Alexandr Osipovich Orlovsky Collection

Battle between the Georgians and the Mountain Tribes, 1826 (lithograph)
1195833 Battle between the Georgians and the Mountain Tribes, 1826 (lithograph) by Orlowski

Three Caucasian Men in Conversation, (pencil and charcoal on paper)
1195723 Three Caucasian Men in Conversation, (pencil and charcoal on paper) by Orlowski

Self-portrait, (pencil on paper)
1195722 Self-portrait, (pencil on paper) by Orlowski, Alexander (Alexandr Osipovich Orlovsky) (1777-1832); 25.4x22.2 cm; Private Collection; Photo eChristies Images; Polish, out of copyright

Two Bashkirs on Horseback; or Two Cossacks on Horseback, 1820 (lithograph)
1195721 Two Bashkirs on Horseback; or Two Cossacks on Horseback, 1820 (lithograph) by Orlowski

The Coachman with Kindling (litho)
1195719 The Coachman with Kindling (litho) by Orlowski, Alexander (Alexandr Osipovich Orlovsky) (1777-1832) (after); 50.2x65.4 cm; Private Collection; (add.info.: Orlowsky)

Persian on Horseback, 1820 (lithograph)
1195720 Persian on Horseback, 1820 (lithograph) by Orlowski, Alexander (Alexandr Osipovich Orlovsky) (1777-1832); 67.3x51.4 cm; Private Collection; Photo eChristies Images; Polish, out of copyright

A Veteran of the Imperial Russian Army, 1837 (pencil and charcoal on paper)
1195832 A Veteran of the Imperial Russian Army, 1837 (pencil and charcoal on paper) by Orlowski

Portrait of Count Platov (1751-1818) on Horseback (engraving)
1195716 Portrait of Count Platov (1751-1818) on Horseback (engraving) by Orlowski, Alexander (Alexandr Osipovich Orlovsky) (1777-1832) (after); 59x48.8 cm; Private Collection; (add.info.: Orlowsky)

Giacomo Quarenghi, Wearing the Order of the Knights of Malta and Playing the Flute
1195879 Giacomo Quarenghi, Wearing the Order of the Knights of Malta and Playing the Flute, (pencil and w/c on paper) by Orlowski

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EDITORS COMMENTS

"Alexandr Osipovich Orlovsky: A Glimpse into the Diverse World of a Remarkable Artist" Step into the captivating world of Alexandr Osipovich Orlovsky, an artist whose talent knew no bounds. Through his incredible lithographs and pencil sketches, he transported viewers to different eras and cultures, capturing their essence with remarkable precision. In "Battle between the Georgians and the Mountain Tribes, 1826, " Orlovsky depicted a fierce clash between two forces, showcasing his ability to convey intense action on paper. The lithograph's intricate details immerse us in this historical event, making it come alive before our eyes. Orlovsky's mastery extended beyond battle scenes; in "Three Caucasian Men in Conversation, " he showcased his skillful use of pencil and charcoal to capture intimate moments. The expressions on their faces reveal deep conversations filled with emotion and intrigue. The artist also turned his gaze inward with his self-portraits. In "Self-portrait as a Young Man with Skull, " we see him exploring mortality through delicate pencil strokes. His introspective nature shines through as he contemplates life's mysteries. Orlovsky was not limited to human subjects alone; he brought animals to life too. In "Two Bashkirs on Horseback; or Two Cossacks on Horseback, " we witness the power and grace of these majestic creatures galloping across the page. Every line conveys movement and energy. "The Coachman with Kindling" showcases Orlovsky's ability to capture everyday scenes infused with charm. This lithograph transports us back in time when horse-drawn carriages were a common sight, evoking nostalgia for simpler times. Venturing further into diverse cultures, Orlovsky portrayed individuals from various backgrounds such as Persians and Kurds. In "A Chief of the Kurds, " we glimpse into their rich heritage through detailed lithography that highlights cultural attire and distinctive features.