 x 85.42 cm; White House, Washington D.C

An antique rose-cut diamond necklace, c.1820 (diamond)
1766491 An antique rose-cut diamond necklace, c.1820 (diamond); Private Collection; (add.info.: An antique rose-cut diamond necklace, circa 1820.); Photo © Christie's Images.

A selection of Victorian diamond, gold and enamel jewellery (diamond, gold, enamel)
1766481 A selection of Victorian diamond, gold and enamel jewellery (diamond, gold, enamel); Private Collection; (add.info.: A selection of Victorian diamond)

A triple overlaid mould-blown Cameo glass vase with flowering water lilies by Galle, c.1900 (glass)
1764780 A triple overlaid mould-blown Cameo glass vase with flowering water lilies by Galle, c.1900 (glass) by Galle, Emile (1846-1904); 26 high cm; Private Collection; (add.info)

A selection of Renaissance jewellery including a gold chain, an oval amethyst cameo and two reliquary pendants, c
1766467 A selection of Renaissance jewellery including a gold chain, an oval amethyst cameo and two reliquary pendants, c

The Singer, 1902 (oil on canvas)
985406 The Singer, 1902 (oil on canvas) by Shinn, Everett (1876-1953); 67x44.2 cm; Private Collection; (add.info.: The Singer. Everett Shinn (1876-1953). Oil on canvas. Signed and dated 1902

Fan with silk mount, painted by Binet, c.1785 and three painted fans, one depicting Astronomy, mid 18th century (silk)
BAL1215 Fan with silk mount, painted by Binet, c.1785 and three painted fans, one depicting Astronomy, mid 18th century (silk); Victoria & Albert Museum, London, UK.

Basket, before 1832 (plant fibre)
PEM216332 Basket, before 1832 (plant fibre) by American School, (19th century); length: 35 cm; Peabody Essex Museum, Salem, Massachusetts, USA; (add.info.: possibly Twana tribe (North West Coast);).

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Step back in time and explore the world through captivating posters and iconic items. From Southsea to Portsmouth, BR poster in 1962, immerse yourself in the vintage charm. Travel further back to Guernsey with the GWR/SR poster from 1938, capturing the essence of a bygone era. Delve into nostalgia with Saltburn's LNER poster spanning from 1923-1947, showcasing timeless elegance. Rev up your style with a Lambretta scooter adorned with mod mirrors, epitomizing coolness and individuality. Transport yourself to Bournemouth's GWR poster from 1923-1947, where sophistication meets seaside allure. Indulge in luxury as you admire an advert for Louis Vuitton luggage from Paris in 1935 – a testament to timeless elegance and impeccable craftsmanship. Feel the coastal breeze at Whitley Bay through its enchanting BR poster dating between 1950-1965. Discover the ancient art of falconry as you witness exquisite falconry equipment that embodies both tradition and gracefulness. Admire David Wright's masterpiece 'Flower in her Hair, ' capturing beauty enhanced by delicate adornments. Travel back even further to My First Sermon (1863) and My Second Sermon (1864), created by John Everett Millais – these artworks remind us of how they are convey deep emotions and stories. Finally, marvel at Acme Moustache Guard - a quirky invention that adds humor while highlighting how they have always played a role in enhancing personal grooming throughout history and can not just embellishments; they are windows into different eras, cultures, and expressions of individuality.