Affectionearly Renaissance Collection
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EDITORS COMMENTS
"Captivating Affection: Exploring the Early Renaissance's Devotion to Mother and Child" A timeless masterpiece, the Madonna with Child sitting on a rock is surrounded by cherubim, evoking a sense of divine love and tenderness. Located in the Uffizi, this painting captures the essence of early Renaissance affection. The enigmatic Madonna of the Sea, once attributed to Sandro Botticelli but possibly created by Flilippino Lippi, showcases a mother's unconditional love for her child. This captivating panel can be found in the Galleria dell'Accademia in Florence. Tommaso Fiamberti's Madonna with Child at the Civic Museum in Pistoia portrays an intimate moment between mother and son, radiating warmth and adoration that transcends time. Donatello's sculpture of The Virgin with Child preserved in Turin's Sabauda Gallery exemplifies his mastery over capturing maternal affection through stone. It stands as a testament to his skill during this transformative period. Michelozzo’s terracotta lunette above St Augustine’s church portal in Montepulciano depicts a touching scene of Mary cradling baby Jesus—a work that exudes both grace and devotion from every angle. Luca della Robbia's Madonna and Child at Museo Nazionale del Bargello enchants viewers with its delicate blue glaze, showcasing how artistry can breathe life into religious devotion during this era. Correggio's Study for a Holy Family reveals intricate details that emphasize tender moments shared between Mary, Joseph, and baby Jesus—an exquisite drawing housed within Bologna’s National Picture-Gallery. From San Gimignano comes a tondo by the Fiorentine School called Madonna with Child—its vibrant colors bring joy while symbolizing eternal love within one family unit; originally displayed at St Fina Hospital.