Aeneas Collection (page 4)

Aeneas relating his story to Dido (engraving)
2808155 Aeneas relating his story to Dido (engraving) by English School, (19th century); Private Collection; (add.info.: Aeneas relating his story to Dido.); © Look and Learn

Venus bringing Armour to Aeneas, 1874 (pencil on paper)
955423 Venus bringing Armour to Aeneas, 1874 (pencil on paper) by Burne-Jones, Edward Coley (1833-98); 17.7x17.2 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; English

Aeneas in the underworld (chromolitho)
2782964 Aeneas in the underworld (chromolitho) by European School, (19th century); Private Collection; (add.info.: Aeneas in the underworld. Liebig card, published in late 19th or early 20th century)

Dido and Aeneas in Carthage (engraving)
976075 Dido and Aeneas in Carthage (engraving) by English School, (18th century); Private Collection; (add.info.: Dido and Aeneas in Carthage)

Aeneas and the Cumaean Sibyl presenting the Golden Bough to Charon (oil on canvas)
3433209 Aeneas and the Cumaean Sibyl presenting the Golden Bough to Charon (oil on canvas) by Testa, Pietro (Il Lucchesino) (1611-50)

Aeneas relating to Dido the misfortunes of Troy, from MacMillan school posters, c
3709094 Aeneas relating to Dido the misfortunes of Troy, from MacMillan school posters, c.1950-60s (litho) by Guerin, P. N

Aeneas and Achilles (engraving)
2786875 Aeneas and Achilles (engraving) by English School, (19th century); Private Collection; (add.info.: Aeneas and Achilles. Illustration for Chatterbox (1882)

Aeneas and the Shade of Creusa
LLM460862 Aeneas and the Shade of Creusa by Pinelli, Bartolomeo (1781-1835); Private Collection; (add.info.: Aeneas and the Shade of Creusa)

Mercury tells Aeneas to Leave Carthage, 1679 (silk & wool)
490774 Mercury tells Aeneas to Leave Carthage, 1679 (silk & wool) by Romanelli, Giovanni Francesco (Il Viterbese) (1610-62); 411x337 cm; Cleveland Museum of Art, OH

Roman Concept of the founder of the Race. --Aeneas and Agamemnon (engraving)
655139 Roman Concept of the founder of the Race.--Aeneas and Agamemnon (engraving) by English School, (19th century); Private Collection; (add.info)

Venus and Aeneas, opening of Book I of Virgils Aeneid (w / c on vellum)
621800 Venus and Aeneas, opening of Book I of Virgils Aeneid (w/c on vellum) by Morris, William (1834-96); 14x13.5 cm; Private Collection; Photo eChristies Images; English, out of copyright

Evander and Aeneas at Palentium (engraving)
812879 Evander and Aeneas at Palentium (engraving) by Cleyn, Francis (1582-1658); Private Collection; (add.info.: Evander and Aeneas at Palentium. Print made by Wencelaus Hollar)

Aeneas and Mercury (engraving)
812877 Aeneas and Mercury (engraving) by Cleyn, Francis (1582-1658); Private Collection; (add.info.: Aeneas and Mercury. Print made by Wencelaus Hollar)

Aeneas, Sybil, Centaurs, Geryon, Briareus, Hydra, Chimaera (engraving)
812880 Aeneas, Sybil, Centaurs, Geryon, Briareus, Hydra, Chimaera (engraving) by Cleyn, Francis (1582-1658); Private Collection; (add.info.: Aeneas, Sybil, Centaurs, Geryon, Briareus, Hydra)

Mercury Appears to AEneas in a Dream, c. 1770 (etching)
873239 Mercury Appears to neas in a Dream, c.1770 (etching) by Tiepolo, Giandomenico (Giovanni Domenico) (1727-1804); 24.13 x18.42 cm; San Diego Museum of Art

Sketch for Aeneas Telling Dido the Misfortunes of Troy, before 1813 (oil on canvas)
3586128 Sketch for Aeneas Telling Dido the Misfortunes of Troy, before 1813 (oil on canvas) by Guerin, Baron Pierre-Narcisse (1774-1833); 31x40 cm; Pushkin Museum, Moscow

