Ambrogio Collection

The Effects of Good Government in the Countryside, (detail), 1338-1340. Artist: Ambrogio Lorenzetti
The Effects of Good Government in the Countryside, (detail), 1338-1340. Ambrogio Lorenzetti frescoed the side walls of the Council Room (Sala dei Nove) of the City Hall (Palazzo Pubblico) of Siena

Allegory of the Good Government, 1338-1340. Artist: Ambrogio Lorenzetti
Allegory of the Good Government, 1338-1340. Ambrogio Lorenzetti frescoed the side walls of the Council Room (Sala dei Nove) of the City Hall (Palazzo Pubblico) of Siena

LORENZETTI, Ambrogio (1285-1348). Effects of Good Government on the City Life. First half 14th c. Detail. Renaissance art. Trecento. Fresco. ITALY. TUSCANY. Siena. Public Palace

Ambrogio Spinola
A portrait painting of the 1st Marquess of Los Balbases and 1st Duke of Sesto, Ambrogio Spinola Doria, 1569-1630. He was an Italian condottiero of Genoa

DDE-90032835
Italy, Rome. View from atop the Spanish Steps. Basilica dei Santi Ambrogio e Carlo al Corso, St. Peter's Basilica in background. Date: 30/08/2007

Throne depicting St. Ambrose (wood)
4073998 Throne depicting St. Ambrose (wood) by Canozzi or Canozi, Cristoforo da Lendinara (1448-91); Duomo, Modena, Emilia-Romagna, Italy; Ghigo Roli; Italian, out of copyright

Genoa, Duomo (St Lawrence Cathedral), dome, tambour: "St Ambrose", figurative panel (XVI century)
6372659 Genoa, Duomo (St Lawrence Cathedral), dome, tambour: " St Ambrose", figurative panel (XVI century) by Italian School, (16th century); Cattedrale di San Lorenzo, Genoa

St Ambrose or Golden altar, front with scenes from the life of Christ, embossed gold work by Vuolvino / Volvino
LRI4586269 St Ambrose or Golden altar, front with scenes from the life of Christ, embossed gold work by Vuolvino / Volvino, 824-860, Basilica of Sant Ambrogio, Milan by Wolvinus (Vuolvinius)

Boniface III of Tuscany, Matilda of Canossa, Pietro
Boniface III of Canossa, Margrave of Tuscany (985-1052) with golden hat, chlamys and blue tunic, Matilda of Canossa, Margravine of Tuscany (1046-1115), and Pietro de Lante

Side of the altar in the Basilica di Sant Ambrogio, Milan
Side of the antependium of the altar in the Basilica di Sant Ambrogio, Milan. It is a bas-relief formed of sheets of gold. Lato del Paliotto della Basilica di S. Ambrogio

Facade of St. Marks Basilica, Venice, 1823. Facciata di S. Marco in Venezia. After Seroux d Agincourts Architecture, 1823

The interior of 5th century Basilica of St. Clement, Rome
The interior of 5th century Basilica of St. Clement, San Clemente al Laterano, Rome. Chiesa di S. Clemente in Roma. Handcoloured copperplate engraving by Cremi from Giulio Ferrarios Costumes Ancient

Saint Ambrose, Bishop of Milan, c. 1920
3497006 Saint Ambrose, Bishop of Milan, c.1920 by Wildt, Adolfo (1868-1931); Ospedale Maggiore, Milan, Italy; (add.info.: Milano-CA Granda-UniversitA degli studi-Ospedale Maggiore-Ambrogio Vescovo di)

Saint Ambrose (fresco)
3496516 Saint Ambrose (fresco) by Crespi, Daniele (1597-1630); Certosa di Pavia, Lombardy, Italy; (add.info.: Certosa di Pavia, Presbiterio, Daniele Crespi)

