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Allegorical Collection

"Unveiling the Depths: Allegorical Representations Across Time and Space" From the "Kiss of the Oceans" at the Panama Canal, where Atlantic meets Pacific

Background imageAllegorical Collection: Kiss of the Oceans - Atlantic meets Pacific - Panama Canal

Kiss of the Oceans - Atlantic meets Pacific - Panama Canal
The Kiss of the Oceans - The Atlantic meets the Pacific due to the construction of The Panama Canal - A lovely allegorical card relating to this phenomenal engineering project

Background imageAllegorical Collection: Allegorical representation of the Angel of the Paris Commune (26 March-28 May 1871)

Allegorical representation of the Angel of the Paris Commune (26 March-28 May 1871). Illustration by Walter Crane (1845-1915) English artist, published in Germany

Background imageAllegorical Collection: Defenders of the Empire - British Army, Navy and Airforce

Defenders of the Empire - British Army, Navy and Airforce with the King at the fore. Date: 1924

Background imageAllegorical Collection: The Workers May-Pole, design for a socialist poster

The Workers May-Pole, design for a socialist poster
The Workers May-Pole, a design for a socialist poster, with a central allegorical figure, and banners and ribbons labelled with abstract ideas such as Leisure, Solidarity and Humanity. Date: 1894

Background imageAllegorical Collection: Construction of the Statue of Liberty, Paris

Construction of the Statue of Liberty, Paris
Construction of the Statue of Liberty in Paris, before shipping to New York. 1885

Background imageAllegorical Collection: Alchemical tree, Philosophia reformata

Alchemical tree, Philosophia reformata
The Alchemical Tree. Engraving depicting a tree surrounded by figures used in allegory by alchemists. The tree itself carries symbols representing the Moon, Sun and five planets

Background imageAllegorical Collection: Parable Of The Wise And Foolish Virgins, 1899. Creator: William John Wainwright

Parable Of The Wise And Foolish Virgins, 1899. Creator: William John Wainwright
Parable Of The Wise And Foolish Virgins, 1899

Background imageAllegorical Collection: Bismarck as Blacksmith

Bismarck as Blacksmith
OTTO BISMARCK Prussian statesman, depicted as Smith of the Nation, handing a newly forged sword to Germania

Background imageAllegorical Collection: Night and Her Daughter Sleep, 1902. Creator: Mary L. Macomber

Night and Her Daughter Sleep, 1902. Creator: Mary L. Macomber
Night and Her Daughter Sleep, 1902

Background imageAllegorical Collection: An Allegory of the Tudor Succession: The Family of Henry VIII, c. 1589-95 (oil on panel)

An Allegory of the Tudor Succession: The Family of Henry VIII, c. 1589-95 (oil on panel)
XYC148717 An Allegory of the Tudor Succession: The Family of Henry VIII, c.1589-95 (oil on panel) by English School, (16th century); 119.5x181.5 cm; Yale Center for British Art

Background imageAllegorical Collection: WOMENs SUFFRAGE, 1915. The Awakening. American cartoon, 1915, by Henry Mayer

WOMENs SUFFRAGE, 1915. The Awakening. American cartoon, 1915, by Henry Mayer, showing an allegorical representation of the suffrage cause striding across the western states

Background imageAllegorical Collection: Trades union membership certificate

Trades union membership certificate
A trades union membership certificate for the United Operative Plumbers Association of Great Britain and Ireland, with Defence and Defiance as their motto

Background imageAllegorical Collection: Justice as depicted on a Tarot card

Justice as depicted on a Tarot card
Comtesse de Segur, nee Sophie Rostopchine, French writer, born in Russia, best known for Les Malheurs de Sophie, first published 1859

Background imageAllegorical Collection: Worker and Kolkhoz Woman, sculpture by Vera Mukhina, Moscow (b / w photo)

Worker and Kolkhoz Woman, sculpture by Vera Mukhina, Moscow (b / w photo)
7200710 Worker and Kolkhoz Woman, sculpture by Vera Mukhina, Moscow (b/w photo) by Russian Photographer, (20th century); Private Collection; (add.info.: Worker and Kolkhoz Woman)

Background imageAllegorical Collection: The Garden of Earthly Delights, 1490-1500 (oil on panel)