Aeneas Telling Dido the Misfortunes of Troy, 1819 (oil on canvas)
LSE3586127 Aeneas Telling Dido the Misfortunes of Troy, 1819 (oil on canvas) by Guerin, Baron Pierre-Narcisse (1774-1833); 131x176 cm; Musee des Beaux-Arts, Bordeaux

Aeneas and Helen (colour litho)
3634495 Aeneas and Helen (colour litho) by English School, (19th century); Private Collection; (add.info.: Aeneas and Helen)

Aeneas and the shade of Dido (colour litho)
3634485 Aeneas and the shade of Dido (colour litho) by English School, (19th century); Private Collection; (add.info.: Aeneas and the shade of Dido)

Mosaic pavement from the Roman villa at Low Ham, illustrating the story of Dido
BAL5959 Mosaic pavement from the Roman villa at Low Ham, illustrating the story of Dido and Aeneas from Virgils Aeneid, c.350 AD (mosaic) by Roman, (4th century AD); Somerset County Museum

Aeneas and Helen
LLM460861 Aeneas and Helen by Pinelli, Bartolomeo (1781-1835); Private Collection; (add.info.: Aeneas and Helen. Illustration for Stories from Virgil by Alfred J Church (Seeley)

Polyphemus and Aeneas, Pompeii, 1st century BC - 1st century AD (fresco)
LRI3900474 Polyphemus and Aeneas, Pompeii, 1st century BC - 1st century AD (fresco) by Roman; Museo Archeologico Nazionale, Naples, Campania

Flight of Aeneas (colour litho)
957856 Flight of Aeneas (colour litho) by German School, (19th century); Private Collection; (add.info.: Flight of Aeneas. Illustration of Greek vase painting.); © Look and Learn

Hector and Diomedes (colour litho)
957827 Hector and Diomedes (colour litho) by German School, (19th century); Private Collection; (add.info.: Hector and Diomedes. Illustration of Greek vase painting.); © Look and Learn

Dido and Aeneas, early 18th century (oil on canvas)
5242274 Dido and Aeneas, early 18th century (oil on canvas) by Verkolje, Nicolaes (1673-1746); 90.2x117.5 cm; J. Paul Getty Museum, Los Angeles

Oval of the vault of the Golden Gallery representing the Council of the Gods with Venus
5974639 Oval of the vault of the Golden Gallery representing the Council of the Gods with Venus, mother of Aeneas, before Jupiter, 1734-44 (fresco) by Ferrari

The Meeting between Venus and Aeneas, c. 1678 (pen & ink with wash on paper)
1762612 The Meeting between Venus and Aeneas, c.1678 (pen & ink with wash on paper) by Claude Lorrain (Claude Gellee) (1600-82); 24.5x31.8 cm; eThe Devonshire Collections

Aeneas stands beside the spoils of King Mezentius, 1874-c. 1919 (w / c on vellum)
1195393 Aeneas stands beside the spoils of King Mezentius, 1874-c.1919 (w/c on vellum) by English School, (19th century); 33.5x24 cm; Private Collection; Photo eChristies Images; English

Venus giving armour to Aeneas, 1874-c. 1919 (w / c on vellum)
1195389 Venus giving armour to Aeneas, 1874-c.1919 (w/c on vellum) by English School, (19th century); 33.5x24 cm; Private Collection; Photo eChristies Images; English, out of copyright

The Deification of Aeneas, 1642-1645 (oil on canvas)
990088 The Deification of Aeneas, 1642-1645 (oil on canvas) by Perrier, Francois (Bourguignon) (1590-1650); 108x137 cm; Private Collection; (add.info.: The Deification of Aeneas)

Venus presenting Aeneas to the Gods (black & white chalk on paper)
3715909 Venus presenting Aeneas to the Gods (black & white chalk on paper) by Nattier, Jean-Marc (1685-1766); 28.2x26.2 cm; Private Collection; Photo eChristies Images; French, out of copyright

Aeneas flees the burning city of Troy, carrying his aged father Anchises on his shoulders
1093976 Aeneas flees the burning city of Troy, carrying his aged father Anchises on his shoulders and leading his son Julus by the hand (chromolitho) by European School

