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Allegory Collection (page 2)

Allegory, a powerful artistic tool that transcends time and culture, has the ability to convey profound messages through symbolism and metaphor

Background imageAllegory Collection: Jacob Blessing Ephraim and Manasseh, 1656. Artist: Rembrandt van Rhijn (1606-1669)

Jacob Blessing Ephraim and Manasseh, 1656. Artist: Rembrandt van Rhijn (1606-1669)
Jacob Blessing Ephraim and Manasseh, 1656. Found in the collection of Staatliche Museen, Kassel

Background imageAllegory Collection: Allegories of Pleasure and Pain and of Envy, c1480 (1945). Artist: Leonardo da Vinci

Allegories of Pleasure and Pain and of Envy, c1480 (1945). Artist: Leonardo da Vinci
Allegories of Pleasure and Pain and of Envy, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageAllegory Collection: Pierre Auguste Cot (1837-1883). Spring, 1873

Pierre Auguste Cot (1837-1883). Spring, 1873
Pierre Auguste Cot (1837-1883). French painter. Spring, 1873. Oil on Canvas. Metropolitan Museum. New York. United States

Background imageAllegory Collection: Cartoon, The Dropped Pilot, WW1

Cartoon, The Dropped Pilot, WW1
Cartoon, The Dropped Pilot, twenty-four years after Tenniel. In Tenniels Dropping the Pilot cartoon of 1890 Kaiser Wilhelm II watches as Bismarck disembarks from the ship (of state)

Background imageAllegory Collection: SECOND AFGHAN WAR, 1878. Save Me From My Friends! Amir Sher Ali of Afghanistan

SECOND AFGHAN WAR, 1878. Save Me From My Friends! Amir Sher Ali of Afghanistan endeavors to stand between the Russian bear and the British lion as each eyes the other with suspicion

Background imageAllegory Collection: Deaths Laboratory. American cartoon, 1906, by Edward Windsor Kemble on the dangers of patent

Deaths Laboratory. American cartoon, 1906, by Edward Windsor Kemble on the dangers of patent medicine
PATENT MEDICINE CARTOON. Deaths Laboratory. American cartoon, 1906, by Edward Windsor Kemble on the dangers of patent medicine and advertisers spurious claims to lure customers

Background imageAllegory Collection: Mosiacs in the apse of Saint Clement's Church in Rome

Mosiacs in the apse of Saint Clement's Church in Rome. Rome Saint Clement's Church Mosaic Romanesque, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1900-1910 ca

Background imageAllegory Collection: In Greek mythology, Hestia was the goddess of the hearth and one of the 12 Olympian deities

In Greek mythology, Hestia was the goddess of the hearth and one of the 12 Olympian deities

Background imageAllegory Collection: Sponsa De Libano, 1891, (c1930). Creator: Sir Edward Coley Burne-Jones

Sponsa De Libano, 1891, (c1930). Creator: Sir Edward Coley Burne-Jones
Sponsa De Libano, 1891, (c1930). The North and South Winds blow on the Bride of Lebanon. The lilies symbolise her virginity

Background imageAllegory Collection: The Strife of Lent with Shrovetide, c. 1550, by Pieter Bruegh

The Strife of Lent with Shrovetide, c. 1550, by Pieter Bruegh
Pieter Brueghel the Elder (c.1525-1569). Flemish painter. The Strife of Lent with Shrovetide, c.1550. National Museum of Denmark. Copenhagen. Denmark

Background imageAllegory Collection: A GARLAND FOR MAY DAY, 1913. A Garland for May day [The Many Arguments for Socialism]

A GARLAND FOR MAY DAY, 1913. A Garland for May day [The Many Arguments for Socialism]. Drawing by Walter Crane, 1913

Background imageAllegory Collection: EARTH / UNIVERSE ALLEGORY. An allegorical representation of the microcosm, or Earth

EARTH / UNIVERSE ALLEGORY. An allegorical representation of the microcosm, or Earth, and the macrocosm
EARTH/UNIVERSE ALLEGORY. An allegorical representation of the microcosm, or Earth, and the macrocosm, or the universe: German engraving, 1618

Background imageAllegory Collection: ANTI-RUSSIAN MAP, 1904. A Humorous Diplomatic Atlas of Europe and Asia

ANTI-RUSSIAN MAP, 1904. A Humorous Diplomatic Atlas of Europe and Asia. Japanese propaganda handbill of 1904 portraying Russia as a grasping octopus

Background imageAllegory Collection: ALLEGORY OF MERCURY, 1496. Personification of Mercury, the planet of science

ALLEGORY OF MERCURY, 1496. Personification of Mercury, the planet of science and the arts. Woodcut from Nicolas Le Rouges Le grand kalendrier des bergieres, Troyes, 1496

Background imageAllegory Collection: Jesus Crucifixion

Jesus Crucifixion
Allegory of Jesus crucified, surrounded by relics and other symbolic attributes

Background imageAllegory Collection: Tarot Card 8 - La Justice (Justice)

Tarot Card 8 - La Justice (Justice)

Background imageAllegory Collection: Rene Descartes, French mathematician and philosopher