The Garden of Earthly Delights, 1490-1500 (oil on panel)
3107159 The Garden of Earthly Delights, 1490-1500 (oil on panel) by Bosch, Hieronymus (c.1450-1516); Prado, Madrid, Spain; (add.info.: Detail of central panel); Netherlandish, out of copyright

Background imageAllegorical Collection: Cover design, Exposition de Locomotion Aerienne

Cover design, Exposition de Locomotion Aerienne
Cover design, official catalogue of the 7th Exposition International de Locomotion Aerienne, Grand Palais, Champs Elysees, Paris, 12-27 November 1921

Background imageAllegorical Collection: The Bathos (Hogarth)

The Bathos (Hogarth)
Tailpiece, or the Bathos : in his final print, Hogarth reiterates his opinions about the vogue for dark Old Master paintings in a complex allegorical image

Background imageAllegorical Collection: Allegory of Obedience, c. 1330 (fresco)

Allegory of Obedience, c. 1330 (fresco)
XIR440726 Allegory of Obedience, c.1330 (fresco) by Giotto di Bondone (c.1266-1337) (school of); San Francesco, Lower Church, Assisi

Background imageAllegorical Collection: View of Venice, 1500 (woodcut)

View of Venice, 1500 (woodcut)
3557439 View of Venice, 1500 (woodcut) by Barbari, Jacopo de (1440/50-a.1515); 132.72x277.5 cm; Minneapolis Institute of Arts, MN

Background imageAllegorical Collection: Advert / Morlant Champers

Advert / Morlant Champers
Morlant Champagne, made in Reims

Background imageAllegorical Collection: Work, 1852-65 (oil on canvas) (see also 3927271 and 324488)

Work, 1852-65 (oil on canvas) (see also 3927271 and 324488)
MAN198054 Work, 1852-65 (oil on canvas) (see also 3927271 and 324488) by Brown, Ford Madox (1821-93); 137x197.3 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageAllegorical Collection: The Invention of the Art of Drawing (oil on canvas)

The Invention of the Art of Drawing (oil on canvas)
490133 The Invention of the Art of Drawing (oil on canvas) by Suvee, Joseph Benoit (1743-1807); 267x131.5 cm; Groeningemuseum, Bruges, Belgium; (add.info.: In this painting)

Background imageAllegorical Collection: The Knight, Death and the Devil, 1513 (etching)

The Knight, Death and the Devil, 1513 (etching)
BEN208710 The Knight, Death and the Devil, 1513 (etching) by DAOErer or Duerer, Albrecht (1471-1528); 19x24.5 cm; Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: The Christian knight)

Background imageAllegorical Collection: Cover of La Police Parisienne by G. Mace, former Head of the Paris Surete

Cover of La Police Parisienne by G. Mace, former Head of the Paris Surete
CHT237108 Cover of La Police Parisienne by G. Mace, former Head of the Paris Surete (colour litho) by French School, (19th century); Bibliotheque des Arts Decoratifs, Paris

Background imageAllegorical Collection: Great Texas State Fair Poster, 1890 (colour litho)

Great Texas State Fair Poster, 1890 (colour litho)
DHS213764 Great Texas State Fair Poster, 1890 (colour litho) by American School, (19th century); Dallas Historical Society, Texas, USA; eDallas Historical Society; American, out of copyright

Background imageAllegorical Collection: Pierre Auguste Cot (1837-1883). Spring, 1873

Pierre Auguste Cot (1837-1883). Spring, 1873
Pierre Auguste Cot (1837-1883). French painter. Spring, 1873. Oil on Canvas. Metropolitan Museum. New York. United States

Background imageAllegorical Collection: Cartoon, The Dropped Pilot, WW1

Cartoon, The Dropped Pilot, WW1
Cartoon, The Dropped Pilot, twenty-four years after Tenniel. In Tenniels Dropping the Pilot cartoon of 1890 Kaiser Wilhelm II watches as Bismarck disembarks from the ship (of state)

Background imageAllegorical Collection: Comic postcard, England and France will always pull together, WW1 Date: circa 1918

Comic postcard, England and France will always pull together, WW1 Date: circa 1918

Background imageAllegorical Collection: PRESIDENTIAL CAMPAIGN, 1880. Farmer Garfield Cutting a Swath to the White House