A Glacier Stream in the Alps, c. 1904 (pencil and watercolour on paper)
1213728 A Glacier Stream in the Alps, c.1904 (pencil and watercolour on paper) by Sargent, John Singer (1856-1925); 49.8 x33.4 cm; Laing Art Gallery, Newcastle-upon-Tyne

Saint Ambrose, 1520-22 (tempera on board) (detail of 3496310)
3496311 Saint Ambrose, 1520-22 (tempera on board) (detail of 3496310) by Luini, Bernardino (c.1480-1532); 150x64 cm; Museo Certosa di Pavia, Lombardy

Saint Ambrose preaching in Milan, form the Altarpiece of Saint Augustine, c
REV415707 Saint Ambrose preaching in Milan, form the Altarpiece of Saint Augustine, c.1480 (oil on panel) by German School, (15th century); Abbazia di Novacella (Neustift), Bressanone

Saint Ambrose, 1520-22 (tempera on board)
3496310 Saint Ambrose, 1520-22 (tempera on board) by Luini, Bernardino (c.1480-1532); Museo Certosa di Pavia, Lombardy, Italy (NOT BAL Supplier); (add.info.: Certosa di Pavia, Bernardino Luini)

The Crucifixion with Virgin, St John and Magdalen, 1470-1523

The Assumption of the Virgin. Creator: Ambrogio Bergognone
The Assumption of the Virgin

Manuscript Illumination with the Virgin and Child in an Initial S... mid-15th century
Manuscript Illumination with the Virgin and Child in an Initial S, from an Antiphonary, mid-15th century

Ambrogio The Brigand, 1901. Creator: Unknown
Ambrogio The Brigand, 1901. From " The Harmsworth Magazine, Volume VI. February 1901-July 1901", by [Harmsworth Bros, Limited, London, 1901]

Madonna with All Saints by Giotto

Ambrogio Spinola, Genoese soldier in the service of Spain, mid to late 17th century (1894). Artist: Jan Muller
Ambrogio Spinola (1569-1630), Marques de los Balbases, Genoese soldier in the service of Spain, mid to late 17th century (1894)

Surrender of Breda (Las Lanzas), 1634-1635. Artist: Diego Velazquez
Surrender of Breda (Las Lanzas), 1634-1635

The Surrender of Breda, June 2nd, 1625, (c1635). Artist: Diego Velazquez
The Surrender of Breda, June 2nd, 1625, (c1635). During the Dutch War of Independence, Justin of Nassau hands the keys of the city of Breda to Ambrogio Spinola, commander of the Spanish troops

Saint Benoit, c1480-1523. Artist: Ambrogio Bergognone
Saint Benoit, c1480-1523

The Virgin and Child with Saint Catherine of Alexandria and Saint Catherine of Siena, c1490. Found in the collection of the National Gallery, London

View of a Coastal City, c1300-1348. Artist: Ambrogio Lorenzetti
View of a Coastal City, c1300-1348. Found in the collection of the Pinacoteca Nazionale, Siena, Italy

Effects of Good Government on the City Life, (detail), 1338-1340. Artist: Ambrogio Lorenzetti
Effects of Good Government on the City Life, (detail), 1338-1340. Ambrogio Lorenzetti frescoed the side walls of the Council Room (Sala dei Nove) of the City Hall (Palazzo Pubblico) of Siena

Ambrogio Lorenzetti (1280-1348). Effects of Good Government in the city. Fresco. Detail. Merchants in the walled city of Siena

Ambrogio Spinola Doria, 1st Marquess of The Balbases, 1569 - 1630. Italian born nobleman who served Spain during the Eighty Years War

Statue of Saint Barbara by Ambrogio Parisi (1676-1719). Chur
Italy. Rome. Church of Saint Barbara of Librai. Detail of the facade, built by Giuseppe Passeri (1654-1714) with the statue of Saint Barbara by Ambrogio Parisi (1676-1719). 17th century

Marchese Ambrogio Spinola (1569-1630) by Peter Paul Rubens (
Peter Paul Rubens (1577-1640). Flemish painter. Portrait of Marchese Ambrogio Spinola (1569-1630). National Gallery. Prague. Czech Republic

