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Act 4 Collection

Background imageAct 4 Collection: Coriolanus, Act 4, Scene 5 (engraving)

Coriolanus, Act 4, Scene 5 (engraving)
5229004 Coriolanus, Act 4, Scene 5 (engraving) by English School, (19th century); Private Collection; (add.info.: Coriolanus, Act 4, Scene 5)

Background imageAct 4 Collection: King Henry IV, Act IV, Scene IV (engraving)

King Henry IV, Act IV, Scene IV (engraving)
971693 King Henry IV, Act IV, Scene IV (engraving) by Meadows, Joseph Kenny (1770-1874) (after); Private Collection; (add.info.: King Henry IV, Act IV, Scene IV)

Background imageAct 4 Collection: Mr H Marston as Hotspur and Mr F Robinson as Prince Henry

Mr H Marston as Hotspur and Mr F Robinson as Prince Henry
971691 Mr H Marston as Hotspur and Mr F Robinson as Prince Henry, King Henry IV, Part I (engraving) by English School

Background imageAct 4 Collection: Timon of Athens, Act IV, scene iii (engraving)

Timon of Athens, Act IV, scene iii (engraving)
971657 Timon of Athens, Act IV, scene iii (engraving) by Meadows, Joseph Kenny (1770-1874) (after); Private Collection; (add.info.: Timon of Athens, Act IV, scene iii)

Background imageAct 4 Collection: Miss Jenny Marston and Mr F Robinson as Florizel and Perdita

Miss Jenny Marston and Mr F Robinson as Florizel and Perdita
971643 Miss Jenny Marston and Mr F Robinson as Florizel and Perdita, The Winters Tale, Act IV, scene iii (engraving) by English School

Background imageAct 4 Collection: Othello contemplating Desdemona (chromolitho)

Othello contemplating Desdemona (chromolitho)
724621 Othello contemplating Desdemona (chromolitho) by French School, (19th century); Private Collection; (add.info.: Othello contemplating Desdemona)

Background imageAct 4 Collection: Mr George Bennett as Othello and Miss Jane Bennett as Desdemona

Mr George Bennett as Othello and Miss Jane Bennett as Desdemona
971676 Mr George Bennett as Othello and Miss Jane Bennett as Desdemona, Othello, Act IV, Scene II (engraving) by English School

Background imageAct 4 Collection: Alls Well That Ends Well, Act IV, scene ii (engraving)

Alls Well That Ends Well, Act IV, scene ii (engraving)
971647 Alls Well That Ends Well, Act IV, scene ii (engraving) by Meadows, Joseph Kenny (1770-1874) (after); Private Collection; (add.info.: Alls Well That Ends Well, Act IV, scene ii)

Background imageAct 4 Collection: Mr Hackett as Falstaff, King Henry IV, Part I (engraving)

Mr Hackett as Falstaff, King Henry IV, Part I (engraving)
971690 Mr Hackett as Falstaff, King Henry IV, Part I (engraving) by English School, (19th century); Private Collection; (add.info.: Mr Hackett as Falstaff, King Henry IV, Part I, Act IV, Scene III)


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EDITORS COMMENTS

"Act 4: A Journey Through Time and Emotion" In the world of theater, Act 4 holds a special place, and is a pivotal moment where stories unfold, emotions intensify, and characters face their ultimate challenges. From classic plays to operas, this collection of engravings and chromolithos captures the essence in all its glory. The vibrant colors of "Die Afrikanerin: Act 4 (II)" and "Die Afrikanerin: Act 4 (I)" transport us to an exotic setting filled with drama and intrigue. The intricate details in these chromolithos bring the stage alive, immersing us in the intensity of the performance. Johann Trechsel's engraving from "Andria by Publius Terentius Afer" takes us back to Lyon in 1493. This ancient scene reminds us that Act 4 has been captivating audiences for centuries, transcending time with its timeless themes. Shakespearean masterpieces like "Antony and Cleopatra, " "King Lear, " "Coriolanus, " and "King Henry IV" come alive through these engravings. Each scene depicts a crucial moment where characters confront their destinies head-on, leaving no room for compromise or hesitation. The portrayal of Mr H Marston as Hotspur and Mr F Robinson as Prince Henry in King Henry IV Part I showcases the power dynamics between two formidable figures on stage. Their expressions convey tension, foreshadowing an epic clash that awaits them in Act 5. From tragedy to comedy, even lesser-known works like Timon of Athens find representation here. The engraving from Act IV Scene III captures both despair and hope as we witness Timon's transformation amidst betrayal and redemption. But it's not just about individual performances.

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