Album Leaf Collection (page 3)

Returning Birds and Old Cypress, late 12th - early 13th Century. Creator: Unknown
Returning Birds and Old Cypress, late 12th - early 13th Century

Returning Peasants in a Spring Evening, early 1600s. Creator: Tao Hong (Chinese, active c
Returning Peasants in a Spring Evening, early 1600s. Although little known today, Tao Hong was a versatile artist who here depicts farmers returning home after a day in the fields

Landscape, 1833. Creator: Kaioku Nukina (Japanese, 1778-1863)
Landscape, 1833. The Nanga, or " Southern School" painters of 17th- and 18th-century Japan were greatly influenced by Chinese culture

Landscape, 1808. Creator: Chikuto Nakabayashi (Japanese, 1776-1853)
Landscape, 1808. The Nanga, or " Southern School" painters of 17th- and 18th-century Japan were greatly influenced by Chinese culture

Landscape, 1798. Creator: Chikuseki Nagamachi (Japanese, 1747-1806)
Landscape, 1798. The Nanga, or " Southern School" painters of 17th- and 18th-century Japan were greatly influenced by Chinese culture

Landscape, late 18th-early 19th century. Creator: Totoki Baigai (Japanese, 1749-1804)
Landscape, late 18th-early 19th century. The Nanga, or " Southern School" painters of 17th- and 18th-century Japan were greatly influenced by Chinese culture

Landscape, 1815. Creator: Shunkin Uragami (Japanese, 1779-1846)
Landscape, 1815. The Nanga, or " Southern School" painters of 17th- and 18th-century Japan were greatly influenced by Chinese culture

Landscape with Flying Geese, mid-1200s. Creator: Ma Lin (Chinese, c. 1185-after 1260)
Landscape with Flying Geese, mid-1200s

Landscape with Figures, 960-1279. Creator: Unknown
Landscape with Figures, 960-1279

Man, Buffalo, and Calf, 1205 or 1265. Creator: Li You (Chinese, 1200s)
Man, Buffalo, and Calf, 1205 or 1265

Mountain Terrace and Pavilion, 960-1279. Creator: Unknown
Mountain Terrace and Pavilion, 960-1279

Insects and Bamboo, 13th Century. Creator: Unknown
Insects and Bamboo, 13th Century

Inscription and Two Seals, 1829. Creator: Sanyo Rai (Japanese, 1780-1832)
Inscription and Two Seals, 1829. The Nanga, or " Southern School" painters of 17th- and 18th-century Japan were greatly influenced by Chinese culture

Listening to the Qin (Zither), 1150 - after 1225. Creator: Liu Songnian (Chinese, c
Listening to the Qin (Zither), 1150 - after 1225

Miniature Album with Figures and Landscape (Three Men), 1822. Creator: Zeng Yangdong (Chinese)
Miniature Album with Figures and Landscape (Three Men), 1822

Miniature Album with Figures and Landscape (Old Man on Donkey), 1822. Creator: Zeng Yangdong
Miniature Album with Figures and Landscape (Old Man on Donkey), 1822

Miniature Album with Figures and Landscape (Landscape with Hill), 1822. Creator: Zeng Yangdong
Miniature Album with Figures and Landscape (Landscape with Hill), 1822

Miniature Album with Figures and Landscape (Man with Staff), 1822. Creator: Zeng Yangdong
Miniature Album with Figures and Landscape (Man with Staff), 1822

Miniature Album with Figures and Landscape (Man and Woman), 1822. Creator: Zeng Yangdong (Chinese)
Miniature Album with Figures and Landscape (Man and Woman), 1822

Hut Amidst the Trees, 1847. Creator: Tsubaki Chinzan (Japanese, 1801-1854)
Hut Amidst the Trees, 1847. Japanese painters were frequently influenced by paintings from China and Korea that they saw in private and temple collections throughout the country

Colors and Sound of Autumn, late 18th-early 19th century. Creator: Kaiseki Noro Ryu (Japanese)
Colors and Sound of Autumn, late 18th-early 19th century. The Nanga, or " Southern School" painters of 17th- and 18th-century Japan were greatly influenced by Chinese culture

Conversation in a Thatched Hut, late 1200s. Creator: Unknown
Conversation in a Thatched Hut, late 1200s

Cottages in a Misty Grove in Autumn, 1117

Folded Hills and Layered Peaks, 1847. Creator: Tsubaki Chinzan (Japanese, 1801-1854)
Folded Hills and Layered Peaks, 1847. Japanese painters were frequently influenced by paintings from China and Korea that they saw in private and temple collections throughout the country

Three Horsemen Hunting Wild Geese, 960-1279. Creator: Unknown
Three Horsemen Hunting Wild Geese, 960-1279

Willows, 12th Century. Creator: Unknown
Willows, 12th Century

West Lake, Hangzhou, 1368-1644(?). Creator: Unknown
West Lake, Hangzhou, 1368-1644(?)