PRESIDENTIAL CAMPAIGN, 1880. Farmer Garfield Cutting a Swath to the White House. James Garfield as the 1880 Republican Party candidate for President on a lithograph poster by Currier & Ives, 1880

Background imageAllegorical Collection: Tarot Card 8 - La Justice (Justice)

Tarot Card 8 - La Justice (Justice)

Background imageAllegorical Collection: Apollo, God of Light, Eloquence, Poetry and the Fine Arts with Urania, Muse of Astronomy

Apollo, God of Light, Eloquence, Poetry and the Fine Arts with Urania, Muse of Astronomy
500329 Apollo, God of Light, Eloquence, Poetry and the Fine Arts with Urania, Muse of Astronomy, 1789 (oil on canvas) by Meynier, Charles (1768-1832); 275x235 cm; Cleveland Museum of Art, OH

Background imageAllegorical Collection: The Unicorn is Killed and Brought to the Castle, c. 1500 (wool warp with wool, silk

The Unicorn is Killed and Brought to the Castle, c. 1500 (wool warp with wool, silk
3469071 The Unicorn is Killed and Brought to the Castle, c.1500 (wool warp with wool, silk, silver, and gilt wefts) by Netherlandish School (16th century)

Background imageAllegorical Collection: Queen Elizabeth I (1538-1603) in Old Age, c. 1610 (oil on panel)

Queen Elizabeth I (1538-1603) in Old Age, c. 1610 (oil on panel)
CRS225667 Queen Elizabeth I (1538-1603) in Old Age, c.1610 (oil on panel) by English School, (17th century); Corsham Court, Wiltshire; English, out of copyright

Background imageAllegorical Collection: Sculpture on Synagogue, Strasbourg, Bas-Rhin, France

Sculpture on Synagogue, Strasbourg, Bas-Rhin, France
Sculpture on the Synagogue, Strasbourg, Bas-Rhin, France, a Romanesque revival building which was destroyed during the Second World War. Date: circa 1920s

Background imageAllegorical Collection: Illustration, A Song of the English, Thames Embankment

Illustration, A Song of the English, Thames Embankment
Illustration to A Song of the English, a patriotic set of poems by Rudyard Kipling (first published in the English Illustrated Magazine)

Background imageAllegorical Collection: Rhetorick, from The Gentlemans Recreation published by Richard Blome

Rhetorick, from The Gentlemans Recreation published by Richard Blome
XJF483400 Rhetorick, from The Gentlemans Recreation published by Richard Blome, 1686 (engraving) by English School, (17th century); Private Collection; (add.info)

Background imageAllegorical Collection: The Sword of Damocles (oil on canvas)

The Sword of Damocles (oil on canvas)
XIR27895 The Sword of Damocles (oil on canvas) by Auvray, Felix (1800-33); 190x260 cm; Musee des Beaux-Arts, Valenciennes

Background imageAllegorical Collection: Time Vanquished by Love, Venus and Hope, c. 1645-46 (oil on canvas)

Time Vanquished by Love, Venus and Hope, c. 1645-46 (oil on canvas)
XIR192800 Time Vanquished by Love, Venus and Hope, c.1645-46 (oil on canvas) by Vouet, Simon (1590-1649); 187x142 cm; Musee du Berry, Bourges, France; (add.info.: Le Temps Vaincu par l Amour)

Background imageAllegorical Collection: The Temptation of Saint Anthony (Oil on canvas)

The Temptation of Saint Anthony (Oil on canvas)
7393515 The Temptation of Saint Anthony (Oil on canvas) by Callot, Jacques (1592-1635) (after); 47 x 72 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageAllegorical Collection: Lysistrata and his allies defending the access of the acropolis to men by farts, 1896 (litho)

Lysistrata and his allies defending the access of the acropolis to men by farts, 1896 (litho)
AIS5356057 Lysistrata and his allies defending the access of the acropolis to men by farts, 1896 (litho) by Beardsley, Aubrey (1872-98); 32x25 cm; (add.info)

Background imageAllegorical Collection: Mars, surrounded by the Arts and Sciences, conquers Ignorance, 1605 (oil on canvas)