Basilica of Carlo al Corso at sunset. Backlight. Rome
Italy. Rome. Basilica of Carlo al Corso at sunset. Backlight

Ambrogio di Spinola
Marchese Ambrogio di Spinola (1569 - 1630) Italian military commander in the Spanish service

Ambrogio Spinola - 4
AMBROGIO DI SPINOLA Italian military commander in the Imperial service. He is surrounded by vignettes of his celebrated victories. Date: 1569 - 1630

Ambrogio Spinola - 2
AMBROGIO DI SPINOLA Italian military commander in the Imperial service. Date: 1569 - 1630

Ambrogio Spinola - 3
AMBROGIO DI SPINOLA Italian military commander in the Imperial service. Date: 1569 - 1630

Portrait of Ambrogio Spinola, marquis de los Balbases, Jan Harmensz. Muller, Michiel Jansz van Mierevelt, 1615

Portrait of Ambrogio Spinola, Jacob Houbraken, 1749 - 1759

LORENZETTI: TOWN, c1340. View of a town. Tempera on wood

LORENZETTI: GOOD GOV T. Effects of Good Government in the city, detail. Fresco by Ambrogio Lorenzetti, 1337-1340

Saint Ambrose
circa 1770: The tomb of St Ambrose, patron saint of Milan, in the Basilica di Sant Ambrogio (the church of St Ambrose), Milan, Italy

The Virgin and Child with Saints, c1490. Oil on poplar. Ambrogio Bergognone (active 1481: dc1523) Italian painter. Virgin in blue robe, enthroned, holding hand of Catherine of Siena with lily

LORENZETTI, Ambrogio (1285-1348). Allegory f the Good Government: Effects of Good Government on the City Life. 1338-1340. ITALY. Siena. Public Palace. Central detail. Renaissance art. Trecento. Fresco

LORENZETTI, Ambrogio (1285-1348). Allegory of the Good Government. 1338-1340. ITALY. Siena. Public Palace. Located in the Sala dei Nove. Detail of the Magnanimity. On her feet, soldiers

LORENZETTI, Ambrogio (1285-1348). Allegory f the Good Government: Effects of Good Government on the City Life. Central detail. ITALY

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Ambrogio Lorenzetti, a renowned artist of the 14th century, left an indelible mark on the art world with his masterpiece "The Effects of Good Government in the Countryside. " Painted between 1338 and 1340, this detailed fresco captures the essence of harmonious governance. Lorenzetti's brushstrokes bring to life a utopian vision where peace and prosperity reign supreme. The countryside depicted is teeming with abundance; lush fields yield bountiful crops while livestock roam freely under clear blue skies. Villagers engage in various activities: farmers tend to their land, traders exchange goods at bustling markets, and children play joyfully amidst nature's embrace. This artwork serves as a testament to Ambrogio Lorenzetti's unparalleled talent in capturing not only physical beauty but also societal harmony. Through intricate details and vibrant colors, he conveys how good governance can transform communities into thriving havens. Beyond his artistic prowess lies another notable figure named Ambrogio Spinola. A military strategist hailing from Genoa, Spinola was revered for his tactical brilliance during battles fought across Europe. His name became synonymous with victory as he led armies to triumph against formidable foes. Meanwhile, another prominent work attributed to an the statue of Saint Barbara by Ambrogio Parisi. Crafted between 1676 and 1719, this masterpiece stands tall within Chur—a symbol of devotion and faith that transcends time. Speaking of devotion, St. Ambrose takes center stage in various artworks throughout history—his influence extending far beyond religious realms. From thrones depicting him made out of wood to figurative panels adorning domes and tambours in cathedrals like Genoa's Duomo or Milan's Basilica di Sant'Ambrogio—the legacy of St. Ambrose endures through these magnificent creations. In Milan specifically lies one such testament to St.