Altar Collection (page 5)

The chapel of Manterndorf Castle in Lungau Austria Lungau. Date of Photograph:1890 ca

Group of young Buddhists in a temple of Bangkok Thailand Bangkok. Date of Photograph:1910 ca

Interior of a large school in San Rocco in Venezia Venice Large School in San Rocco Museum Late Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

Ciborium, work of Arnolfo di Cambio, in the Church of St. Paul Outside the Walls, Rome Rome Ciborium Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1880-1890 ca

Interior of Santa Sabina Church in Rome Rome Santa Sabina Church Nave Early Christian Art, Europe, First and Second Millennium A.D.. Date of Photograph:1880-1890 ca

Disputation over the Sacrament or Theology; drawing by Raphael. British Museum, London Drawing High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

The chapel dedicated to St. Gennaro, located in the underground passages of the Flavian Amphitheater, at Pozzuoli, in the province of Naples Pozzuoli Flavian amphitheater, underground Chapel Baroque

Cathedral of Pisa, interior: Altar dedicated to S. Biagio. Pisa Cathedral Altar Baroque, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D

View from the top of the Duomo chorus for the outbreak of the wagon, Easter folklore event, Florence Florence. Date of Photograph:20/04/1935

Ciborium of the altar with fragments of ancient ruins. Cathedral of S. Cesario, Terracina. Terracina Ciborium Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1900-1910 ca

Interior of the church of San Giovannino degli Scolopi in via Martelli at the corner with via Gori in Florence Florence via Martelli, church of St

Altar of the first chapel on the left side inside the church of San Giovannino degli Scolopi in via Martelli at the corner with via Gori in Florence Florence via Martelli, church of St

Interior of the Parish Church of S. Donnino in Villamagna, Bagno a Ripoli, Florence Bagno a Ripoli Villamagna, Church of San Donnino Church Romanesque, Middle Ages, Europe

Two altars in the nave of the Church of San Francesco in Pistoia Pistoia Church of San Francesco, nave Nave Gothic, Middle Ages, Europe, First and Second Millennium A.D

Transept of the Church of San Francesco in Pistoia Pistoia Church of San Francesco, transept Church Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1920-1930 ca

Interior of the Church of San Francesco in Pistoia Pistoia Church of San Francesco, nave Nave Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1920-1930 ca

The crypt of the parish church of Badia Prataglia, in the Casentino Poppi Badia Prataglia, parish church Crypt Romanesque, Middle Ages, Europe, First and Second Millennium A.D

The presbytery and the central altar of the Church of St. Michele in Pavia. Pavia Church of St. Michele Tribune Romanesque, Middle Ages, Europe, First and Second Millennium A.D

Interior of the church of Santa Maria della Spina in Pisa Pisa Church of Santa Maria della Spina, interior Nave Gothic, Middle Ages, Europe, First and Second Millennium A.D

Interior of the Church of Saint James the Apostle, called the "Camposanto Vecchio" (Old Cemetery) in Tarquinia. This aisleless church has one small apse

The central nave of the Duomo dell'Assunta (Cathedral of Our Lady of the Assumption) in Sutri. The interior of the Church is divided into three aisles by pilasters

Small chapel with tuff walls, of the Madonna del Parto in Sutri. Sutri. Date of Photograph:1900-1910 ca

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Como Cathedral of Santa Maria Maggiore Nave Late Gothic, Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1915 - 1920 ca.. Date of Artwork:1396 - 1744

Interior of the Sanctuary of Santa Maria del Rosario, Pompeii. Architectural work by Antonio Cua. Pompeii Sanctuary of Santa Maria del Rosario

Interior of the Chapel of S. Gennaro also called del Tesoro (of the Treasure) inside the Cathedral of S. Gennaro in Naples. Naples Cathedral of S

Interior of Prato's Cathedral consisting of three naves with powerful columns and lovely Romanesque style capitals. The lively rhythm of the arcades is characterized by the two colored decorative

Urn with Limoges enamel-work, located at the Cathedral Treasury Museum in the Anagni Cathedral. Anagni The Cathedral Treasury Museum Urn Middle Ages, Europe, First and Second Millennium A.D

Trompe-l'oeil with church interior in perspective, inlaid work by Fra Giovanni da Verona, in the choir stalls of the Abbey of Monte Oliveto Maggiore, in Chiusure

Chapel of the Madonna del Soccorso, Church of SS. Annunziata in Florence Florence Church of SS. Annunziata Chapel Mannerism, Renaissance-Baroque styles and periods, Europe

Inner of the St. Martino a Mensola church close to Fiesole Florence St. Martino a Mensola church Nave Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D

Interior of the Church of Santa Maria Maggiore in Ferentino. The church has three aisles, divided by rectangular, polystyle pillars