Wild Bridge, Poets Walk, late 18th-early 19th century. Creator: Gyokudo Uragami (Japanese
Wild Bridge, Poets Walk, late 18th-early 19th century. The Nanga, or " Southern School" painters of 17th- and 18th-century Japan were greatly influenced by Chinese culture

Winter Scene, 960-1279. Creator: Unknown
Winter Scene, 960-1279

Willow and Waterfall, 1847. Creator: Tsubaki Chinzan (Japanese, 1801-1854)
Willow and Waterfall, 1847. Japanese painters were frequently influenced by paintings from China and Korea that they saw in private and temple collections throughout the country

Willow Branches in Spring, 1847. Creator: Tsubaki Chinzan (Japanese, 1801-1854)
Willow Branches in Spring, 1847. Japanese painters were frequently influenced by paintings from China and Korea that they saw in private and temple collections throughout the country

Waterfall and Rocks, 1847. Creator: Tsubaki Chinzan (Japanese, 1801-1854)
Waterfall and Rocks, 1847. Japanese painters were frequently influenced by paintings from China and Korea that they saw in private and temple collections throughout the country

A Solitary Crane in the Bamboo Grove, early 1600s. Creator: Tao Hong (Chinese, active c
A Solitary Crane in the Bamboo Grove, early 1600s. Although little known today, Tao Hong was a versatile artist who here depicts farmers returning home after a day in the fields

A Pastoral Scene, 1271-1368(?). Creator: Unknown
A Pastoral Scene, 1271-1368(?)

Sleeping Bird on a Prunus Branch, 1400s. Creator: Bian Wenjin (Chinese, about 1354-1428)
Sleeping Bird on a Prunus Branch, 1400s

The Beach at Sumiyoshi from the Tales of Ise ( Ise Monogatari ), 1600-1640
The Beach at Sumiyoshi from the " Tales of Ise" (" Ise Monogatari" ), 1600-1640. The poem written on the painting comes from The Tales of Ise

The Autumn Hunt, c. 1201-4. Creator: Chen Juzhong (Chinese), attributed to
The Autumn Hunt, c. 1201-4

The Knickknack Peddler, 1212. Creator: Li Song (Chinese, active c. 1190-c. 1230)
The Knickknack Peddler, 1212

A Pavilion, 1127-1279. Creator: Unknown
A Pavilion, 1127-1279

A Palace, 1271-1368. Creator: Unknown
A Palace, 1271-1368

Children, late 18th-early 19th century. Creator: Aoki Mokubei (Japanese, 1767-1833)
Children, late 18th-early 19th century. The Nanga, or " Southern School" painters of 17th- and 18th-century Japan were greatly influenced by Chinese culture

Buffalo and Boy in Autumnal Landscape, 1127-1279. Creator: Yan Ciping (Chinese, active 1164-1187)
Buffalo and Boy in Autumnal Landscape, 1127-1279

Dragon amid Clouds, 1788. Creator: Min Zhen (Chinese, 1730-after 1788)
Dragon amid Clouds, 1788

Dwellings beneath Folded Hills, 1847. Creator: Tsubaki Chinzan (Japanese, 1801-1854)
Dwellings beneath Folded Hills, 1847. Japanese painters were frequently influenced by paintings from China and Korea that they saw in private and temple collections throughout the country

Magpies and Wild Rabbits, 1200s. Creator: Li Yong (Chinese, active 1200s)
Magpies and Wild Rabbits, 1200s

Lu Tong and Servant, 1788. Creator: Min Zhen (Chinese, 1730-after 1788)
Lu Tong and Servant, 1788

Paintings after Ancient Masters: An Ancient Tree, 1598-1652. Creator: Chen Hongshou (Chinese)
Paintings after Ancient Masters: An Ancient Tree, 1598-1652

Paintings after Ancient Masters: Volume 2, 1598-1652. Creator: Chen Hongshou (Chinese
Paintings after Ancient Masters: Volume 2, 1598-1652

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"Journey through Time: Exploring the Beauty Art" Step into a world of artistic wonders as you flip through the delicate pages of these album leaves. Each leaf tells its own unique story, transporting you to different eras and captivating your imagination. Under the shade of towering pine trees, Wang Meng's brush strokes bring to life scenes from ancient China. With his book in hand, he writes under nature's canopy, finding inspiration amidst tranquility. In the Meiji period, a singing bird perched on a branch enchants with its melodious tunes. Its vibrant feathers seem to dance in harmony with the changing times, symbolizing hope and renewal. Dive beneath the surface as fishes gracefully swim across another album leaf from that same era. Their fluid movements capture both grace and strength, reminding us of nature's eternal rhythm. Sparrows take flight in Watanabe Seitei's masterpiece - their wings spread wide against a backdrop of blooming flowers, and is an ode to freedom and liberation; their joyous chirping resonates through centuries. On another page by Seitei, we witness a bird perched on a branch observing a spider spinning its intricate web below. A moment frozen in time captures nature's delicate balance between predator and prey. Unknown artists transport us further back as we encounter Tartar officers courting blonde ladies - tales shrouded in mystery unfold before our eyes. Love knows no boundaries or time periods; it transcends cultural barriers. Ma Yuan invites us into his serene landscape where deer roam freely along pine-shaded streams. The gentle flow soothes our souls while reminding us of humanity's connection to nature throughout history. The 18th-century ink-on-paper landscapes offer glimpses into ancient masterpieces recreated by unknown hands. These meticulous brushstrokes pay homage to Gao Shangshu and Dong Yuan – masters whose influence continues even today.