Mars, surrounded by the Arts and Sciences, conquers Ignorance, 1605 (oil on canvas)
490014 Mars, surrounded by the Arts and Sciences, conquers Ignorance, 1605 (oil on canvas) by Claeissins or Claeissens, Anthuenis (Antoon) (1536-1613); 197.5x280 cm; Groeningemuseum, Bruges

Background imageAllegorical Collection: Statue of St Luke as a bull, La Sagrada Familia, begun 1882 (photo)

Statue of St Luke as a bull, La Sagrada Familia, begun 1882 (photo)
7268944 Statue of St Luke as a bull, La Sagrada Familia, begun 1882 (photo) by Gaudi, Antoni (1852-1926); Sagrada Familia, Barcelona

Background imageAllegorical Collection: Allegory of Music, 1649 (oil on canvas)

Allegory of Music, 1649 (oil on canvas)
7259975 Allegory of Music, 1649 (oil on canvas) by La Hire or La Hyre, Laurent de (1606-56); 105.7 x 144.1 cm; Metropolitan Museum of Art, New York

Background imageAllegorical Collection: The Spirit of Chivalry, c. 1845 (oil on canvas)

The Spirit of Chivalry, c. 1845 (oil on canvas)
BAL8021 The Spirit of Chivalry, c.1845 (oil on canvas) by Maclise, Daniel (Croquis, Alfred) (1806-70); 125.8x84.8 cm; Sheffield Galleries and Museums Trust

Background imageAllegorical Collection: Birds fighting from Musaeum Hermeticum, 1678 (engraving)

Birds fighting from Musaeum Hermeticum, 1678 (engraving)
2906472 Birds fighting from Musaeum Hermeticum, 1678 (engraving) by German School, (17th century); Private Collection; (add.info.: Musaeum Hermeticum reformatum et amplificatum (Frankfurt)

Background imageAllegorical Collection: Allegory of Chastity, c. 1330 (fresco)

Allegory of Chastity, c. 1330 (fresco)
741526 Allegory of Chastity, c.1330 (fresco) by Giotto (Giotto di Bondone) (c.1266-1337); San Francesco, Lower Church, Assisi

Background imageAllegorical Collection: Jan Sobieski III (1624-96) King of Poland, 1683 (engraving)

Jan Sobieski III (1624-96) King of Poland, 1683 (engraving)
CZA228719 Jan Sobieski III (1624-96) King of Poland, 1683 (engraving) by Ram, Johannes de (c.1647-96); 59.3x48 cm; Czartoryski Museum, Cracow, Poland; Dutch, out of copyright

Background imageAllegorical Collection: Coronation design, Maison Prunier

Coronation design, Maison Prunier
Coronation cover from Maison Prunier (a special menu perhaps?) celebrating the coronation of King George VI and Queen Elizabeth (later the Queen Mother)



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"Unveiling the Depths: Allegorical Representations Across Time and Space" From the "Kiss of the Oceans" at the Panama Canal, where Atlantic meets Pacific, to the "Defenders of the Empire" - British Army, Navy, and Airforce standing tall; allegory has long been a powerful tool in conveying complex ideas. Intriguingly, even socialist ideals found their way into art with "The Workers May-Pole, " a design for a thought-provoking socialist poster. Similarly, alchemy's mystique is captured in the enigmatic "Alchemical Tree. " "Bismarck as Blacksmith" portrays political power through an allegorical lens while William John Wainwright's masterpiece - "Parable Of The Wise And Foolish Virgins" - invites contemplation on wisdom and folly. "WOMENs SUFFRAGE: The Awakening, " by Henry Mayer showcases an allegorical representation striding across western states towards equality. Alice Duer Miller's poignant poem echoes this sentiment below. A trades union membership certificate symbolizes solidarity among workers while Vera Mukhina's sculpture captures unity between laborers in Moscow. Mary L. Macomber delves into darkness with her evocative piece titled "Night and Her Daughter Sleep. " Meanwhile, Hieronymus Bosch takes us on a surreal journey through sin and pleasure with his iconic triptych - "The Garden of Earthly Delights. " Lastly, we find ourselves immersed in satire as Hogarth presents us with "The Bathos, " reminding us that humor can also be employed within allegory to convey profound messages. These diverse examples remind us that allegories have transcended time and culture to provoke thought, challenge norms, and inspire change throughout history.