The Flight of Aeneas, with the fall of Troy beyond (oil on copper)
847263 The Flight of Aeneas, with the fall of Troy beyond (oil on copper) by Barocci or Baroccio, Federico Fiori (c.1535-1612) (after); 40.7x48.3 cm; Private Collection; Haldane Fine Art; Italian

Vulcan giving Venus the arms he had forged for Aeneas (chromolitho)
3100656 Vulcan giving Venus the arms he had forged for Aeneas (chromolitho) by French School, (20th century); Private Collection; (add.info.: Vulcan giving Venus the arms he had forged for Aeneas)

Aeneas at Didos palace (chromolitho)
2782967 Aeneas at Didos palace (chromolitho) by European School, (19th century); Private Collection; (add.info.: Aeneas at Didos palace. Liebig card, published in late 19th or early 20th century)

Dido abandoned by Aeneas (chromolitho)
2782963 Dido abandoned by Aeneas (chromolitho) by European School, (19th century); Private Collection; (add.info.: Dido abandoned by Aeneas. Liebig card, published in late 19th or early 20th century)

Venus giving armour to Aeneas, opening of Book VIII of Virgils Aeneid
621807 Venus giving armour to Aeneas, opening of Book VIII of Virgils Aeneid (w/c on vellum) by Morris, William (1834-96); 14.1x13.6 cm; Private Collection; Photo eChristies Images; English

Venus tells Aeneas and his friend Achates to go to Carthage, 1679 (silk & wool)
490769 Venus tells Aeneas and his friend Achates to go to Carthage, 1679 (silk & wool) by Romanelli, Giovanni Francesco (Il Viterbese) (1610-62); 411.3x294.5 cm; Cleveland Museum of Art, OH

The Forge of Vulcan, 1555 (fresco)
BEN82446 The Forge of Vulcan, 1555 (fresco) by Gherardi, C. (1508-56) & Vasari, G. (1511-74); Palazzo Vecchio (Palazzo della Signoria) Florence, Italy; Photo eRaffaello Bencini; Italian

Aeneas Rescuing Anchises from the Sack of Troy (oil on copper)
5984018 Aeneas Rescuing Anchises from the Sack of Troy (oil on copper) by Brueghel, Jan the Elder (1568-1625); 25.4 x 34.6 cm; Private Collection; (add.info)

Oval of the vault of the Golden Gallery representing the Council of the Gods with Venus
5974640 Oval of the vault of the Golden Gallery representing the Council of the Gods with Venus, mother of Aeneas, before Jupiter, 1734-44 (fresco) by Ferrari

Aeneas slays Turnus, 1874-c. 1919 (w / c on vellum)
1195392 Aeneas slays Turnus, 1874-c.1919 (w/c on vellum) by English School, (19th century); 33.5x24 cm; Private Collection; Photo eChristies Images; English, out of copyright

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"Aeneas: The Legendary Journey of a Hero" Step into the world of ancient mythology as we delve into the captivating tale of Aeneas, a Trojan hero whose adventures shaped the destiny of Rome. In this mesmerizing artwork titled "Arrival in Italy, " painted by Claude Lorrain during the 17th century, we witness the pivotal moment when Aeneas sets foot on Italian soil, marking the dawn of the Roman Empire. Aeneas's journey begins with his escape from Troy, depicted vividly in "Aeneas Flees from Troy. " Fleeing with his father Anchises and son Ascanius, he carries not only their hopes but also an emblematic symbol known as "The Golden Bough. " This sacred branch granted him access to the underworld where he sought guidance from his deceased father. Virgil's epic poem, "The Aeneid, " beautifully captured these heroic exploits and was later transformed into a stunning miniature during the 15th century. Through this intricate artwork, we glimpse at how Aeneas's encounter with Dido in Carthage ignited a passionate love affair portrayed in "Aeneas & Dido. " Another remarkable depiction is found in "AENEAS AND ANCHISES" where we witness their bond strengthened amidst adversity. The painting captures their poignant moment together before embarking on further trials and tribulations. In one such trial called "The Purification in the River Numicius, " painted around 1725 by an unknown artist, we see Aeneas purifying himself to appease divine forces before continuing his fateful journey towards founding Rome. To understand Aeneas's lineage and significance for Rome's future leaders like Romulus and Remus, a diagram showcasing Anchises' family tree becomes essential. It reveals how Aphrodite played her part as mother to our valiant hero.