Rene Descartes, French mathematician and philosopher. His most famous philosophical statement was: I think, therefore I am

Background imageAllegory Collection: Allegory of the Planets and Continents, 1752. Creator: Giovanni Battista Tiepolo

Allegory of the Planets and Continents, 1752. Creator: Giovanni Battista Tiepolo
Allegory of the Planets and Continents, 1752

Background imageAllegory Collection: Victorian satirical cartoon, He shall have little for his pains

Victorian satirical cartoon, He shall have little for his pains
Vintage engraving of a Victorian satirical cartoon on the Art Dealer. He shall have little for his pains, Who makes his living by his brains

Background imageAllegory Collection: The Finding of Moses

The Finding of Moses. Found in the Collection of Collection Perez Simon, Mexico

Background imageAllegory Collection: La Commune arretee par l Ignorance et le Reaction, 1871

La Commune arretee par l Ignorance et le Reaction, 1871. Satirical cartoon depicting an allegorical figure representing the Paris Commune arrested by Ignorance and Reaction. From a private collection

Background imageAllegory Collection: The prophet Elijah rescuing Prince Nur ad-Dahr (From the Hamzanama), 1562-1577

The prophet Elijah rescuing Prince Nur ad-Dahr (From the Hamzanama), 1562-1577. Artist: Mir Sayyid Ali (c)
The prophet Elijah rescuing Prince Nur ad-Dahr (From the Hamzanama), 1562-1577. From a private collection

Background imageAllegory Collection: Sculpture on Synagogue, Strasbourg, Bas-Rhin, France

Sculpture on Synagogue, Strasbourg, Bas-Rhin, France
Sculpture on the Synagogue, Strasbourg, Bas-Rhin, France, a Romanesque revival building which was destroyed during the Second World War. Date: circa 1920s

Background imageAllegory Collection: Illustration, A Song of the English, Thames Embankment

Illustration, A Song of the English, Thames Embankment
Illustration to A Song of the English, a patriotic set of poems by Rudyard Kipling (first published in the English Illustrated Magazine)

Background imageAllegory Collection: LORENZETTI, Ambrogio (1285-1348). Effects of Good

LORENZETTI, Ambrogio (1285-1348). Effects of Good Government on the City Life. First half 14th c. Detail. Renaissance art. Trecento. Fresco. ITALY. TUSCANY. Siena. Public Palace

Background imageAllegory Collection: Lord, have mercy on London. Contemporary English woodcut on the Great Plague of 1665

Lord, have mercy on London. Contemporary English woodcut on the Great Plague of 1665
PLAGUE OF LONDON, 1665. Lord, have mercy on London. Contemporary English woodcut on the Great Plague of 1665

Background imageAllegory Collection: As American Goes, So Goes the World. American cartoon by D. R. Fitzpatrick, 1953

As American Goes, So Goes the World. American cartoon by D. R. Fitzpatrick, 1953
CIVIL RIGHTS CARTOON, 1953. As American Goes, So Goes the World. American cartoon by D.R. Fitzpatrick, 1953, on the emphasis in President Eisenhowers inauguration speech on the importance of

Background imageAllegory Collection: Perseus, a hero of Greek mythology, became famous for killing Medusa, a monster with hair of snakes

Perseus, a hero of Greek mythology, became famous for killing Medusa, a monster with hair of snakes and wings of leather

Background imageAllegory Collection: Allegory with wolf and eagle, c1516 (1954). Artist: Leonardo da Vinci

Allegory with wolf and eagle, c1516 (1954). Artist: Leonardo da Vinci
Allegory with wolf and eagle, c1516 (1954). Found in the collection of the Royal Library, Windsor Castle, Windsor. A print from Leonardo da Vinci by Ludwig H Heydenreich. (London, 1954)

Background imageAllegory Collection: DEATH: WINGED HOURGLASS. Symbol of death. Line engraving

DEATH: WINGED HOURGLASS. Symbol of death. Line engraving

Background imageAllegory Collection: TAROT: WHEEL OF FORTUNE From an Italian deck, Milan, c1430

TAROT: WHEEL OF FORTUNE From an Italian deck, Milan, c1430

Background imageAllegory Collection: Patriotic French poster by Cappiello

Patriotic French poster by Cappiello
Patriotic poster by Leonetto Cappiello, depicting Marianne, the national symbol of France, standing on a red, white and blue map of the country

Background imageAllegory Collection: Edward VII Memorial unveiling at Brighton and Hove

Edward VII Memorial unveiling at Brighton and Hove
The unveiling of a Memorial to the late King Edward VII on the boundary dividing the boroughs of Brighton and Hove. It was unveiled by the Lord Lieutenant of Sussex, the Duke of Norfolk

Background imageAllegory Collection: Justice Personified

Justice Personified
Justice holding scales to symbolise even-handedness, stability and equality

Background imageAllegory Collection: Beethoven / Vienna Statue

Beethoven / Vienna Statue
LUDWIG VAN BEETHOVEN Inauguration of the monument to the German composer at Vienna on 1 May 1880