Interior of the Church of Santa Sabina in Rome Rome Church of S. Sabina Nave Early Christian Art, Europe, First and Second Millennium A.D.. Date of Photograph:1915-1918 ca

Partial view of the side aisle of the Saint Caesarius Cathedral in Terracina Terracina Saint Caesarius Cathedral, aisle Nave Romanesque, Middle Ages, Europe, First and Second Millennium A.D

View of the interior of the Saint Caesarius Cathedral in Terracina Terracina Saint Caesarius Cathedral Church Romanesque, Middle Ages, Europe, First and Second Millennium A.D

View of interior, left side, of the Church of Santa Maria in Gradi, in Arezzo. The church, built in the 11th century, owes its current manneristic features to Bartolomeo Ammannati's renovation

The High Altar in the Santa Maria in Gradi Church, in Arezzo. Arezzo Santa Maria in Gradi Church Altar Late Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

The interior of the church of Santa Maria in Gradi, in Arezzo. The church, built in the 11th century, owes its current manneristic features to Bartolomeo Ammannati's renovation Arezzo Church of

Interior of St. Francis Church, in Pescia. Pescia St. Francis Church Church Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1920-1930 ca.. Date of Artwork:1298, 1632

General view of the grotto of St. Rosalie, inside the Mountain Pellegrino in Palermo. Palermo Mountain Pellegrino, grotto of St. Rosalie. Date of Photograph:1890 ca

A monk in prayer inside the grotto of St. Honoratus, in the Monastery of Santa Scolastica, near Subiaco Subiaco Monastery of Santa Scolastica, grotto of St. Honoratus

High altar, in the Church of San Pietro, in Taormina Taormina Church of San Pietro Altar Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1910 ca

Altar in the style of Cosmo, work located in the Superior of Sacro Speco, in the outskirts of Subiaco Subiaco Sacro Speco, Superior Church Altar Romanesque, Middle Ages, Europe

The nave of the Church of Saint Nicholas in Agrigento. Agrigento Church of Saint Nicholas, nave Nave Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1890 ca

The Chapel of the Crucifix in Monreale's Cathedral. Monreale Cathedral, Chapel of the Crucifix Chapel Baroque, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D

The interior of the Collegiate Church in San Gimignano San Gimignano Collegiate Church Church - Facade Romanesque, Middle Ages, Europe, First and Second Millennium A.D

Angel with palm and crescent, detail of the Altar Piccolomini, marble, Andrea Bregno (c)
Angel with palm and crescent, detail of the Altar Piccolomini, marble, Andrea Bregno (c. 1418-1503), left aisle, Cathedral (Metropolitan Cathedral of Santa Maria Assunta)

View of the apse of the Pieve of San Pietro in Gropina. Loro Ciuffenna Gropina, Pieve of San Pietro Apse Romanesque, Middle Ages, Europe, First and Second Millennium A.D

Interior of the Parish Church of S. Pietro in Gropina, in the outskirts of Loro Ciuffenna, near Arezzo Loro Ciuffenna Gropina, Parish Church of S

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"Altar: A Gateway to the Divine" The altar, a sacred space adorned with symbols and relics, serves as a bridge between mortals and the divine. Just like the majestic Winged Victory of Samothrace, also known as Nike of Samothrace, it stands tall and proud, embodying triumph and grace. In St. Teresa of Avila's oil on canvas masterpiece, we witness her spiritual ecstasy as she connects with higher realms through prayer. Similarly, in Egyptian art depicting Akhenaten, Nefertiti, and their three children in relief form, we glimpse into their devotion to gods who ruled over ancient Egypt. At the Temple of San Simon or Maximon resides the Patron Saint of Gamblers and Drunks - a reminder that even those deemed lost can find solace within these hallowed walls. Meanwhile, at Knock in County Mayo Ireland's Apparition site, believers gather seeking solace from heavenly visions. "The Attainment; The Vision of the Holy Grail" reveals Sir Galahad's quest for enlightenment while Sir Bors and Sir Percival accompany him on this sacred journey. In times of war like WW1 depicted by an Army Chaplain fulfilling his duties amidst chaos and despair - altars become sanctuaries for hope. A map outlining Westminster Abbey's Coronation ritual showcases how they are central to royal ceremonies where monarchs receive divine blessings upon ascending thrones. Inside St. Stephen's Cathedral in Vienna Austria lies another magnificent altar that inspires awe among worshippers who seek spiritual nourishment within its grandeur. Lourdes' Grotto holds profound significance for countless pilgrims who flock there seeking miraculous healing - a testament to faith transcending physical boundaries. Pergamon Altar portrays Athena battling against Alcyoneus - symbolizing our eternal struggle against adversity with divine intervention guiding us towards victory.