Act Iv Collection (page 2)

As You Like It - Act IV Scene I - Rosalind Tutoring Orlando in the Ceremony of Marriage
BIR189883 As You Like It - Act IV Scene I - Rosalind Tutoring Orlando in the Ceremony of Marriage or The Mock Marriage of Orlando and Rosalind, 1850 (oil on canvas) by Deverell

The Second Part of King Henry IV, Act IV, Sc 7 (litho)
6022084 The Second Part of King Henry IV, Act IV, Sc 7 (litho) by Sullivan, Edmund Joseph (1869-1933); Private Collection; (add.info.: The Second Part of King Henry IV, Act IV, Sc 7. Cade)

Le Sicilien ou L Amour Peintre, after Moliere (Act IV, Scene XII) (pencil
1769877 Le Sicilien ou L Amour Peintre, after Moliere (Act IV, Scene XII) (pencil, watercolour, gouache) by Lami, Eugene-Louis (1800-90); 19.6x14.2 cm; Private Collection; (add.info)

King Henry IV, Part II, Act IV, Scene 4 (engraving)
5211724 King Henry IV, Part II, Act IV, Scene 4 (engraving) by Retzsch, Friedrich August Moritz (1779-1857); Private Collection; (add.info.: King Henry IV, Part II, Act IV, Scene 4)

Shakespeare, Midsummer Nights Dream, Act IV, Scene 1 (chromolitho)
5213839 Shakespeare, Midsummer Nights Dream, Act IV, Scene 1 (chromolitho) by English School, (19th century); Private Collection; (add.info.: Midsummer Nights Dream, Act IV, Scene 1)

Othello contemplating Desdemona (chromolitho)
724621 Othello contemplating Desdemona (chromolitho) by French School, (19th century); Private Collection; (add.info.: Othello contemplating Desdemona)

Benedick and Beatrice, Much Ado about Nothing, Act IV, Scene I (engraving)
727163 Benedick and Beatrice, Much Ado about Nothing, Act IV, Scene I (engraving) by Watson, James Dawson (1832-92); Private Collection; (add.info.: Benedick and Beatrice, Much Ado about Nothing)

Florizel and Perdita, Winters Tale, Act IV, Scene III (engraving)
727154 Florizel and Perdita, Winters Tale, Act IV, Scene III (engraving) by Watson, James Dawson (1832-92); Private Collection; (add.info.: Florizel and Perdita, Winters Tale, Act IV, Scene III)

"My spirit can no longer bear these harms"Henry VI, Part I, Act IV, Scene 7 (colour litho)
969866 " My spirit can no longer bear these harms" Henry VI, Part I, Act IV, Scene 7 (colour litho) by English School

"Alas, how fiery, and how sharp he looks!"Comedy of Errors, Act IV, Scene 4 (colour litho)
969860 " Alas, how fiery, and how sharp he looks!" Comedy of Errors, Act IV, Scene 4 (colour litho) by English School, (19th century); Private Collection; (add.info.: " Alas)

"But this is mere digression from my purpose"Henry IV, Part II, Act IV, Scene 1 (colour litho)
969846 " But this is mere digression from my purpose" Henry IV, Part II, Act IV, Scene 1 (colour litho) by English School

"My Lord, I scarce have leisure to salute you"Troilus and Cressida, Act IV, Scene 2 (colour litho)
969842 " My Lord, I scarce have leisure to salute you" Troilus and Cressida, Act IV, Scene 2 (colour litho) by English School

Mr George Bennett as Othello and Miss Jane Bennett as Desdemona, Othello, Act IV, Scene II (engraving)
971676 Mr George Bennett as Othello and Miss Jane Bennett as Desdemona, Othello, Act IV, Scene II (engraving) by English School

Alls Well That Ends Well, Act IV, scene ii (engraving)
971647 Alls Well That Ends Well, Act IV, scene ii (engraving) by Meadows, Joseph Kenny (1770-1874) (after); Private Collection; (add.info.: Alls Well That Ends Well, Act IV, scene ii)

Act Four, La Boheme (colour litho)
3093915 Act Four, La Boheme (colour litho) by French School, (20th century); Private Collection; (add.info.: Act Four, La Boheme. Postcard, early 20th century.); © Look and Learn

Pericles. Act IV, Scene I (gravure)
672026 Pericles. Act IV, Scene I (gravure) by Darley, Felix Octavius Carr (1822-88) (after); Private Collection; (add.info.: Pericles. Act IV, Scene I)

Hamlet. Act IV, Scene V (gravure)
672013 Hamlet. Act IV, Scene V (gravure) by Darley, Felix Octavius Carr (1822-88) (after); Private Collection; (add.info.: Hamlet. Act IV, Scene V)