Background imageAllegory Collection: MOVE ON POLICE SATIRE

MOVE ON POLICE SATIRE
A cruel satire aimed at the Commissioners of Police, features a skeleton in a policemans uniform moving on a starving, homeless woman and her baby

Background imageAllegory Collection: Omnia Vincit Amor, 1599. Creator: Agostino Carracci

Omnia Vincit Amor, 1599. Creator: Agostino Carracci
Omnia Vincit Amor, 1599

Background imageAllegory Collection: Allegory of Music, 1649. Creator: Laurent de la Hyre

Allegory of Music, 1649. Creator: Laurent de la Hyre
Allegory of Music, 1649. allegorical figure tunes a theorbo. At her shoulder is a songbird, symbol of natural music, whereas by contrast she may be a representation of modern music theory

Background imageAllegory Collection: The Old Woman of Threadneedle Street, 1826. Artist: Standidge & Co

The Old Woman of Threadneedle Street, 1826. Artist: Standidge & Co
The Old Woman of Threadneedle Street, 1826. This is probably a protest against the Act restricting the issue of small notes by the Bank of England in 1826

Background imageAllegory Collection: The Prophet Isaiah and the Hellespontine Sibyl, 1492-1495

The Prophet Isaiah and the Hellespontine Sibyl, 1492-1495. Found in the Collection of Apostolic Palace, Vatican

Background imageAllegory Collection: The Prophet Daniel and the Erythraean Sibyl, 1492-1495

The Prophet Daniel and the Erythraean Sibyl, 1492-1495. Found in the Collection of Apostolic Palace, Vatican

Background imageAllegory Collection: The Prophet Jeremiah and the Agrippine Sibyl, 1492-1495

The Prophet Jeremiah and the Agrippine Sibyl, 1492-1495. Found in the Collection of Apostolic Palace, Vatican

Background imageAllegory Collection: The Prophet Obadiah and the Libyan Sibyl, 1492-1495

The Prophet Obadiah and the Libyan Sibyl, 1492-1495. Found in the Collection of Apostolic Palace, Vatican

Background imageAllegory Collection: The Prophet Jeremiah and the Phrygian Sibyl, 1492-1495

The Prophet Jeremiah and the Phrygian Sibyl, 1492-1495. Found in the Collection of Apostolic Palace, Vatican

Background imageAllegory Collection: Death and the Courtesan (Signed by the Wood-Engraver), 1903. Artist: Sebald Beham

Death and the Courtesan (Signed by the Wood-Engraver), 1903. Artist: Sebald Beham
Death and the Courtesan (Signed by the Wood-Engraver), 1903. From The Burlington Magazine for Connoisseurs, Volume 1 - March to May 1903. [The Burlington Magazine, Limited, London, 1903]

Background imageAllegory Collection: M JEKYLL, O HYDE

M JEKYLL, O HYDE
Dr M Jekyll and Mr O Hyde - Tenniel uses Stevensons novel as an allegory of Irelands two faces - the one respectable, the other murderous. Date: 1888

Background imageAllegory Collection: Barbers shop with Monkeys and Cats

Barbers shop with Monkeys and Cats. Teniers, Abraham (1629-1670). Oil on copper

Background imageAllegory Collection: Music sheet cover for Queen of the May Quadrille

Music sheet cover for Queen of the May Quadrille
Music sheet cover for the Queen of the May Quadrille, composed by the French conductor Louis Antoine Jullien (1812-1860), and dedicated to Mrs Robert Arkwright (the actress Frances Crawford Kemble)



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Allegory, a powerful artistic tool that transcends time and culture, has the ability to convey profound messages through symbolism and metaphor. Just like Plato's Cave Allegory, which explores the concept of enlightenment and the struggle to perceive reality beyond our limited perceptions. In Norman Lindsay's "A Star Explodes, " we witness an explosion of ideas and emotions as art becomes a catalyst for change. Similarly, the meeting of Atlantic and Pacific in the Panama Canal symbolizes unity and connectivity on a global scale in "Kiss of the Oceans. " "The Workers May-Pole" serves as a design for a socialist poster, representing solidarity among laborers striving for equality. Meanwhile, William H. Beard's allegorical painting "WALL STREET: BEARS & BULLS" captures the volatile nature of financial markets with its depiction of animals symbolizing market trends. An 1866 cartoon titled "Deaths Dispensary" sheds light on water pollution as a source of disease, urging society to address environmental issues responsibly. In Lissitzky's iconic poster "Beat the Whites with the red wedge, " we see political commentary through abstract symbolism during revolutionary times. The alchemical tree in Philosophia reformata represents transformation and spiritual growth while reflecting upon ancient wisdom passed down through generations. The Temperance Movement broadsheet from 1887 warns against alcohol abuse using vivid imagery like devils sliding down toboggans. Through Alphonse Mucha's artwork titled "Summer, " we are transported into an idyllic world where nature thrives harmoniously with humanity—a reminder to cherish our environment amidst industrialization. Lastly, an 1866 pollution cartoon emphasizes how human actions can have dire consequences on our health and well-being. These diverse examples demonstrate how allegories serve as mirrors reflecting societal concerns or aspirations throughout history—inviting us to ponder deeper meanings behind seemingly simple images or narratives.