EDITORS COMMENTS
"After Marcantonio Raimondi: Exploring the Enigmatic Allegories and Iconic Figures" In this captivating collection of engravings, we delve into the artistic world after Marcantonio Raimondi. The allegory of Peace takes center stage as a personified woman stands tall, radiating tranquility and harmony. A timeless masterpiece, the Madonna with Child engraving from around 1512-1520 captures the divine bond between mother and son in exquisite detail. Moving forward, we encounter Cleopatra, partly naked and reclining on a bed. This provocative portrayal from circa 1515-1540 showcases her seductive allure that has fascinated generations. Pietro Aretino's etchings offer us two distinct states; one depicting him in his first state - an influential figure of his time - while the second state reveals another facet of his complex persona. The ethereal beauty continues with an enchanting scene featuring the Virgin Child surrounded by dancing angels against a picturesque landscape. This delicate etching from the 1530s transports us to a realm where innocence intertwines with celestial grace. Our journey then leads us to two fauns carrying a child in an engraving dating back to ca 1500-1600. Their mischievous expressions hint at hidden narratives waiting to be unraveled within this intriguing composition. As we explore further, Marcus Aurelius presents us with Speculum Romanae Magnificentiae – a mirror reflecting Rome's grandeur through intricate details captured in various engravings. Judgment Paris unfolds before our eyes as Paris extends his hand towards Venus who stands gracefully amidst this mythological tale. Saint Paul makes an appearance holding both book and sword, facing right with determination shining through his gaze (ca). Another remarkable piece from Speculum Romanae Magnificentiae brings forth Trajan City Victory – celebrating triumphs immortalized through artistry.