Macbeth. Act IV, Scene I (gravure)
672010 Macbeth. Act IV, Scene I (gravure) by Darley, Felix Octavius Carr (1822-88) (after); Private Collection; (add.info.: Macbeth. Act IV, Scene I)

King Henry Fifth V. Act IV, Scene VII (gravure)
671979 King Henry Fifth V. Act IV, Scene VII (gravure) by Darley, Felix Octavius Carr (1822-88) (after); Private Collection; (add.info.: King Henry Fifth V. Act IV, Scene VII)

Othello, Act IV, Scene 1 (engraving)
5211693 Othello, Act IV, Scene 1 (engraving) by Retzsch, Friedrich August Moritz (1779-1857); Private Collection; (add.info.: Othello, Act IV, Scene 1)

King Lear, Act IV, Scene 7 (engraving)
5211672 King Lear, Act IV, Scene 7 (engraving) by Retzsch, Friedrich August Moritz (1779-1857); Private Collection; (add.info.: King Lear, Act IV, Scene 7)

A Midsummer-Nights Dream, Act IV, Sc I (litho)
6022068 A Midsummer-Nights Dream, Act IV, Sc I (litho) by Sullivan, Edmund Joseph (1869-1933); Private Collection; (add.info.: A Midsummer-Nights Dream, Act IV, Sc I. Titania)

Mr Hackett as Falstaff, King Henry IV, Part I (engraving)
971690 Mr Hackett as Falstaff, King Henry IV, Part I (engraving) by English School, (19th century); Private Collection; (add.info.: Mr Hackett as Falstaff, King Henry IV, Part I, Act IV, Scene III)

King John, Act IV, Scene III (engraving)
971686 King John, Act IV, Scene III (engraving) by Meadows, Joseph Kenny (1770-1874) (after); Private Collection; (add.info.: King John, Act IV, Scene III)

Comedy of Errors, Act IV, Scene ii (engraving)
971629 Comedy of Errors, Act IV, Scene ii (engraving) by Meadows, Joseph Kenny (1770-1874) (after); Private Collection; (add.info.: Comedy of Errors, Act IV, Scene ii)

Mr Atkins and Miss Cross (of the T R Birmingham) as Grumio and Curtis, The Taming of the Shrew (engraving)
971626 Mr Atkins and Miss Cross (of the T R Birmingham) as Grumio and Curtis, The Taming of the Shrew (engraving) by Meadows

"His liberty is full of threats to all"Hamlet, Act IV, Scene 1 (colour litho)
969851 " His liberty is full of threats to all" Hamlet, Act IV, Scene 1 (colour litho) by English School, (19th century); Private Collection; (add.info)

Scene in Act IV of "Young Folks Ways, "the New Play at the St Jamess Theatre (engraving)
1044564 Scene in Act IV of " Young Folks Ways, " the New Play at the St Jamess Theatre (engraving) by English School

Carmen, Act IV (colour litho)
3643490 Carmen, Act IV (colour litho) by European School, (19th century); Private Collection; (add.info.: Carmen, Act IV. Educational card, late 19th or early 20th century.); © Look and Learn

Orpheus and Eurydice, Act IV scene i (gravure)
666896 Orpheus and Eurydice, Act IV scene i (gravure) by Dodge, William de Leftwich (1867-1935) (after); Private Collection; (add.info.: Orpheus and Eurydice, Act IV scene i)

King Henry V. Act IV, Scene VII (gravure)
671980 King Henry V. Act IV, Scene VII (gravure) by Darley, Felix Octavius Carr (1822-88) (after); Private Collection; (add.info.: King Henry V. Act IV, Scene VII)

First Part of King Henry the IV. Act IV, Scene II (gravure)
671977 First Part of King Henry the IV. Act IV, Scene II (gravure) by Darley, Felix Octavius Carr (1822-88) (after); Private Collection; (add.info.: First Part of King Henry the IV. Act IV, Scene II)

Merchant of Venice. Act IV-Scene I (gravure)
671954 Merchant of Venice. Act IV-Scene I (gravure) by Darley, Felix Octavius Carr (1822-88) (after); Private Collection; (add.info.: Merchant of Venice. Act IV-Scene I)

Set Design for The Merchant of Venice by William Shakespeare
661022 Set Design for The Merchant of Venice by William Shakespeare, 1858 (w/c on paper) by English School, (19th century); Private Collection; (add.info.: Act IV, Scene I, Venice)

Portia and Shylock, Merchant of Venice, Act IV, Scene I (engraving)
727168 Portia and Shylock, Merchant of Venice, Act IV, Scene I (engraving) by Watson, James Dawson (1832-92); Private Collection; (add.info.: Portia and Shylock, Merchant of Venice, Act IV, Scene I)

Richard and Bolingbroke, King Richard II, Act IV, Scene I (engraving)
727159 Richard and Bolingbroke, King Richard II, Act IV, Scene I (engraving) by Selous, Henry Courtney (1811-90) (after); Private Collection; (add.info.: Richard and Bolingbroke, King Richard II)

Illustration for Shakespeares Titus Andronicus, Act IV, Scene 2 (coloured engraving)
5197996 Illustration for Shakespeares Titus Andronicus, Act IV, Scene 2 (coloured engraving) by English School, (18th century); Private Collection; (add.info)

The Tempest, Act IV, Scene 1 (engraving)
5211684 The Tempest, Act IV, Scene 1 (engraving) by Retzsch, Friedrich August Moritz (1779-1857); Private Collection; (add.info.: The Tempest, Act IV, Scene 1)

Shakespeares The Tempest, Act IV, Scene 1 (engraving)
5218963 Shakespeares The Tempest, Act IV, Scene 1 (engraving) by Paton, Joseph Noel (1821-1901) (after); Private Collection; (add.info.: Act IV, Scene 1)

"And I myself know well, how troublesome it sat upon my head"Henry IV, Part II, Act IV
969848 " And I myself know well, how troublesome it sat upon my head" Henry IV, Part II, Act IV, Scene 4 (colour litho) by English School

Mr Couldock as Richard III, Richard III, Act IV, Scene II (engraving)
971701 Mr Couldock as Richard III, Richard III, Act IV, Scene II (engraving) by English School, (19th century); Private Collection; (add.info.: Mr Couldock as Richard III, Richard III, Act IV)

Timon of Athens, Act V, scene ii (engraving)
971658 Timon of Athens, Act V, scene ii (engraving) by Meadows, Joseph Kenny (1770-1874) (after); Private Collection; (add.info.: Timon of Athens, Act V, scene ii)

Wounded (engraving)
1050194 Wounded (engraving) by Hodgson, John Evan (1831-95); Private Collection; (add.info.: Wounded. Illustration for The Graphic, 19 January 1878.); Look and Learn / Illustrated Papers Collection

Theatre Sarah-Bernhardt. - La Sorciere. Acte IV, (The Sorceress, Act IV)) 1904
Theatre Sarah-Bernhardt. - La Sorciere. Acte IV, 1904. La Sorciere produced at the Theatre Sarah-Bernhardt in 1904 by Victorien Sardou. From " Le Theatre - Jan-June 1904"

Illustration for William Shakespeares play A Midsummer Nights Dream, Act IV, Scene I. From an 18th century engraving by John Simon after a work by Henry Fuseli

Illustration for William Shakespeares play Macbeth, Act IV, Scene I. From an 18th century engraving by Robert Thew after a work by Sir Joshua Reynolds

Illustration for William Shakespeares play Hamlet, Act IV, Scene V. From an 18th century engraving by Francis Legat after a work by Benjamin West

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"Act IV: A Journey through Shakespeare's Engravings and Gravures" Step into the realm of Shakespearean drama as Act IV unfolds before your eyes. From Julius Caesar to King Lear, immerse yourself in the captivating scenes depicted by these intricate engravings and chromolithos. In Julius Caesar, witness the haunting presence of a ghostly figure, forever etched in history. The engraving captures the chilling moment when spirits from beyond seek vengeance for their fallen leader. Othello's tragic tale takes center stage in Act IV, Scene II. As Othello succumbs to jealousy and rage, an engraved image portrays his heart-wrenching act of killing Desdemona. The intensity is palpable as emotions collide on this fateful night. King Richard III reveals his cunning nature in Act IV, Scene III. Through a detailed gravure, we glimpse into Richard's manipulative world as he schemes and plots his way towards power. His twisted ambition knows no bounds. The stormy chaos of King Lear comes alive in Act IV, Scene VI. In this enchanting engraving, experience the tempestuous atmosphere that mirrors Lear's inner turmoil. Nature itself seems to reflect the unraveling tragedy that engulfs him. King Henry V commands attention in Act IV, Scene 7 with a vibrant chromolitho depiction. Amidst battle cries and triumphs on the battlefield of Agincourt, Henry rallies his troops with stirring speeches that echo through time. Hamlet delves deeper into madness within Act IV, Scene 7 captured beautifully through another chromolitho print. Witness Hamlet's descent into darkness as he grapples with revenge and existential questions that plague his tormented soul. Henry IV Part II unveils its gripping narrative within Act IV, Scene 4 portrayed vividly through an engraved image. Political intrigue intertwines with personal struggles as characters navigate treacherous paths towards uncertain futures.